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Directed by | |||
| Akira Kurosawa | |||
| Ishirô Honda | (segments "Tunnel, The" and "Mount Fuji in Red", prologue and epilogue of "Weeping Demon, The") (uncredited) | ||
Writing credits | ||
| Akira Kurosawa | (written by) | |
Original Music by | |||
| Shinichirô Ikebe | |||
Cinematography by | |||
| Takao Saitô | |||
| Shôji Ueda | |||
Film Editing by | |||
| Tome Minami | |||
Production Design by | |||
| Yoshirô Muraki | |||
| Akira Sakuragi | |||
Art Direction by | |||
| Yoshirô Muraki | |||
| Akira Sakuragi | |||
Set Decoration by | |||
| Koichi Hamamura | |||
Costume Design by | |||
| Emi Wada | |||
Makeup Department | |||
| Tameyuki Aimi | .... | makeup artist | |
| Yumiko Fujii | .... | hair stylist | |
| Yamada Katsura | .... | hair stylist | |
| Yamada Katsura | .... | wigs | |
| Sakai Nakao | .... | hair stylist | |
| Norio Sano | .... | makeup artist | |
| Shoshichiro Ueda | .... | makeup artist | |
Production Management | |||
| Masahiko Kumada | .... | unit manager | |
| Kunio Niwa | .... | unit manager | |
| Teruyo Nogami | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Vittorio Dalle Ore | .... | assistant director | |
| Kiyoharu Hayano | .... | assistant director | |
| Ishirô Honda | .... | assistant director | |
| Takashi Koizumi | .... | chief assistant director | |
| Naohito Sakai | .... | assistant director | |
| Tsuyoshi Sugino | .... | assistant director | |
| Toru Tanaka | .... | assistant director | |
| Okihiro Yoneda | .... | assistant director | |
Art Department | |||
| Kyôko Heya | .... | art assistant | |
| Nami Ishida | .... | props | |
| Yoshiaki Kawai | .... | props | |
| Noriyuki Kondo | .... | art assistant | |
| Satoshi Ota | .... | props | |
| Yasuyoshi Ototake | .... | art assistant | |
| Yuzuru Sakai | .... | props | |
| Kazuharu Tsuboi | .... | set constructor | |
| Ichiro Utsuki | .... | set constructor | |
Special Effects by | |||
| Mark Sullivan | .... | special effects supervisor | |
| Peter Takeuchi | .... | special effects producer | |
| Michael Meier | .... | pyrotechnician (uncredited) | |
Visual Effects by | |||
| Barbara Affonso | .... | model supervisor | |
| Jon Alexander | .... | optical camera operator: ILM | |
| Jil-Sheree Bergin | .... | visual effects coordinator: ILM | |
| Barbara Brennan | .... | rotoscope artist: ILM | |
| Charlie Canfield | .... | matte camera operator: ILM | |
| Jo Carson | .... | matte camera operator: ILM | |
| Wade Childress | .... | matte camera operator: ILM | |
| Terry Chostner | .... | visual effects camera operator | |
| Susan Adele Colletta | .... | post-production coordinator: ILM | |
| Michael Cooper | .... | optical line-up | |
| Jonathan Crowe | .... | matte assistant: ILM | |
| Jeff Doran | .... | optical camera operator: ILM | |
| Selwyn Eddy | .... | visual effects camera operator (as Selwyn Eddy III) | |
| John Gazdik | .... | visual effects camera operator: ILM | |
| Brian Gernand | .... | model maker: ILM | |
| Michael Gleason | .... | visual effects editor: ILM | |
| Reuben Goldberg | .... | pyro technician: ILM | |
| Caroleen Green | .... | matte painter: ILM | |
| Mutsuhiro Harada | .... | photo composite processing | |
| Robert Hill | .... | visual effects camera operator: ILM | |
| Takabuni Hirata | .... | optical camera operator: Den Film Special Effects Unit | |
| Peg Hunter | .... | visual effects optical lineup: ILM | |
| Paul Huston | .... | matte camera operator: ILM | |
| Mikio Inoue | .... | photo composite processing | |
| Brad Jerrell | .... | head electrician: ILM | |
| Randy Jonsson | .... | visual effects camera operator: ILM (as Randy Johnson) | |
| David Karpman | .... | visual effects optical lineup: ILM | |
| Takashi Kawabata | .... | optical photographer: Den-Film Special Effects Unit | |
| Takashi Kobayashi | .... | optical photographer: Den-Film Special Effects Unit | |
| Marghi McMahon | .... | model maker: ILM | |
| Taksuhiro Miyaguchi | .... | matte painter: Den Film Special Effects Unit | |
| Michihisa Miyashige | .... | visual effects: Den Film Special Effects Unit | |
| Craig Mohagen | .... | cloud tank: ILM | |
| Tim Morgan | .... | electrician: ILM | |
| Nancy Morita | .... | assistant matte camera operator: ILM | |
| Claudia Mullaly | .... | visual effects art director: ILM | |
| Dave Murphy | .... | electrician: ILM | |
| Minoru Nakano | .... | visual effects: Den-Film Special Effects Unit | |
| Makato Negishi | .... | optical camera operator: Den-Film Special Effects Unit | |
| Lori J. Nelson | .... | visual effects optical lineup: ILM | |
| Randy Ottenberg | .... | model maker: ILM | |
| Ken Ralston | .... | visual effects supervisor | |
| Chuck Ray | .... | chief pyro technician: ILM (as Charles Ray) | |
| Thomas Rosseter | .... | visual effects optical lineup: ILM | |
| Wesley Seeds | .... | model maker: ILM | |
| Eben Stromquist | .... | model maker: ILM | |
| Mark Sullivan | .... | visual effects supervisor | |
| Akio Suzuki | .... | photo composite processing | |
| Yoshiya Takahashi | .... | photo composite processing | |
| Peter Takeuchi | .... | visual effects producer | |
| Yusef Useugi | .... | matte painter: ILM | |
| Bruce Vecchitto | .... | optical supervisor | |
| Jeffrey Bassetti | .... | vfx intern (uncredited) | |
| Joanne Bloomfield | .... | model builder (uncredited) | |
| Richard Brooks Burton | .... | high speed camera technician (uncredited) | |
Camera and Electrical Department | |||
| Yukio Choya | .... | lighting technician | |
| Hisanori Furukawa | .... | lighting technician | |
| Daizaburo Harada | .... | still photographer | |
| Hiroshi Hattori | .... | assistant camera | |
| Yuichi Horita | .... | grip | |
| Hidehiro Igarashi | .... | assistant camera | |
| Miyanobu Inori | .... | lighting technician | |
| Hideko Ioka | .... | lighting technician | |
| Hiroshi Ishida | .... | assistant camera | |
| Tadatoshi Kitagawa | .... | lighting technician | |
| Hiroyuki Kitazawa | .... | assistant camera | |
| Mitsu Kondo | .... | assistant camera | |
| Kenzo Masuda | .... | lighting rigger | |
| Kosuke Matsushima | .... | assistant camera | |
| Isanu Miwano | .... | grip | |
| Makoto Sano | .... | lighting technician | |
| Tetsuo Sawada | .... | lighting technician | |
| Yoshinori Sekiguchi | .... | assistant camera | |
| Sadanu Takahara | .... | grip | |
| Yukio Tanaka | .... | lighting rigger | |
| Satoshi Tsuyuki | .... | grip | |
| Kazushi Watanabe | .... | assistant camera | |
| Toshio Watanabe | .... | assistant camera | |
| Isao Yasui | .... | lighting technician | |
| Hiromasa Yonahara | .... | lighting technician | |
| Takeji Sano | .... | gaffer (uncredited) | |
Casting Department | |||
| Yusunori Suzuki | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Akira Fukuda | .... | wardrobe | |
| Kazuko Kurosawa | .... | wardrobe | |
| Yoko Nagano | .... | wardrobe | |
| Mitsuru Otsuka | .... | wardrobe | |
Editorial Department | |||
| Hideto Aga | .... | assistant editor | |
| Noriko Meharu | .... | negative cutter | |
| Tome Minami | .... | negative cutter | |
| Ryusuke Otsubo | .... | assistant editor | |
| Yôsuke Yafune | .... | assistant editor | |
Music Department | |||
| Ikudo Endo | .... | musician: piano | |
Transportation Department | |||
| Toru Ikegaki | .... | transportation | |
| Masahara Komatsuki | .... | transportation | |
| Yasuhisa Serizawa | .... | transportation | |
| Takashi Takei | .... | transportation | |
| Kimihiko Tsurugaya | .... | transportation | |
| Keisuke Utsumi | .... | transportation | |
Other crew | |||
| Kazutami Hara | .... | photography collaborator | |
| Michiyo Hata | .... | choreographer | |
| Yasuhiko Higashi | .... | production publicity | |
| Ishirô Honda | .... | creative consultant | |
| Shushin Hosoya | .... | production assistant | |
| Hiroko Idetsu | .... | production accountant | |
| Tadao Kanzeki | .... | mountain climbing advisor | |
| Tetsuji Maezawa | .... | coordinator: HDTV | |
| Shuji Matsumoto | .... | production accountant | |
| Tokiko Mochizuki | .... | dance instructor | |
| Tonio Onata | .... | ebr processing | |
| Magosaka Osada | .... | location supervisor | |
| Shizuo Osada | .... | location supervisor | |
| Donald Richie | .... | subtitler | |
| Satoshi Shimozawa | .... | production assistant | |
| Tadashi Shishido | .... | subtitler | |
| Izuhiko Suehiro | .... | production coordinator | |
| Takaya Takizawa | .... | ebr processing | |
| Kazutoshi Wadakura | .... | production assistant | |
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| Full cast and crew | Company credits | External reviews |
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Akira Kurosawa's insights on man's need to harmonize with nature, the costs of war and the bad fruits that nuclear power can bear. This is the first Kurosawa movie I have seen, but I can see how true it is that Kurosawa is a master of creating atmosphere in a film. Such as the dark, post-nuclear apocalyptic world of THE WEEPING DEMON. Or the very first episode when the little boy sees something he is not supposed to see in the forest.
I found THE BLIZZARD rather strange, and you'll see a scary part when the mountainman is having his mirage of the beautiful woman who symbolizes the snowstorm. I'm not sure what the significance of the dog was in THE TUNNEL, but I guess it illustrates the fact that though he was the commander of Third Platoon , he felt like a coward because of his command, his men paid the price.... yet he is guilty of still being alive; he's afraid of the dog.
It ends rather low key, but the last episode THE VILLAGE IN THE WATERMILLS is the most insightful and bold in expressing the movie's theme... of harmonizing with nature, and maybe harmonizing with ourselves.
The procession displays the unity and the communal harmony that the villagers have. And it is the exact opposite of what is grieved about in MOUNT FUJI IN RED or THE WEEPING DEMON. The cinematography is just beautiful. The movie is beautiful and captivating.
Akira Kurosawa's YUME is Grade A- 9/10