| Photos (see all 6 | slideshow) | Videos |
| Elias Koteas | ... | Noah | |
| Arsinée Khanjian | ... | Hera | |
| Maury Chaykin | ... | Bubba | |
| Gabrielle Rose | ... | Mimi | |
| Jennifer Dale | ... | Arianne | |
| David Hemblen | ... | Bert - The Head Censor | |
| Rose Sarkisyan | ... | Seta - Hera's Sister | |
| Armen Kokorian | ... | Simon - Hera's Child | |
| Jacqueline Samuda | ... | Louise - The Maid | |
| Gerard Parkes | ... | Tim | |
| Patricia Collins | ... | Lorraine | |
| Don McKellar | ... | Tyler - The Young Censor | |
| John Gilbert | ... | The Doctor | |
| Stephen Ouimette | ... | Larry - The Butterfly Collector | |
| Raoul Trujillo | ... | Matthew - His Lover | |
| Tony Nardi | ... | The Motel Manager | |
| Paul Bettis | ... | The Wild Man of the Billboards | |
| Frank Jefferson | ... | Simon as a Baby |
Directed by | |||
| Atom Egoyan | |||
Writing credits | ||
| Atom Egoyan | (writer) | |
Produced by | |||
| Camelia Frieberg | .... | co-producer | |
| David J. Webb | .... | associate producer (as David Webb) | |
Original Music by | |||
| Mychael Danna | |||
Cinematography by | |||
| Paul Sarossy | (director of photography) | ||
Film Editing by | |||
| Susan Shipton | |||
Production Design by | |||
| Linda Del Rosario | |||
| Richard Paris | |||
Set Decoration by | |||
| Linda Del Rosario | |||
| Richard Paris | |||
Costume Design by | |||
| Maya Mani | |||
Makeup Department | |||
| Nicole Demers | .... | makeup artist | |
| Maxine Rennes-Gunderson | .... | hair designer (as Maxine Rennes) | |
Production Management | |||
| Sandra Cunningham | .... | assistant production manager | |
| Camelia Frieberg | .... | production manager | |
| Stephen J. Turnbull | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Cynthia Gillespie | .... | second assistant director | |
| Ingrid Veninger | .... | assistant director | |
| David J. Webb | .... | first assistant director (as David Webb) | |
Art Department | |||
| Alexa Anthony | .... | buyer | |
| Ana Auml | .... | billboard painter | |
| Elizabeth Bailey | .... | billboard painter | |
| Elizabeth Bailey | .... | muralist | |
| Steven 'Sparky' Carr | .... | assistant set dresser (as Steve 'Sparky' Carr) | |
| Kathleen Climie | .... | assistant art director | |
| James Feige | .... | art department assistant | |
| Fred Fitzpatrick | .... | billboard painter | |
| Fred Fitzpatrick | .... | scenic painter | |
| Chris Minz | .... | billboard painter | |
| John Mokedanz | .... | art department assistant | |
| Geoff Murrin | .... | props | |
| Jim Murrin | .... | props | |
| Michael Rouse | .... | art department assistant | |
| Mark Schulson | .... | assistant set dresser | |
| Ian Taylor | .... | art department assistant | |
Sound Department | |||
| Michael Bickel | .... | assistant sound editor | |
| Sue Conley | .... | dialogue editor | |
| Paul Germann | .... | trainee sound editor | |
| Richard Harkness | .... | trainee sound editor (as Rich Harkness) | |
| Peter Kelly | .... | sound re-recording mixer: Film House | |
| Sid Lieberman | .... | foley artist | |
| Peter Melnychuk | .... | boom operator | |
| Steve Munro | .... | sound designer (as Steven Munro) | |
| George Novotny | .... | foley recordist | |
| Daniel Pellerin | .... | sound re-recording mixer | |
| Ross Redfern | .... | sound recordist | |
| Velcrow Ripper | .... | assistant sound editor | |
| E. Jane Thompson | .... | assistant sound editor (as Jane Thompson) | |
| Michael Werth | .... | adr editor | |
| Paul Weston | .... | boom operator | |
Camera and Electrical Department | |||
| Kaloust Babian | .... | still photographer: photographs of Beirut | |
| Cynthia Barlow | .... | key grip | |
| Paul Boucher | .... | second assistant camera | |
| Johnnie Eisen | .... | still photographer | |
| Greg Farrow | .... | assistant camera: second unit | |
| John Freeman | .... | camera trainee | |
| George Kerr | .... | third electrician | |
| Roscoe Kerr | .... | best boy | |
| Byron McCulloch | .... | second grip | |
| Michael Melnechenko | .... | third grip | |
| David Owen | .... | gaffer | |
| David Plank | .... | assistant camera | |
| Mark Willis | .... | camera operator: second unit | |
Casting Department | |||
| Scott Mansfield | .... | extras casting | |
Costume and Wardrobe Department | |||
| Jill Aslin | .... | wardrobe mistress | |
| Cori Burchell | .... | seamstress | |
| Laurie Munday | .... | wardrobe assistant | |
Editorial Department | |||
| Charlotte Disher | .... | assistant editor | |
| Atom Egoyan | .... | additional editor | |
| Chris Hinton | .... | color timer | |
| Bruce Organ | .... | second assistant editor | |
Music Department | |||
| Eve Egoyan | .... | musician: piano | |
| Mark Fewer | .... | musician: violin | |
Transportation Department | |||
| Stephen Payne | .... | driver | |
| Stephen J. Turnbull | .... | transportation (as Stephen Turnbull) | |
Other crew | |||
| John P. Allen | .... | fiddle | |
| Allen Bell | .... | script editor | |
| Richard Craven | .... | location manager | |
| Ron Dann | .... | steel guitar | |
| Lori Dunn | .... | production assistant | |
| Atom Egoyan | .... | classical guitar | |
| Charlotte Engel | .... | production secretary | |
| Monika Gagnon | .... | continuity | |
| Monika Gagnon | .... | script supervisor | |
| Jivan Gasparyan | .... | duduk sample | |
| Shirley Granger | .... | production accountant | |
| Karen Hawes | .... | assistant location manager | |
| John Hopkins | .... | director observer | |
| Mark Jackson | .... | production assistant | |
| Allen Khan | .... | production assistant | |
| Martyn Krys | .... | production lawyer | |
| Jordan Merkur | .... | production assistant | |
| Andrew Munger | .... | location assistant | |
| Kim Nelson | .... | production assistant | |
| Roberta Pazdro | .... | production coordinator | |
| Om Taka Taka | .... | caterer | |
| Greg Van Alstyne | .... | title graphic design | |
| Meredyth Young | .... | craft service | |
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Agree with the previous post.. this film is extraordinary and I'm amazed at the negative reactions here. I would rate it as my favourite film of all..
It's an incredible and subtle meditation on what means to be alive, to be human, to love. To be human and to be confronted by this fragmented, alienating, disturbing modern existence .. with our lives and interactions largely filtered through technology and our experiences so far removed from those of our ancestors and those before.
I was provoked and amazed by this piece of work - and I'd urge anyone who wants to be challenged to see it.
James