Danny DeVito is John Leary, a professional clown, whose wife's death in a car accident has left him to care for his two young boys. Loving, but useless at the daily job of fathering, the ... See full summary »
Robert J. Steinmiller Jr.,
'Captain' Call has just buried Gus at Lonesome Dove and plans to head back to his ranch in Montana. Looking at a herd of wild Mustangs, he decides to drive them north with the help of Isom ... See full summary »
A twisted take on 'Little Red Riding Hood' with a teenage juvenile delinquent on the run from a social worker traveling to her grandmother's house and being hounded by a charming, but sadistic, serial killer/pedophile.
Rural Louisiana, summer of 1957, Elvis is King. At 14, Dani is coming of age. Her older sister is beautiful, smart, and off to Duke in the fall; her mom's pregnant with number four (Dad wants a son), and Dad's pretty strict. Life gets sweeter when 17-year-old Court Foster, his widowed mom, and two little brothers move into the vacant farm next door. Court likes Dani's high spirits and direct way, and though he has a man's responsibilities on the farm, they go off swimming sometimes. The waters of adolescence are deeper than Dani realizes as hers and Court's feelings get jumbled. Then Mother Nature throws wrenching surprises at Dani, and she must come to terms with new emotions. Written by
Was filmed in Natchitoches, Louisiana, the oldest settlement in the Louisiana Territory. According to a Natchitoches resident, the film makers had a difficult time finding extras for the movie, as locals had been burned by the producers of Steel Magnolias (1989) (also filmed in Natchitoches) only three years prior. See more »
When Danni sneaks out to meet Court at the pond, it is full night. But when he gets mad and then she runs away, there is light pouring down through the woods. See more »
Written by Buck Ram & Buck Ram (as Ande Rand)
Performed by The Platters
Published by Hollis Music, Inc. (BMI) and Screen Gems - EMI Music Inc. (BMI)
Courtesy of PolyGram Special Products, a division of PolyGram Records, Inc. See more »
Perfect movies are rare. Even my favorite films tend to have flaws - Rear Window looks a little stagey at times, Chris Elliot's character in Groundhog Day doesn't work, the music score in Best Years of Our Lives is too cheesy, the beginning of Nights of Cabiria is a little too slow - but this film is perfectly executed from start to finish.
The script is brilliant, the acting is superb all around (although Reese Witherspoon and Sam Waterston are amazing, the whole cast shines), the directing and the photography are inspired, and the music score is touching without being intrusive (like some Miramax scores that are too manipulative). Every sad moment is truly moving, every light moment makes me smile. This truly is one of the best films I have ever seen and I wish there were more films like it.
I am glad that Reese Witherspoon has gone on to stardom after this film, but I am sorry to see that her recent movies are so much more escapist and silly than this serious film which is about real people, real feelings and real problems. Brilliant! A must-see.
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