After developing an addiction to the substance he uses to kill bugs, an exterminator accidentally murders his wife and becomes involved in a secret government plot being orchestrated by giant bugs in a port town in North Africa.
After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
The residents of a suburban high-rise apartment building are being infected by a strain of parasites that turn them into mindless, sex-crazed fiends out to infect others by the slightest sexual contact.
A young woman develops a taste for human blood after undergoing experimental plastic surgery, and her victims turn into rabid, blood-thirsty zombies who proceed to infect others, which turns into a city-wide epidemic.
Not an adaptation of beat writer William S. Burrough's novel but a mix of biography and an interpretation of his drug- induced writing processes combined with elements of his work in this paranoid fantasy about Bill Lee, a writer who accidentally shoots his wife, whose typewriter transforms into a cockroach and who becomes involved in a mysterious plot in North African port called Interzone. Wonderfully bizarre, not unlike Burrough's books. Written by
Keith Loh <firstname.lastname@example.org>
According to David Cronenberg's DVD commentary, the main credits sequence is a direct homage to visual designer Saul Bass. The film takes place in the 1950s, when Bass was active as both a graphic designer and the director of main credits sequences for other people's movies. See more »
The glass shot off Judy Davis' head changes to a plastic glass. First instance as the glass is falling off her head after the shot and then at end of film it is a plastic glass Ms Davis balances on her head. It remains plastic until it falls to floor and changes back into glass. See more »
I find it difficult to comment this movie, honestly. Without revealing anything, that is. This applies to comments only,as the evaluation would mostobviously be 10/10. You see, having read in one of the other comments here, that the movie contained an implication on heroin addiction, I expected to find something similar to "Requiem to a Dream"
a movie that leaves one single message and a bouquet of associated
feelings in a viewer, with the message being DRUGS ARE BAD, in big friendly letters. I was wrong.
I guess those who enjoy psychedelic music will understand what I want to say better - this movie has a high. Not literally of course, but it does leave you in a different world, with lots of ideas, without any definite beginning or end. It is very, very weird, in the most positive, awesome meaning of the word. Definitely not another conformist movie with a moralistic message behind it. Which is a good thing, really, because we don't get a lot of that nowadays, and 1991 isn't that far away....
The only thing about it is that you either love it or hate it. Nothing in between.
I find it quite impossible to add anything without revealing the plot. Therefore the only thing I'm going to say is: watch it! Not the best movie in the world, but most certainly the strangest one, at least from my point of view.
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