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Rick King (story) &
W. Peter Iliff (story) ...
(more)
12 July 1991 (USA) more
100% Pure Adrenaline. more
An FBI agent goes undercover to catch a gang of bank robbers who may be surfers. full summary | full synopsis
1 win & 2 nominations more
More JoBlo reviews!
(From JoBlo. 5 November 2009, 5:31 PM, PST)
Late Actor Swayze's "Black Dog" Released On DVD
(From iCelebz. 15 October 2009, 1:26 PM, PDT)
Great "new age" action thriller more (200 total)
| Patrick Swayze | ... | Bodhi | |
| Keanu Reeves | ... | Johnny Utah | |
| Gary Busey | ... | Pappas | |
| Lori Petty | ... | Tyler | |
| John C. McGinley | ... | Ben Harp (also as John McGinley) | |
| James LeGros | ... | Roach (as James Le Gros) | |
| John Philbin | ... | Nathanial | |
| Bojesse Christopher | ... | Grommet | |
| Julian Reyes | ... | Alvarez | |
| Daniel Beer | ... | Babbit | |
| Chris Pedersen | ... | Bunker | |
| Vincent Klyn | ... | Warchild | |
| Anthony Kiedis | ... | Tone | |
| Dave Olson | ... | Archbold | |
| Lee Tergesen | ... | Rosie | |
| Sydney Walsh | ... | Miss Deer | |
| Christopher Pettiet | ... | 15 | |
| Dino Andino | ... | Psycho-Stick | |
| Michael Kopelow | ... | Passion for Slashin | |
| Matt Archbold | ... | Surf Rat | |
| Julie Michaels | ... | Freight Train | |
| Kimberly Martin | ... | Fiberglass | |
| Mike Genovese | ... | Corey | |
| Jack Kehler | ... | Halsey | |
| Galyn Görg | ... | Margarita (as Galyn Gorg) | |
| Raymond Forchion | ... | Neighbor | |
| Betsy Lynn George | ... | Girl at Party | |
| Shannon Brook | ... | Fast Food Girl | |
| Gloria Mann | ... | Fierce Woman | |
| Ping Wu | ... | Dispatcher | |
| Jared Chandler | ... | Pilot | |
| John Apicella | ... | Security Guard | |
| Richard Grove | ... | Cullen | |
| Anthony Mangano | ... | Off Duty Cop | |
| Deborah Lemen | ... | Miss Jennings | |
| Mick Regan | ... | Mr. Duggan | |
| Randy Walker | ... | Combat Alley Supervisor | |
| Marsha L. Carter | ... | FBI Receptionist | |
| Sedrick J. Azurdia | ... | Fruit Vendor | |
| Peter Phelps | ... | Australian Surfer | |
| Gary Roberts | ... | Australian Cop #1 | |
| Owen Rutledge | ... | Australian Cop #2 | |
| rest of cast listed alphabetically: | |||
| Mark Atienza | ... | Stoned Surfer (uncredited) | |
| Bret Culpepper | ... | Irate Driver (uncredited) | |
| Rich Hopkins | ... | Surfer (uncredited) | |
| Debra Lamb | ... | Flame Blower at Party (uncredited) | |
| Rana Morrison | ... | Surfer Chic (uncredited) | |
| Tom Sizemore | ... | DEA Agent Deets (uncredited) | |
| Curt Truman | ... | Bank Teller (uncredited) | |
Directed by | |||
| Kathryn Bigelow | |||
Writing credits(WGA) | ||
| Rick King | (story) & | |
| W. Peter Iliff | (story) | |
| W. Peter Iliff | (screenplay) | |
Produced by | |||
| Peter Abrams | .... | producer | |
| James Cameron | .... | executive producer | |
| Rick King | .... | co-producer | |
| Robert L. Levy | .... | producer | |
| Michael Rauch | .... | co-producer | |
Original Music by | |||
| Mark Isham | |||
Cinematography by | |||
| Donald Peterman | (director of photography) | ||
Film Editing by | |||
| Howard E. Smith | (as Howard Smith) | ||
Casting by | |||
| Sharon Bialy | |||
| Richard Pagano | |||
Production Design by | |||
| Peter Jamison | |||
Art Direction by | |||
| Pamela Marcotte | |||
| John Huke | (uncredited) | ||
Set Decoration by | |||
| Linda Spheeris | |||
Makeup Department | |||
| Paul Abascal | .... | hair stylist | |
| Wes Dawn | .... | makeup artist | |
| Dino Ganziano | .... | additional hair stylist | |
| Greg LaCava | .... | makeup artist (as Greg La Cava) | |
| Bunny Parker | .... | hair stylist: aerial unit (as Bunny Parker-Adamson) | |
| Don Sheldon | .... | hair stylist: second unit | |
Production Management | |||
| Burt Bluestein | .... | production manager | |
| Gary Daigler | .... | production manager | |
Second Unit Director or Assistant Director | |||
| James M. Freitag | .... | first assistant director: second unit (as James F. Freitag) | |
| Herb Gains | .... | first assistant director | |
| Hilbert Hakim | .... | second second assistant director | |
| Jerri Lucas | .... | dga trainee | |
| Carla McCloskey | .... | first assistant director: aerial unit | |
| Chitra F. Mojtabai | .... | second assistant director | |
| Glen Sanford | .... | second assistant director: second unit (as Glenn Sanford) | |
| Jason Saville | .... | dga trainee | |
| Glenn R. Wilder | .... | second unit director (as Glenn Wilder) | |
Art Department | |||
| Randy Brewer | .... | swing gang (as John 'Randy' Brewer) | |
| Ed Brown | .... | lead man | |
| Edmond Brown | .... | leadman (as Edmond H. Brown) | |
| Gary Cole | .... | swing gang | |
| Peter Etnoyer | .... | art department coordinator | |
| Richard Girod Jr. | .... | stand-by painter (as Richard L. Girod Jr.) | |
| Ann Harris | .... | set designer | |
| David E. Harshbarger | .... | props | |
| Karen Higgins | .... | general foreman (as Karen D. Higgins) | |
| Michael P. Hunter | .... | property assistant | |
| Stacey S. McIntosh | .... | construction coordinator (as Stacey McIntosh) | |
| Jerry Moss | .... | property master | |
| Scott Nifong | .... | swing gang | |
| Ken Peterson | .... | property assistant (as Kenneth Peterson) | |
| Eric Ramirez | .... | swing gang | |
| Robert Van Dyke | .... | propmaker gangboss | |
| Randy L. Childs | .... | propmaker gangboss (uncredited) | |
| Randy Huke | .... | art sets (uncredited) | |
| Daniel Turk | .... | foreman (uncredited) | |
Special Effects by | |||
| Geno Crum | .... | special effects assistant (as Geo Crum) | |
| Ken Estes | .... | special effects assistant (as Kenneth Estes) | |
| Donald Frazee | .... | special effects assistant | |
| Logan Frazee | .... | special effects assistant (as Logan Z. Frazee) | |
| Terry D. Frazee | .... | special effects coordinator (as Terry Frazee) | |
| Donald Myers | .... | special effects assistant (as Donald Myers Jr.) | |
Visual Effects by | |||
| Rhonda C. Gunner | .... | computer animation and displays (as Rhonda Gunner) | |
| Richard E. Hollander | .... | computer animation and displays (as Richard Hollander) | |
| Gregory L. McMurry | .... | computer animation and displays | |
| John C. Wash | .... | computer animation and displays (as John Walsh) | |
Casting Department | |||
| Bill Dance | .... | extras casting | |
| Terrence Harris | .... | casting associate | |
| Mariann H.W. Lee | .... | extras casting | |
| Anne Mongan | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Colby P. Bart | .... | costume supervisor | |
| Leah Brown | .... | costumer | |
| Ed Fincher | .... | costumer (as N. Edward Fincher) | |
| Louis Infante | .... | costume supervisor | |
Editorial Department | |||
| Sharon Balmuth | .... | assistant editor | |
| Gary Burritt | .... | negative cutter | |
| Scott Conrad | .... | additional editor | |
| Curtis Edge | .... | additional editing assistant | |
| Robert Frazen | .... | assistant editor | |
| Bert Lovitt | .... | additional editor (as Burt Lovitt) | |
| Ann Martin | .... | first assistant editor | |
| Karen Schwartz | .... | apprentice editor | |
| Mike Stanwick | .... | color timer (as Michael Stanwick) | |
Music Department | |||
| Sharon Boyle | .... | music supervisor | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Gary Goetzman | .... | music supervisor | |
| Mark Isham | .... | producer: original motion picture score | |
| Stephen Krause | .... | engineer: original motion picture score | |
| Stephen Krause | .... | mixer: original motion picture score | |
| Stephen Krause | .... | producer: original motion picture score | |
| Kathy Nelson | .... | music supervisor: MCA Records | |
| David Olson | .... | music librarian | |
| Jim Weidman | .... | music editor | |
Transportation Department | |||
| George Alden | .... | driver | |
| Don Basset | .... | driver (as Don Bassett) | |
| David Bassett | .... | driver (as Dave Bassett) | |
| Mike Berdrow | .... | driver | |
| George Bess | .... | driver | |
| Henry Compton | .... | driver | |
| Andrew De Nicholas | .... | driver | |
| Alan Falco | .... | driver | |
| Alex Haapaniemi | .... | driver (as Alex Haapeniemi) | |
| Kenneth L. Hardman | .... | driver (as Kenneth Hardman) | |
| Steve Imbler | .... | transportation coordinator | |
| Michael D. Kuljis | .... | transportation captain | |
| Steve Luce | .... | driver (as Stephen Luce) | |
| Pamela Luly | .... | driver | |
| H. Richard Sanders | .... | driver | |
| George F. Sheppard | .... | driver (as George Sheppard) | |
| Steve Steere | .... | driver | |
| William Vreeland | .... | driver | |
| Vincent J. Ybiernas | .... | driver (as Vincent Ybiernas) | |
Thanks | |||
| Wes Dawn | .... | in memory of | |
Johnny Utah (USA) (original script title)
Riders on the Storm (USA) (working title)
Gefährliche Brandung (Austria) (Germany) [de]
Caçadores de Emoção (Brazil) [pt]
Dödens utmanare (Sweden) [sv]
Extrême limite (Canada: French title) (TV title) [fr]
Le llaman Bodhi (Spain) [es]
Murdepunkt (Estonia) [et]
Myrskyn ratsastajat (Finland) [fi]
Na fali (Poland) [pl]
Peklenski val (Slovenia) [sl]
Point Break (Sweden) [sv]
Point Break - Extrême limite (France) [fr]
Point break, Punto di rottura (Italy) [it]
Punto de quiebra (Uruguay) [es]
Punto límite (Argentina) [es]
Ruptura Explosiva (Portugal) [pt]
Stin kopsi tou kymatos (Greece) [el]
Tacka prekida (Serbia) [sr]
more
Rated R for violence, language and brief nudity.
120 min
2.20 : 1 more
70 mm 6-Track (70 mm prints) | Dolby SR (35 mm prints)
USA:R (Violence) (Adult language) | Iceland:16 | Denmark:15 | Canada:18 | Italy:VM14 | Ireland:18 | South Korea:18 | Argentina:13 | Australia:M | Chile:14 | Finland:K-16 | France:-12 | Germany:16 | Netherlands:12 | Norway:15 | Spain:18 | Sweden:15 | UK:15 (original rating) (cut) | UK:18 (video rating) (uncut) (1992) | USA:R | Singapore:NC-16
Beryl Street & N. Catalina Avenue, Redondo Beach, California, USA more
The ex-presidents' masks are of Jimmy Carter, Richard Nixon, Ronald Reagan and Lyndon Johnson. more
Continuity: In the bank heist, Bodhi comforts Jimmy Carter/Grommet after he's been shot in the neck. The first close-up of Grommet shows his entire lower face covered in blood. When we see him again moments later, there's a tiny streak of blood on the side of his face. more
Johnny Utah:
[analyzing a hair sample] The beaches are always being closed because of waste spills, right? And surfers are territorial, they stick to certain breaks. If we can get some hair samples, and get a match to a certain beach, we'd know which break the Ex-Presidents surf. You buyin' this?
Pappas:
No. But let's do it anyway; it'll drive Harp crazy.
more
Referenced in The Helix... Loaded (2005) more
Over the Edge more
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Katheryn Bigelow's 1991 action thriller "Point Break" is still a ground-breaking film of the early nineties. It tells the story of the cop John Utah (Keanu Reaves) hunting a bunch of bank robbers camouflaged with masks of the former U.S. presidents. His investigations leads to a group of surfers and extreme sports worshippers, and the cop becomes fascinated by the free-style philosophies and adrenaline rushes of the gang around the charismatic leader Bodhi (Patrick Swayze). Their close friendship changes to a hard-fought rivalry at the end when cop and gangsters face point blank.
Bigelow uses typically American surf beach settings for this unusual and very stylish action thriller with great stunts like parachuting scenes, bank robberies, a car chase, police raids, martial arts, breath-taking chases and brilliantly photographed surf sequences. Watch out for the Red Hot Chillie Peppers as a gang of brutal surf nazis beating up Keanu Reeves and being captured by him during a hard-fought police raid.
But "Point Break" is even more than that - it also shows the lifestyle of the nineties in many ways. Bodie and his gang are a group of New Age-like grunge guys reaching out for the most extreme adrenaline experiences. They stand for the new style of extreme/fun sport worshippers, ravers and new spiritualists of the post-yuppie era in the nineties who don't care about wealth and status symbols but for fun, action, breaking the limits and finding the sum of all senses. "Point Break" is not only a well-done example of modern action entertainment without computer-generated special effects but also a very philosophical and spiritual study of society in the nineties.