| Photos (see all 34 | slideshow) |
Directed by | |||
| Ron Fricke | |||
Writing credits(in alphabetical order) | ||
| Constantine Nicholas | treatment | |
| Genevieve Nicholas | treatment | |
Produced by | |||
| Mark Magidson | .... | producer | |
| Alton Walpole | .... | supervising producer | |
Original Music by | |||
| Michael Stearns | |||
Cinematography by | |||
| Ron Fricke | |||
Film Editing by | |||
| David Aubrey | |||
| Ron Fricke | |||
| Mark Magidson | |||
Sound Department | |||
| David Brownlow | .... | location sound recordist | |
| David Brownlow | .... | sound | |
| Matthew Iadarola | .... | supervising re-recording mixer | |
| John Morris | .... | sound designer | |
| Jennifer Myers | .... | foley artist | |
| Margie O'Malley | .... | foley artist | |
| Jeffrey R. Payne | .... | sound transfer | |
| Joseph Piantadosi | .... | sound transfer | |
| Miguel Rivera | .... | dialogue editor | |
| John Rotondi | .... | sound engineer: Y4 | |
| Michael Semanick | .... | foley engineer | |
| Tom Sherlock | .... | sound transfer | |
| Steve F.B. Smith | .... | stereo sound consultant: Dolby | |
| Michael Stearns | .... | location sound recordist | |
| John Joseph Thomas | .... | sound effects editor | |
| Eric Thompson | .... | foley engineer | |
Camera and Electrical Department | |||
| Lee Parker | .... | cinematography consultant | |
| Richard Vetter | .... | cinematography consultant | |
Editorial Department | |||
| David Bartholomew | .... | post-production consultant: 70 mm film assembly | |
| Gay Browning | .... | first assistant editor | |
| James Sheridan | .... | negative cutter | |
| Christopher Kulikowski | .... | post-production assistant (uncredited) | |
Other crew | |||
| Kimber Hightower | .... | production assistant | |
| Robin Smith | .... | location researcher | |
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| Andrey Rublyov | Cavite | Au hasard Balthazar | Johnny Got His Gun | River's Edge |
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When I first experienced (that's the most striking word for it) this movie at the Gothenburg Film Festival 1994, I was truly amazed. Never before - or since - have I had such an over all explain-it-all feeling after a show.
Ron Fricke has made a documentary about the World today for a day: starting at dawn with monkeys in hot springs in Japan, and the morning rituals of various religions. This is followed by the awakening of the human race, both in the big cities and on the country side. Brilliantly edited together follows every aspect of human daily life combined with the general changes of the planet itself and all the ecological systems upon it.
The over all glue of the story are the various religious rituals. Maybe this is my personal interpretation, being a teacher of Religion, but the only time giver, except for the turning of the sun, are the praying times and times of worship peoples practice around the globe.
My comparison of the film to the GAIA idea (that the Earth as a whole being a unit, a living organism) is detectable both in the way every different cultures shown are found to be very similar to one another, as well as the speeded up people at side walks and zebra crossings look very much like the stream of blood in the veins of an organism.
All in all this is a marvellous movie pointing out both the uniqueness of the individual and the unity with all people. Go see it - now!