| Arno Frisch | ... | Benny | |
| Angela Winkler | ... | Mother | |
| Ulrich Mühe | ... | Father | |
| Ingrid Stassner | ... | Young Girl | |
| Stephanie Brehme | |||
| Stefan Polasek | |||
| Christian Pundy | |||
| Max Berner | |||
| Hanspeter Müller | |||
| Shelley Kästner | |||
| rest of cast listed alphabetically: | |||
| Wolfgang Böck | |||
| Cecile Gordon | |||
| Alfred Köberler | |||
| Paulus Manker | |||
| Gerhard Schmiepeter | |||
| Susanne Schneider | |||
| Dietrich Siegl | ... | (voice) | |
| Martin Schoendeling | ... | Sales manager in videostore (uncredited) | |
Directed by | |||
| Michael Haneke | |||
Writing credits(in alphabetical order) | ||
| Michael Haneke | writer | |
Produced by | |||
| Veit Heiduschka | .... | producer | |
| Michael Katz | .... | executive producer | |
| Bernard Lang | .... | producer | |
| Gebhard Zupan | .... | executive producer | |
Cinematography by | |||
| Christian Berger | |||
Film Editing by | |||
| Marie Homolkova | |||
Production Design by | |||
| Christoph Kanter | |||
Set Decoration by | |||
| Christian Schuster | |||
Costume Design by | |||
| Erika Navas | |||
Makeup Department | |||
| Giacomo Peier | .... | makeup artist | |
| Elisabeth Preindl | .... | makeup artist | |
Production Management | |||
| Affaf Fawzi | .... | unit manager | |
| Anne-Catherine Lang | .... | production manager | |
| Nabil Shazli | .... | production manager | |
| Alfred Strobl | .... | unit manager | |
| Christian Wolff | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Hanus Polak Jr. | .... | assistant director | |
| Alfred Strobl | .... | assistant director | |
| Christian Wolf | .... | assistant director | |
Art Department | |||
| Robert Kostl | .... | set dresser | |
| Hans Wagner | .... | property master: indoor | |
Sound Department | |||
| Eduard Hofmann | .... | assistant sound | |
| Mel Kutbay | .... | foley artist | |
| Karl Schlifelner | .... | sound mixer | |
| Karl Schlifelner | .... | sound | |
| Andreas Sigg | .... | assistant sound | |
Special Effects by | |||
| Willi Neuner | .... | special effects | |
Costume and Wardrobe Department | |||
| Bettina Leidl | .... | wardrobe | |
| Susanne Meneghel | .... | wardrobe (as Susie Meneghel) | |
| Lydia Polak | .... | wardrobe | |
Editorial Department | |||
| Marie Haider | .... | assistant editor | |
| Andreas Prochaska | .... | assistant editor | |
Other crew | |||
| Peter Ecker | .... | location manager | |
| Susanne Hort | .... | production secretary | |
| Ulrike Lässer | .... | production secretary | |
| Christa Preisinger | .... | business manager | |
| Samich Said | .... | production assistant | |
| Pierre Sioufi | .... | production assistant | |
| Johanna Teicht | .... | script supervisor | |
| Christian Wolf | .... | location manager | |
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| Novecento | If.... | Across the Universe | Funny Games | Prick Up Your Ears |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Austria section |
| Add this title to MyMovies |
Michael Haneke is a filmmaker that isn't afraid to go all out to shock his viewer. My only previous experience with the director was his later film 'Funny Games', which I enjoyed immensely for its pitch black humour and willingness to go that extra mile to ensure that the film shocks as it should. While I didn't enjoy Benny's Video as much as Funny Games on the whole, it is an overall more shocking film due to the youth of its main character and the matter-of-fact way that the story is presented. Michael Haneke affords his film a gritty atmosphere through cheap-looking film stock and constant cuts with material shot on a video camera. The film focuses on a young man named Benny. Benny has an obsession with violent horror, and his favourite tape appears to be footage of a pig being slaughtered. He takes it upon himself to steal the slaughter gun, and when his parents leave him at home unsupervised; he invites a young girl into his house. It's not long before the slaughter gun is being put to use again, and the murder of the girl is caught on Benny's video camera.
On the one hand, this is a dark and gritty portrayal of a situation that no one would want to be in, and at its strong points; Benny's Video is an emotionally involving and even tormenting film. However, it would seem that the director wasn't really sure about where exactly to take it, and has unfortunately seen fit to pad the film out with drawn out and not entirely relevant sequences, which ultimately brings it down. All the main characters are well presented and believable, and the film benefits from a strong cast of actors that manage to get into their characters well. The best scene in the movie sees Benny's parents discussing what they do, and if the entire movie was as good as that scene; Haneke would have had a masterpiece on his hands. Michael Haneke's direction is very 'no frills', as while he uses tricks such as cutting the film with video camera footage, it's all done very calmly...which ultimately benefits the film, as the sober atmosphere really allows the audience to be dragged in. Overall, as mentioned; the film isn't as easy to get on with as the later 'Funny Games', but Benny's Video will no doubt appeal to those who enjoy dark and challenging films.