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Benny's Video (1992) More at IMDbPro »
9 articles from 2009
Micheal Haneke: Masterclasses in Fear
3 December 2009 10:03 AM, PST | t5m.com | See recent t5m.com news »
The first time I saw a Micheal Haneke film I was fourteen. Late at night I stumbled across a story, whose title I had missed, about a somewhat reclusive young boy obsessed with violent images, including his own home made video of a pig being killed on a relatives’ farm. A deconstruction of the media, it's violent draw and the moral reactions of those who rely on it's power unfolds as Benny plots and kills a friend on camera. The coldness of the picture unsettled me and I would remember it's images for years to come, never able to find the film again, or its name. I wouldn't see Benny's Video again until 12 years later, though, when I did, it's power had not diminished. I had remembered the murder and it's lead up, the more obviously off putting aspects of the film, but perhaps the most horrifying part was forgotten about. …
- Neil Innes
Michael Haneke: 'The World Would Be Much Poorer Without Art'
2 December 2009 9:45 AM, PST | Movieline | See recent Movieline news »
Adored, reviled, emulated and microanalyzed, Michael Haneke is everything an auteur should be. The Munich-born, Viennese-raised filmmaker won his first Palme d'Or with this year's The White Ribbon (opening in the U.S., finally, on Dec. 30). Something of a departure for the man preoccupied with the intersection of technology and senseless violence in movies like Benny's Video, Caché and both sadistic versions of his Funny Games, Ribbon sheds the director's favored, blueish palette for monochromatic black-and-white, and dials the clocks back to 1913, where a series of bizarre mishaps and cruel, gruesome pranks befall a German agrarian town. As the braided narratives draw to a close and the Great War begins, we've borne witness to numerous brutalities and acts of violence. But what surprises are the frequent, deftly staged moments that come in between -- displays of what some might consider sheer sentimentality: a child grappling with the concept of death …
tMF Perspectives: Michael Haneke's The White Ribbon and his polemical statements against the American 'barrel down' cinema
26 October 2009 1:46 AM, PDT | The Movie Fanatic | See recent The Movie Fanatic news »
If you're going to ask me (once again) who I considered to be one of the most controversial filmmakers today, then I would name Michael Haneke (right after Lars von Trier, of course). While von Trier's movies can be overwhelming at times, Haneke's can be very daunting and just like subjecting one self to torture. If von Trier loves to portray America without touching American soil, Haneke loves to teach his viewers a dose of their own medicine - patronizing American escapist movies is like committing a crime, there will be punishment sooner or later.
- - -
- - - But how to begin? Perhaps a look at The White Ribbon, his latest would be a good way to start. Instead of a chronological set of events, we start from the most recent.
More about The White Ribbon, Haneke's previous movie Funny Games and some insights into the Austrian filmmaker after the jump! …
- modelwatcher@gmail.com (Jed Medina)
tMF Perspectives: Michael Haneke's The White Ribbon and his polemical statements against the American 'barrel down' cinema
26 October 2009 1:46 AM, PDT | The Movie Fanatic | See recent The Movie Fanatic news »
If you're going to ask me (once again) who I considered to be one of the most controversial filmmakers today, then I would name Michael Haneke (right after Lars von Trier, of course). While von Trier's movies can be overwhelming at times, Haneke's can be very daunting and just like subjecting one self to torture. If von Trier loves to portray America without touching American soil, Haneke loves to teach his viewers a dose of their own medicine - patronizing American escapist movies is like committing a crime, there will be punishment sooner or later.
- - -
- - - But how to begin? Perhaps a look at The White Ribbon, his latest would be a good way to start. Instead of a chronological set of events, we start from the most recent.
More about The White Ribbon, Haneke's previous movie Funny Games and some insights into the Austrian filmmaker after the jump! …
- modelwatcher@gmail.com (Jed Medina)
tMF Perspectives: Michael Haneke's The White Ribbon and his polemical statements against the American 'barrel down' cinema
26 October 2009 1:46 AM, PDT | The Movie Fanatic | See recent The Movie Fanatic news »
If you're going to ask me (once again) who I considered to be one of the most controversial filmmakers today, then I would name Michael Haneke (right after Lars von Trier, of course). While von Trier's movies can be overwhelming at times, Haneke's can be very daunting and just like subjecting one self to torture. If von Trier loves to portray America without touching American soil, Haneke loves to teach his viewers a dose of their own medicine - patronizing American escapist movies is like committing a crime, there will be punishment sooner or later.
- - -
- - - But how to begin? Perhaps a look at The White Ribbon, his latest would be a good way to start. Instead of a chronological set of events, we start from the most recent.
More about The White Ribbon, Haneke's previous movie Funny Games and some insights into the Austrian filmmaker after the jump! …
- modelwatcher@gmail.com (Jed Medina)
tMF Perspectives: Michael Haneke's The White Ribbon and his polemical statements against the American 'barrel down' cinema
26 October 2009 1:46 AM, PDT | The Movie Fanatic | See recent The Movie Fanatic news »
If you're going to ask me (once again) who I considered to be one of the most controversial filmmakers today, then I would name Michael Haneke (right after Lars von Trier, of course). While von Trier's movies can be overwhelming at times, Haneke's can be very daunting and just like subjecting one self to torture. If von Trier loves to portray America without touching American soil, Haneke loves to teach his viewers a dose of their own medicine - patronizing American escapist movies is like committing a crime, there will be punishment sooner or later.
- - -
- - - But how to begin? Perhaps a look at The White Ribbon, his latest would be a good way to start. Instead of a chronological set of events, we start from the most recent.
More about The White Ribbon, Haneke's previous movie Funny Games and some insights into the Austrian filmmaker after the jump! …
- modelwatcher@gmail.com (Jed Medina)
tMF Perspectives: Michael Haneke's The White Ribbon and his polemical statements against the American 'barrel down' cinema
26 October 2009 1:46 AM, PDT | The Movie Fanatic | See recent The Movie Fanatic news »
If you're going to ask me (once again) who I considered to be one of the most controversial filmmakers today, then I would name Michael Haneke (right after Lars von Trier, of course). While von Trier's movies can be overwhelming at times, Haneke's can be very daunting and just like subjecting one self to torture. If von Trier loves to portray America without touching American soil, Haneke loves to teach his viewers a dose of their own medicine - patronizing American escapist movies is like committing a crime, there will be punishment sooner or later.
- - -
- - - But how to begin? Perhaps a look at The White Ribbon, his latest would be a good way to start. Instead of a chronological set of events, we start from the most recent.
More about The White Ribbon, Haneke's previous movie Funny Games and some insights into the Austrian filmmaker after the jump! …
- modelwatcher@gmail.com (Jed Medina)
A Conversation with Christian Berger, Cinematographer of Michael Haneke's The White Ribbon
9 October 2009 11:30 AM, PDT | Movieline | See recent Movieline news »
Cinematographer Christian Berger has been Michael Haneke's eye for many of that director's most critically acclaimed and talked about films, beginning with 1992's Benny's Video and continuing through 2001's The Piano Teacher and 2005's Caché. With this year's Palme d'Or-winning The White Ribbon, both men have taken a major aesthetic detour from the paranoid postmodern landscapes that characterized their previous efforts, landing instead in pre-wwi Germany, in an agrarian village full of dark secrets. Shooting in black and white with an assured hand, Berger paints stunning monochromatic landscapes, portraits and still lifes of a society savoring its last moments of innocence. We spoke by phone to Berger yesterday from his home in Austria. …
Sony Classics Buys Haneke's Latest Effed-Up Movie
13 May 2009 5:15 PM, PDT | Cinematical | See recent Cinematical news »
Sony Pictures Classics didn't waste any time hob-nobbin' on la Croisette or catching a 3D showing of Up before buying shelling out some francs for new movies on the opening day of Cannes. Spc snatched up Michael Haneke's latest discomfort-fest The White Ribbon (which is also in competition for the Palme d'Or), as well as the dramatic romance Coco Chanel & Igor Stravinsky. According to IMDb, The White Ribbon's plot is as follows:
"Strange events happen at a rural school in the north of Germany during the year 1913, which seem to be ritual punishment. Does this affect the school system, and how does the school have an influence on fascism?" Creepy!
The official Cannes site has more information:
"A village in Protestant northern Germany. 1913-1914. On the eve of World War I. The story of the children and teenagers of a choir run by the village schoolteacher, and their families: the baron, …
- Jenni Miller
9 articles from 2009
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles. News articles are published for the entertainment of our users only. The news items do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the site responsible for the article in question to report any concerns you may have.
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