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Bram Stoker's Dracula (1992)

Dracula (original title)
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The vampire comes to England to seduce a visitor's fiancée and inflict havoc in the foreign land.

Writers:

(novel), (screenplay)
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674 ( 207)
Won 3 Oscars. Another 12 wins & 15 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Dracula
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Quincey P. Morris (as Bill Campbell)
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Michaela Bercu ...
Florina Kendrick ...
Jay Robinson ...
I.M. Hobson ...
Laurie Franks ...
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Storyline

This version of Dracula is closely based on Bram Stoker's classic novel of the same name. A young lawyer (Jonathan Harker) is assigned to a gloomy village in the mists of eastern Europe. He is captured and imprisoned by the undead vampire Dracula, who travels to London, inspired by a photograph of Harker's betrothed, Mina Murray. In Britain, Dracula begins a reign of seduction and terror, draining the life from Mina's closest friend, Lucy Westenra. Lucy's friends gather together to try to drive Dracula away. Written by Goth <brooks@odie.ee.wits.ac.za>

Plot Summary | Plot Synopsis

Taglines:

The blood is life. See more »


Motion Picture Rating (MPAA)

Rated R for sexuality and horror violence | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| | | |

Release Date:

13 November 1992 (USA)  »

Also Known As:

Bram Stoker's Dracula  »

Filming Locations:

 »

Box Office

Budget:

$40,000,000 (estimated)

Gross:

$82,522,790 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (original cut)

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The little girl who played the child carried into the crypt by Lucy was genuinely terrified of Sadie Frost in her vampire make-up, and obviously wasn't expecting to do more than one take. Director Francis Ford Coppola and Sadie Frost had to do a lot of sweet-talking to the child in order to get her back in Sadie's arms for another go at the scene. See more »

Goofs

When Mina and Vlad are at the cinematograph, the films shown in the background are moving too smoothly. 19th century films were projected at approximately 16 FPS with jerky movement. See more »

Quotes

Van Helsing: We've all become God's madmen, all of us.
See more »

Connections

Spoofed in Resplandor en la Moncloa (2015) See more »

Soundtracks

Love Song for a Vampire
(from 'Bram Stoker's Dracula')
Produced by Stephen Lipson
Written and Performed by Annie Lennox
Courtesy of BMG Ariola Muenchen GmbH
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

A rich telling near the source material
14 November 2003 | by (United Kingdom) – See all my reviews

Opening with his vow to rise from his grave and take revenge on a God who allowed his beloved to die while he defended Him on the battlefield, we see Count Dracula in the 1890's, conducting business with a London firm. When his first consultant goes mad, Jonathon Harker is sent to Dracula in his place, only to find himself trapped in the castle. Meanwhile, Dracula travels to London where he feeds on the lovely Lucy Westenra. Her various suitors try to help her and call for Professor Van Helsing to come and help – they realise that this is not a simple battle against a disease of the blood.

Although a little too long for my liking, this film is a very rich gothic telling of a story that has become watered down slightly with the many different versions of stories with the characters. Here the basic plot follows the tale from the creation of Dracula, his love and his confrontation with Van Helsing and the various suitors of the lovely Lucy. The story is told with a real respect for the source, perhaps a little too much as it can be a little to heavy and lacking in spark at times. However, for the most part the gothic telling works very well and feels very lavish and rich.

Visually the film is great – rich colours in the scenery and costumes really bring the goth out of the film. Meanwhile Coppola works well with shadows and images in the backgrounds to make the film have the feel of an old silent movie version (eyes in the storm) but with modern standards. It's not really scary, but I didn't need it to be, I was more interested in the overall story, and that worked well.

The cast suffer from a bit too much respect for the material, some of their performances are a little too hammy and heavy. Oldman is good when compared to the better known image of the `Bela Lagosi' Dracula, but I did still find him a little too hammy at times. Likewise Rider is not totally convincing. Hopkins is quite fun to watch and the three suitors (including Ewles and Grant) very much play stiff upper lipped straight men! Of course of their performances tower with majesty above the sheer miscast ineptitude of Reeves. From the start his accent is horrid, but his inability to bring out emotions and character basically kills his character off before the film has even got going.

Despite this the film is actually very enjoyable even if it is a bit too respectful and long – occasionally making it feel a little heavy going. The rich presentation and loyalty to the source material makes for a very enjoyable story even if it isn't really what we'd see now as a horror.


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