Directed by | |||
| Jerzy Skolimowski | |||
Writing credits | ||
| Jerzy Skolimowski | (scenario) and | |
| Józef Skolimowski | (scenario) (as Joseph Kay) and | |
| Michal Skolimowski | (scenario) (as John Yorick) | |
| Witold Gombrowicz | (based on the novel by) | |
| Michael Sarne | (scenario consultant) (as Mike Sarne) | |
Produced by | |||
| Philippe Carcassonne | .... | executive producer | |
| Jerzy Skolimowski | .... | producer | |
Original Music by | |||
| Stanislas Syrewicz | |||
Cinematography by | |||
| Witold Adamek | |||
Film Editing by | |||
| Marek Denys | |||
| Grazyna Jasinska-Wisniarowska | (as Grazyna Jasinska) | ||
Production Design by | |||
| Andrzej Przedworski | |||
| Janusz Sosnowski | |||
Costume Design by | |||
| Ewa Krauze | |||
Makeup Department | |||
| Anne-Marie Demeur | .... | key makeup artist | |
| Jolanta Jagodzinska | .... | makeup artist | |
| Grazyna Kula | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Zbigniew Gruz | .... | assistant director | |
| Monika Skowronska | .... | assistant director | |
Art Department | |||
| Wieslawa Chojkowska | .... | set dresser | |
| Ryszard Grzegory | .... | props | |
| Tadeusz Koldyj | .... | props | |
| Zenon Wilk | .... | props | |
Sound Department | |||
| Richard King | .... | sound mixer | |
| Mariusz Kuczynski | .... | sound | |
| Jerzy Szawlowski | .... | sound | |
Camera and Electrical Department | |||
| Krzysztof Strabski | .... | assistant camera | |
| Isabelle Weingarten | .... | still photographer | |
Costume and Wardrobe Department | |||
| Maria Wilun | .... | costume supervisor | |
Music Department | |||
| Krzesimir Debski | .... | conductor | |
| Krzesimir Debski | .... | music arranger | |
| Michal Lorenc | .... | composer: additional music | |
Other crew | |||
| Marine Guez | .... | production assistant | |
| Miroslaw Mentcel | .... | titles | |
| Marek Rudnicki | .... | production assistant | |
| Maria Telenkiewicz | .... | production secretary | |
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| Fahrenheit 451 | Au revoir les enfants | Dreamcatcher | 8½ | Thr3e |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Poland section |
I recently obtained a rather low-quality version of this film under its alternate title, "30 door key". At first, I was not quite sure what to expect- seeing Crispin Glovers name on the opening credits and all, but I knew whatever it was going to be, at least it would be memorable. And it truly was, in the best most surreal of ways (I am a huge fan of all or most things in that dying surrealists view). This film focuses in the 1940's around a man, who is our main character, who has long since reached his adulthood, yet in the first five minutes of the film is visited by an old teacher of his, evoking long since buried feelings of misworth in his intimidating surity and presence. His old teacher as arrogant as he had chosen not to remember up until this point, repremands the main character into attending a re-education school of sorts, to learn to write and be mature- that everything he had worked towards was suddenly dismissed as a pipedream illusiory success (don't ask me, you have to dismiss belief for the primary of this film). He goes to a school filled with grown adult school children, where there are the bullys and the bullied, the ego competition just as in reality, only now over the most obscure lesser thought of practices. Crispin Glover plays an at first arrogant, but eventually likable anti-establishment man-boy who befriends the main character and acts as a catalyst to what the main charcter looks towards to get more in touch with the spirit of living, which was a more free reflection on his former self. Its all very difficult to explain in the strictest sense, but the movie goes on- and I will not spoil it for anyone- too many different points and twists to name here, but this was a very fun film to watch. All the performances are excellent, and I could not reccomend this film more. It sounds so forced typing it out, but I thought I should at least try, as my subjects title states. final word, all in all: I leave you with a great big huge "woo" to let it all settle in good with you.