El mariachi
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  • This film initially cost $7000 to make. Director Robert Rodriguez raised $3,000 of the $7,000 by volunteering to be a human "laboratory rat". He was used to test a cholesterol reducing drug. Paid $100 a day for 30 days, he wrote most of the script while locked in the lab. Peter Marquardt was a fellow "rat", but could not speak Spanish. He delivered his lines from card held in his hand or out of shot. Most of the $7,000 was spent on film for the camera. The version seen in most cinemas has had approximately $1 million of post-production work and promotion behind it.

  • Most of the guns used in the film were water pistols. However a few were real, borrowed from the town's police force. In a shot near the end of the film just after the Mariachi is pulled out of the yellow Ford van by Moco's henchmen there is a shot of Moco walking towards the camera. Behind him laying asleep on a bench is the cop who was meant to be on-set supervising the use of the weapons for that day.

  • Robert Rodriguez claims the other actors were "innocent" passers-by. He gave them lines as and when they were needed.

  • For the moving camera shots, Robert Rodriguez sat in a broken hospital wheelchair and was pushed around.

  • The movie was intended to go "straight to video".

  • Sound was recorded with an ordinary cassette recorder and mike. The sequence with the pit bull terrier was shot specifically so that Robert Rodriguez could synchronize the sound with the picture later.

  • Robert Rodriguez says he made the movie to "practice".

  • Robert Rodriguez was producer, director, writer, special-effect man, etc, the only job he didn't do was act, as there would be no one else to operate the camera.

  • The guns which were borrowed from the local police station had a drawback, blanks could only be fired one at a time because they jammed the gun. Rodriguez fixed this in editing by "double-cutting" the gun firing then cutting to the bad guys getting squibbed with machine gun sound effects.

  • Fairly early in the movie, Azul insists he only killed six of Moco's men, while Moco insists ten and the other four are credited to El Mariachi. Actually, Azul is responsible for the death seven of the men (the three hitmen in the opening, four in the bar) and Mariachi is responsible for three (two in the truck, one beside, leaving one unconscious).

  • In his book "Rebel Without a Crew", Robert Rodriguez explains that the gangsters' peculiar names are meant as a joke: they are all nicknames the characters had as children but never outgrew. As such they are named La Palma (Spanish for "palm"); Azul ("blue"); Pepino ("cucumber"); Moco ("booger").

  • Columbia had an English-dubbed version prepared for release on home video. According to director Robert Rodriguez, the dubbing job cost more than he spent to shoot the original film.

  • In addition to the subtitled version, Columbia also released an English dubbed version on home video.

  • The music played by the keyboard player is a parody of the music usually found in low budget straight-to-video Spanish action films.

  • The Mariachi's line, "Free coconuts," was added later after Robert Rodriguez realized they didn't show him paying for the coconut.

  • For much of the outdoor filming Robert Rodriguez was down the street from the Mariachi. People walking by did not see him, just the man walking down the street with a machine gun.

  • To warn people he was filming, Robert Rodriguez would place a sign at the end of the street he was shooting on. He wrote it in English so no one would understand what it meant.

  • The hotel owner and bartender were both local newscasters who were talking negatively about the movie. In order to get them to stop Robert Rodriguez gave both of them small parts in the movie.

  • Many of the edits were necessitated by Robert Rodriguez's frugal nature. Any time the actors made some progress through a scene and then messed up, Robert Rodriguez cut to a different angle right before the mistake rather than re-shoot the whole scene.

  • Many of the exterior scenes were shot on the same two blocks to avoid using up too much money on gas. This is most obvious in the first chase scene, when the Mariachi supposedly runs away from the hotel he's staying in, yet it can be seen just over his shoulder soon afterward.

  • No storyboards exist for the film, as Robert Rodriguez had no other crew members to show them to.

  • The title was not translated for the American release, as it was felt not many people would be interested in an action film titled "The Guitar Player".

  • The script was written in English, and later translated into colloquial Spanish by Carlos Gallardo.

  • Robert Rodriguez's original budget projection was $9,000. He brought his film in on time and under budget, mainly by shooting only one take for every scene, thereby saving on film.

  • Fast action shots were filmed from the back of a pick-up truck.

  • In the dream sequences the disembodied head was supposed to be that of Robert Rodriguez.

  • To record the dialog and sound, the actors would do a shot for the camera and then immediately repeat their dialog and actions for the microphone. For the most part, the actors were able to do their dialog with the same words and pacing that would allow the two elements to appear to be in sync.

  • While the production budget for the film was $7,000, Robert Rodriguez estimated that if he didn't have to pay for film, processing and telecine costs, it would have only cost $600.

  • Quentin Tarantino had his debut, Reservoir Dogs (1992) the same year as Robert Rodriguez's debut El mariachi (1992). Since then they have collaborated on numerous projects.


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