Paul Scheer sheds some light on The Room, lets us in on a secret in The Disaster Artist, and answers your questions. Plus, we explore the origins of midnight movies and take a look at IMDb's Top 10 Stars of 2017.
Pinky is an awkward adolescent who starts work at a spa in the California desert. She becomes overly attached to fellow spa attendant, Millie when she becomes Millie's room-mate. Millie is ... See full summary »
Events in the life of a Hollywood studio executive, unfold with the same unrealistic positive coincidences ultimately culminating to a 'happy-ending' - much like the movie scripts he works day in and out with, after he accidentally murders someone. Written by
I just went back and watched this again after many years and still find it one of the best movies ever made about movies. This "movie within a movie" has it all. Suspense, drama, comedy, great and numerous cameos, and some "inside Hollywood" jokes. One highlight is at the start where the actors are describing the best long opening tracking shots of all time while Robert Altman skillfully is showing you one at the same time! The Burt Reynolds cameo is very funny, sounds unscripted, and is one of many brilliant uses of this device. Favorite line: "waiter, this is a wine glass. I'd like my water in a water glass". The line comes from Tim Robbins, who is excellent as studio executive Griffin Mill.
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