A mentally unstable Vietnam War veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze feeds his urge for violent action, while attempting to save a twelve-year-old prostitute in the process.
Robert De Niro,
Six criminals, who are strangers to each other, are hired by a crime boss, Joe Cabot, to carry out a diamond robbery. Right at the outset, they are given false names with the intention that they won't get too close and will concentrate on the job instead. They are completely sure that the robbery is going to be a success. But, when the police show up right at the time and the site of the robbery, panic spreads amongst the group members, and two of them are killed in the subsequent shootout, along with a few policemen and civilians. When the remaining people assemble at the premeditated rendezvous point (a warehouse), they begin to suspect that one of them is an undercover cop. Written by
At the end of the breakfast scene you can see Quentin Tarantino raise his arm to end the scene. But the scene carries on anyway, this is because Lawrence Tierney had botched his lines over and over in previous takes. This was left in the final cut of the film. See more »
(at around 1h 14 mins) When Mr. Orange is in his apartment and is on the phone to Nice Guy Eddie, he walks over to his window and says he'll be right down. At that moment you can see the top of the outside set piece. See more »
Let me tell you what 'Like a Virgin' is about. It's all about a girl who digs a guy with a big dick. The entire song. It's a metaphor for big dicks.
No, no. It's about a girl who is very vulnerable. She's been fucked over a few times. Then she meets some guy who's really sensitive...
Whoa, whoa, whoa, whoa, whoa... Time out Greenbay. Tell that fucking bullshit to the tourists.
Toby... Who the fuck is Toby? Toby...
'Like a Virgin' is not about this sensitive girl who meets a nice ...
[...] See more »
The opening credits leave out Writing and Directing credits. They are then shown first during the end credits. See more »
Written by Ole Georg (as Henrik Nielson) (as Henrik Nielsen) (BMI)
Performed by The Kronborg Strings
Produced by Ole Georg (BMI)
Published by Kronborg Music (BMI)
Courtesy of Ole Georg/Capitol Production Music See more »
Quentin Tarantino begins his directing career with the first of several chronologically mixed, disturbingly violent, and incredibly powerful films.
Reservoir Dogs is a testament to the idea that "less is more." This doesn't apply to the violence, the film is extremely violent from beginning to end, but the details of the botched diamond heist, which the entire film is based on, are conveyed only in the dialogue, except for one scene where Mr. Pink (Steve Buscemi) recalls his escape. The whole film takes place after the failed robbery is over, and the mystery that unfolds among the criminal participants is amazing to watch.
This is not a normal crime film. The thing that really sets Reservoir Dogs apart from all of the others is that it is PURE. When you look at the screen, you're looking at reality. There are no Hollywood actors, there's no make-up to make them look pretty, there's little to no comic relief, and most important of all, there's no goofy romantic subplot clumsily thrown in, a detrimental trademark of so many action films, as well as virtually all Jerry Bruckheimer films. Instead of all of that garbage, Tarantino decided to just present the film as simply and straightforwardly as possible, and by doing that he makes it seem that you're really looking at a bunch of criminals trying to figure out what to do after a suspiciously failed robbery.
Even though most of the actors were known at the time this film was made, the film was delivered in such a way that you don't see the actors at all, you only see the brutal characters that they portray. It is genuinely frightening to imagine being in the same room with any of them, and this is a quality that is rarely achieved in any kind of film.
Make no mistake, Reservoir Dogs is among the most violent films ever made, and some scenes are really painful to watch, but the way that reality is captured is something that justifies the violent excesses in this film. The violence is never glorified, nor is the criminal lifestyle. When films are overly violent, they usually get branded as such, but despite the extreme violence, Reservoir Dogs still manages to deliver an important overall message about the consequences of your actions. It remains high on the growing list of Tarantino's classic films, and it will not be soon forgotten.
368 of 464 people found this review helpful.
Was this review helpful to you?