| Michael Kirby | ... | Killer | |
| Woody Allen | ... | Kleinman | |
| David Ogden Stiers | ... | Hacker | |
| James Rebhorn | ... | Vigilante | |
| Victor Argo | ... | Vigilante | |
| Daniel von Bargen | ... | Vigilante (as Daniel Von Bargen) | |
| Camille Saviola | ... | Landlady | |
| Tim Loomis | ... | Dwarf | |
| Katy Dierlam | ... | Fat Lady | |
| Mia Farrow | ... | Irmy | |
| John Malkovich | ... | Clown | |
| Madonna | ... | Marie | |
| Dennis Vestunis | ... | Strongman | |
| Donald Pleasence | ... | Doctor | |
| Lily Tomlin | ... | Prostitute | |
| Jodie Foster | ... | Prostitute | |
| Kathy Bates | ... | Prostitute | |
| Anne Lange | ... | Prostitute | |
| Andy Berman | ... | Student (as Andrew Mark Berman) | |
| Paul Anthony Stewart | ... | Student | |
| Thomas L. Bolster | ... | Student (as Thomas Bolster) | |
| John Cusack | ... | Student Jack | |
| Fred Melamed | ... | Undesirables Onlooker | |
| Greg Stebner | ... | Police Chief | |
| Peter Appel | ... | Cop at Police Station | |
| John C. Reilly | ... | Cop at Police Station | |
| Brian Smiar | ... | Cop at Police Station | |
| Michael P. Troy | ... | Cop at Police Station | |
| Remak Ramsay | ... | Cop at Police Station (as Remak Ramsey) | |
| Ron Turek | ... | Cop at Police Station | |
| Philip Bosco | ... | Mr. Paulsen | |
| Peter McRobbie | ... | Bartender | |
| Josef Sommer | ... | Priest | |
| Ira Wheeler | ... | Cop with Priest | |
| Eszter Balint | ... | Woman with Baby | |
| Rebecca Gibson | ... | Baby | |
| Kate Nelligan | ... | Eve | |
| Kurtwood Smith | ... | Vogel's Follower | |
| Fred Gwynne | ... | Hacker's Follower | |
| Robert Silver | ... | Hacker's Follower | |
| Charles Cragin | ... | Spiro | |
| Robert Joy | ... | Spiro's Assistant | |
| William H. Macy | ... | Cop with Spiro (as W.H. Macy) | |
| Tom Riis Farrell | ... | Vigilante with Spiro | |
| Ron Weyand | ... | Vigilante with Spiro | |
| Julie Kavner | ... | Alma | |
| Wallace Shawn | ... | Simon Carr | |
| Kenneth Mars | ... | Magician | |
| Richard Riehle | ... | Roustabout | |
| Max Robinson | ... | Roustabout | |
| rest of cast listed alphabetically: | |||
| Tomas Arana | ... | Confessing Man (uncredited) | |
| David Sherrick | ... | Cop at Police Station (uncredited) | |
Directed by | |||
| Woody Allen | |||
Writing credits(WGA) | ||
| Woody Allen | (written by) | |
Produced by | |||
| Robert Greenhut | .... | producer | |
| Joseph Hartwick | .... | co-producer | |
| Charles H. Joffe | .... | executive producer | |
| Thomas A. Reilly | .... | associate producer (as Thomas Reilly) | |
| Helen Robin | .... | co-producer | |
| Jack Rollins | .... | executive producer | |
Cinematography by | |||
| Carlo Di Palma | (director of photography) | ||
Film Editing by | |||
| Susan E. Morse | |||
Casting by | |||
| Juliet Taylor | |||
Production Design by | |||
| Santo Loquasto | |||
Art Direction by | |||
| Speed Hopkins | |||
Set Decoration by | |||
| George DeTitta Jr. | |||
| Amy Marshall | |||
Costume Design by | |||
| Jeffrey Kurland | |||
Makeup Department | |||
| Romaine Greene | .... | hairstylist | |
| Bernadette Mazur | .... | makeup artist | |
Production Management | |||
| Joseph Hartwick | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Richard Patrick | .... | second assistant director | |
| Thomas A. Reilly | .... | first assistant director (as Thomas Reilly) | |
| Jennifer Wilkinson | .... | dga trainee | |
Art Department | |||
| Joseph Alfieri | .... | standby carpenter (as Joe Alfieri) | |
| Peter Eastman | .... | assistant art director | |
| W. Steven Graham | .... | assistant art director | |
| Vincent Guarriello | .... | chief construction grip | |
| Glenn Lloyd | .... | art department coordinator | |
| James Mazzola | .... | property master | |
| Richard Michael Miller | .... | assistant art director (as Michael Miller) | |
| Robert Perdziola | .... | assistant art director | |
| Ron Petagna | .... | construction coordinator | |
| Cosmo Sorice | .... | standby scenic artist | |
| James Sorice | .... | master scenic artist | |
| Tom Warren | .... | associate art director | |
| Dave Weinman | .... | set dresser | |
| Elise Bennett | .... | painter (uncredited) | |
| Frank Didio | .... | head carpenter (uncredited) | |
| Lauren Doner | .... | scenic artist (uncredited) | |
| Brick Mason | .... | storyboard artist (uncredited) | |
| Vinny Mazzarella | .... | props (uncredited) | |
| Michael Scarola | .... | construction grip (uncredited) | |
Sound Department | |||
| Yasmine Amitai | .... | apprentice sound editor (as Jasmine Amitai) | |
| Elisha Birnbaum | .... | foley artist | |
| Lee Dichter | .... | re-recording mixer: Sound One Corp. | |
| Frank Graziadei | .... | sound recordist | |
| Robert Hein | .... | supervising sound editor (as Bob Hein) | |
| Harry Higgins | .... | dubbing recorder | |
| Kerry Kelley | .... | dubbing recorder | |
| Lori Kornspun | .... | foley editor | |
| Stuart Levy | .... | assistant sound editor | |
| James Sabat | .... | production sound mixer | |
| Louis Sabat | .... | boom operator | |
| Dan Sable | .... | sound design consultant: Hastings Sound Editorial | |
| Brian Vancho | .... | foley artist | |
Visual Effects by | |||
| Randall Balsmeyer | .... | visual effects supervisor (uncredited) | |
| Andy Hudson | .... | visual effects (uncredited) | |
Camera and Electrical Department | |||
| Stuart Allen | .... | operator: Louma crane | |
| David E. Baron | .... | camera assistant trainee (as David Baron) | |
| Ronald Burke | .... | dolly grip | |
| Michael Caracciolo | .... | second assistant cameraperson | |
| Michael Green | .... | assistant cameraperson | |
| Brian Hamill | .... | still photographer | |
| Jim Manzione | .... | best boy | |
| Dick Mingalone | .... | camera operator | |
| Ray Quinlan | .... | gaffer | |
| Robert Ward | .... | key grip (as Bob Ward) | |
| Chris Hammond | .... | electrician (uncredited) | |
Casting Department | |||
| Judie Fixler | .... | additional casting: Todd Thaler Casting | |
| Laura Rosenthal | .... | casting associate | |
Costume and Wardrobe Department | |||
| Bill Christians | .... | wardrobe supervisor: men | |
| Patricia Eiben | .... | wardrobe supervisor: women | |
| Lauren Gibson | .... | costume assistant | |
| Donna Zakowska | .... | assistant costume designer | |
Editorial Department | |||
| William Kruzykowski | .... | assistant film editor | |
| Mark Livolsi | .... | assistant film editor | |
Transportation Department | |||
| Harold 'Whitey' McEvoy | .... | transportation captain | |
| Peter Tavis | .... | transportation captain | |
| Patrick Hogan | .... | driver (uncredited) | |
Thanks | |||
| Jack Piccuro | .... | the producers wish to thank for their assistance | |
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| Rivelazioni di un maniaco sessuale al capo della squadra mobile | The Lodger: A Story of the London Fog | Freeway | The Lodger | Crossfire |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
I can't help but wonder what everyone finds so confusing about this film. It doesn't take a tremendous amount of knowledge to enjoy this well crafted ode to (and let's face it: spoof of) German Expressionism: a little Nosferatu here, a dash of Caligari there, a couple of slightly less obvious flourishes (the "Sniffer" with a divine gift, the Circus, the mobs and the general atmosphere) and you've got all you need. Of course, this is the most basic level in the film (I won't dig into Philosophy and message in a commentary but by all means it's there and worth musing over) but it's already enough to justify seeing it.
The idea of the confusing "shadows and fog" of Expressionist cinema filtered through Allen's off-kilter character world view is exactly what makes the film so hysterical. The entire film is done in a beautiful black and white recalling the source material and the city's mob are all played perfectly deadpan... except for Allen who manages to bumble his way through obstacle after obstacle trying to at least get a grip on the situation. If this pile of nerves moving through a dark sordid city doesn't make you laugh, I don't know what to say.
The film DOES falter in some aspects however. Mia Farrow is passable as the necessary sympathetic female lead, but in the end her presence doesn't fit in with the rest of the film's ambiance and one would have rather seen more of femme Fatale Lily Tomlin. Likewise, John Malchovich's Clown (while obviously referential) sticks out like a sore thumb. It's a shame that Allen had to add these elements which end up detracting from the overall film, but one couldn't hold the film alone and Farrow manages to at least be a proper target to bounce lines.
In the end, a very strong film and one that entertains properly, but obviously not one made for the uninitiated. However, for those who're on the inside of the "plan" (and furthermore, on the inside of the philosophies) it's a tremendous bit of fun.
Recommended.