| Patrick Bruel | ... | Christophe Vade | |
| Jacques Dutronc | ... | Antoine Gardella | |
| Mathilda May | ... | Jeanne Gardella | |
| Sophie Broustal | ... | Laura | |
| Vernon Dobtcheff | ... | Thurston | |
| Bruce Myers | ... | Scandurat | |
| Joël Barbouth | ... | Husquin | |
| Christophe Brault | ... | Blodgett | |
| Eric Da Silva | ... | Roselli | |
| Jean Dautremay | ... | Deckler | |
| Jocelyn-Clair Durvel | ... | Blue | |
| Hans Heinz Moser | ... | Scatamacchia | |
| Michael Pas | ... | Nordixen | |
| Bernard Waver | ... | Roger Silas | |
| Jürgen Zwingel | ... | Kimbler | |
| Luca Barcellona | ... | Marcello Rizzo | |
| Urs Bihler | ... | Barman de l'hôtel | |
| Romain Bonnin | ... | Deuxième jeune voyou | |
| Anja Brunglinghaus | ... | Femme agent | |
| Max Egolf | ... | Premier policier suisse | |
| Anne Fassio | ... | Hôtesse Transports | |
| Corinna Gloor | ... | Hôtesse banque | |
| Pierre-Louis Lanier | ... | Inspecteur Fonni | |
| Delphine Lanza | ... | L'infirmière | |
| Sava Lolov | ... | Premier jeune voyou | |
| François Loriquet | ... | Manuel | |
| Benoît Magimel | ... | Thomas | |
| Joseph Malerba | ... | Inspecteur Nolo | |
| Yasmine Modestine | ... | Serveuse de l'aéroport | |
| René Peier | ... | Deuxième policier suisse | |
| Jodoc Seidel | ... | Barman du café |
Directed by | |||
| Michel Deville | |||
Writing credits(in alphabetical order) | ||
| Andrew Coburn | novel | |
| Rosalinde Deville | ||
Produced by | |||
| Rosalinde Deville | .... | producer | |
Cinematography by | |||
| Bernard Lutic | |||
Film Editing by | |||
| Raymonde Guyot | |||
Production Design by | |||
| Thierry Leproust | |||
Costume Design by | |||
| Cécile Balme | |||
Makeup Department | |||
| Laurence Azouvy | .... | makeup artist | |
| Sylvie Mathevet | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| Mathieu Lévy | .... | assistant director | |
| Antón Rey | .... | assistant director | |
Art Department | |||
| Alain Alexandre | .... | property master | |
| Marie José Arnautin | .... | key painter | |
| Luc Compère | .... | chief construction | |
| Sylvie Fennec | .... | assistant decorator | |
| Alain Lebouvier | .... | key carpenter | |
| Annick Leproust | .... | assistant decorator | |
| Bruno Madesclaire | .... | assistant decorator | |
| Denis Renault | .... | assistant decorator | |
| Roseanna Sacco | .... | assistant decorator | |
| Jean-Luc Whisker | .... | assistant decorator | |
Sound Department | |||
| Nicole Boisseau | .... | sound editor | |
| Eric Bonnard | .... | sound mixer | |
| Gilbert Crozet | .... | post-synchronization engineer | |
| François Groult | .... | sound | |
| Sylvie Liebeaux | .... | sound assistant | |
| André Naudin | .... | foley artist | |
| Gadou Naudin | .... | foley artist | |
| Guillaume Sciama | .... | sound | |
Camera and Electrical Department | |||
| Bernard Brégier | .... | key grip | |
| Michel Crétel | .... | gaffer | |
| Alain Ducousset | .... | assistant camera | |
| Pierre Lutic | .... | assistant camera | |
| Patrick Renault | .... | electrician (uncredited) | |
Costume and Wardrobe Department | |||
| Chantal Glasman | .... | costumer (uncredited) | |
Editorial Department | |||
| Dominique Bayle | .... | assistant editor | |
| Emmanuelle Dehais | .... | assistant editor | |
Other crew | |||
| Pilar Billiet | .... | script supervisor | |
| Albane Damamme | .... | production assistant | |
| Laure Darie | .... | production secretary | |
| Danielle Foatelli | .... | administrator | |
| Josiane Maurin | .... | production secretary | |
| Jean-Pierre Vincent | .... | press attache | |
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| Damage | Le salaire de la peur | L'aîné des Ferchaux | Touchez pas au grisbi | Tirez sur le pianiste |
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| Full cast and crew | Company credits | IMDb Crime section |
| IMDb France section |
deville's thriller is very fascinating to the last moment. the whole movie is held in a mystic blue as is the picture's atmosphere. conclusions and story line equal each other in sharpness and very sexy mathilda may adds an superb erotic touch to it. no explosions or dumb Hollywood shootings disturb the intelligent logic plot at any point. every moment of the movie feels right, the director never looses his line or control. the male leads bruel and dutronc deliver great performances as well. in my eyes this is clearly one of the 10 best french films of the 90ies. it should be your first choice, if you like straight intelligent stories created by brains like mrs. highsmith.