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Directed by | |||
| David Lynch | |||
Writing credits(WGA) | ||
| David Lynch | (written by) & | |
| Robert Engels | (written by) | |
| Mark Frost | (television series Twin Peaks) & | |
| David Lynch | (television series Twin Peaks) | |
Original Music by | |||
| Angelo Badalamenti | |||
Cinematography by | |||
| Ronald Víctor García | (director of photography) (as Ron Garcia) | ||
Film Editing by | |||
| Mary Sweeney | |||
Casting by | |||
| Johanna Ray | |||
Production Design by | |||
| Patricia Norris | |||
Set Decoration by | |||
| Leslie Morales | |||
Costume Design by | |||
| Patricia Norris | |||
Makeup Department | |||
| Katharina Hirsch-Smith | .... | key makeup artist | |
| Francesca Lacagnina | .... | makeup assistant (as Francesca Lacaqnina) | |
| Brent Lavett | .... | hair stylist | |
| Heba Thorisdottir | .... | makeup assistant | |
Production Management | |||
| Gregg Fienberg | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| William Jennings | .... | second second assistant director (as Bill Jennings) | |
| Deepak Nayar | .... | first assistant director | |
| Richard Oswald | .... | second assistant director | |
| Susan Walter | .... | dga trainee | |
Art Department | |||
| Sophia Barashkoff | .... | painter | |
| Jeannine Bolding | .... | art department receptionist | |
| Chris Burch | .... | swing gang (as Christopher Burch) | |
| David Christopher Campbell | .... | carpenter (as David Chris Campbell) | |
| John Canedo | .... | painter | |
| Keith Cox | .... | construction coordinator | |
| Tyler Dupuy | .... | carpenter | |
| Morgan Flaherty | .... | lead carpenter | |
| James 'Bud' Hays | .... | carpenter | |
| Nicola Hewitt | .... | swing gang | |
| Jon Kazunaga | .... | construction foreman (as Jon 'Kaz' Kazunaga) | |
| Chris Kelly | .... | painter | |
| Daniel Kuttner | .... | property master | |
| Mike Malone | .... | on-set dresser | |
| Cecil K. Merritt Jr. | .... | property assistant | |
| Marvin Perry | .... | carpenter | |
| Carlos Quintero | .... | carpenter | |
| David E. Robinson | .... | scenic artist (as Dave Robinson) | |
| Stephanie Sandston | .... | lead person | |
| Audrey Stanzler | .... | set dresser | |
| Robert Taylor | .... | swing gang (as Rob Taylor) | |
| Whiting Tennis | .... | swing gang | |
| Deborah Winship | .... | set dressing buyer | |
| Alex Wood | .... | swing gang | |
Sound Department | |||
| Phil Benson | .... | assistant sound editor | |
| Frank Canonica | .... | sound recordist | |
| Lee Cruikshank | .... | machine room operator | |
| Richard F.W. Davis | .... | sound effects editor (as Richard Davis) | |
| Mark DeSimone | .... | adr mixer | |
| Dean Drabin | .... | adr recordist | |
| Richard Duarte | .... | foley engineer | |
| Teresa Eckton | .... | adr editor (as Teresa Ekton) | |
| Teresa Eckton | .... | dialogue editor (as Teresa Ekton) | |
| Malcolm Fife | .... | foley editor (as Malcom Fife) | |
| Clare C. Freeman | .... | production sound editor (as Clare Freeman) | |
| Kristen Gerstner | .... | assistant sound editor (as Kristin Gerstner) | |
| Charlene Hamer | .... | utility sound (as Charlene E. Hamer) | |
| Jon Huck | .... | recordist: backwards ADR | |
| Jon Huck | .... | sound mixer | |
| Rick Kahn | .... | machine room operator | |
| Stephen Kearney | .... | assistant sound editor | |
| James Lebrecht | .... | sound effects editor (as James LeBrecht) | |
| Mark Levinson | .... | production sound editor | |
| David Lynch | .... | sound designer | |
| David Lynch | .... | sound re-recording mixer | |
| Donny Miele | .... | sound effects editor (as Donny Blank) | |
| Douglas Murray | .... | supervising sound editor | |
| Jennifer Myers | .... | foley artist | |
| Margie O'Malley | .... | foley artist | |
| Dan Olmsted | .... | sound recordist | |
| David Parker | .... | sound re-recording mixer | |
| Debbie Pinthus | .... | boom operator (as Deborah Pinthus) | |
| Joseph Jett Sally | .... | production sound editor | |
| Michael Semanick | .... | sound re-recording mixer | |
| Karen Tenkhoff | .... | apprentice sound editor | |
| Eric Thompson | .... | foley engineer | |
| Hugh Waddell | .... | adr editor | |
| Mark Jan Wlodarkiewicz | .... | apprentice sound editor (as Mark Wlodarkiewicz) | |
Special Effects by | |||
| Robert E. McCarthy | .... | special effects co-ordinator: Los Angeles | |
| Sabrina McCarthy | .... | special effects crew: Los Angeles | |
| Darrell Pritchett | .... | special effects crew: Seattle | |
| Del Reahm | .... | special effects crew: Los Angeles | |
| Terry Shattuck | .... | special effects crew: Seattle | |
| Gunter Simon | .... | special effects crew: Los Angeles (as Gunther Simon) | |
| Bob Riggs | .... | special effects co-ordinator: Seattle (uncredited) | |
Visual Effects by | |||
| Christopher Rohde | .... | telecine | |
Stunts | |||
| David Boushey | .... | stunt player (as Dave Boushey) | |
| Jon H. Epstein | .... | stunt coordinator | |
| Hannah Kozak | .... | stunt player | |
| Kathleen Reilly | .... | stunt player | |
| Jeff Smolek | .... | stunt coordinator | |
| Diana Wagner-Boyd | .... | stunt player | |
Casting Department | |||
| Barbara Harris | .... | voice casting | |
| Tony Hobbs | .... | extras casting: Cenex Casting | |
| Elaine J. Huzzar | .... | casting associate | |
| Shannon Ward | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Kathi McKenzie | .... | wardrobe assistant | |
| Cheri Reed | .... | costumer | |
| Amy Stofsky | .... | costume supervisor | |
Editorial Department | |||
| Bob Allen | .... | second assistant editor | |
| Joe Fineman | .... | post-production consultant | |
| Elizabeth Fox | .... | post-production coordinator | |
| Deborah Gavlak | .... | first assistant editor (as Debra Gavlak) | |
| Vivian Hengsteler | .... | negative cutter | |
| Dan Muscarella | .... | color timer | |
| Lisa Storer | .... | apprentice editor (as Lisa Anne Storer) | |
| D. Gunther Tarampi | .... | editorial intern (as Gunther Tarampi) | |
Music Department | |||
| Dave Alvin | .... | musician: guitars | |
| Andy Armor | .... | musician: The Power & The Glory (as Andy Armer) | |
| Angelo Badalamenti | .... | conductor | |
| Angelo Badalamenti | .... | musician: piano | |
| Angelo Badalamenti | .... | musician: synthesizer performance | |
| Angelo Badalamenti | .... | orchestrator | |
| Donald Bailey | .... | musician: drums | |
| Vinnie Bell | .... | musician: guitars | |
| Myles Boisen | .... | musician: guitars | |
| Ron Carter | .... | musician: bass | |
| David Cooper | .... | musician: vibraphone | |
| Lori L. Eschler | .... | music editor | |
| William Fairbanks | .... | musician: bass | |
| Don Falzone | .... | musician: The Power & The Glory | |
| Steven Hodges | .... | musician: The Power & The Glory | |
| Jay Hoggard | .... | musician: vibraphone | |
| Jim Hynes | .... | musician: trumpet | |
| David Jaurequi | .... | musician: The Power & The Glory | |
| Kevin Laffey | .... | music consultant | |
| Kinny Landrum | .... | musician: synthesizer performance | |
| Art Polhemus | .... | score mixer (as Art Pohlemus) | |
| Al Regni | .... | musician: saxophone | |
| Rufus Reid | .... | musician: bass (as Rufus Reed) | |
| Bob Rose | .... | musician: guitars | |
| David Slusser | .... | musician: piano | |
| Grady Tate | .... | musician: drums | |
| Buster Williams | .... | musician: bass | |
Transportation Department | |||
| James G. Africa | .... | driver (as James D. Africa) | |
| Larry Anderson | .... | driver | |
| Joe Berman | .... | driver | |
| Steve Boyd | .... | transportation coordinator | |
| Thomas P. Cantrell | .... | driver (as Tom Cantrell) | |
| Terry Crnic | .... | driver | |
| Alan Falco | .... | driver (as Allan Falco) | |
| Jill Falco | .... | driver | |
| Eugene Farrington | .... | driver (as Gene Farrington) | |
| James Ginchereau | .... | driver (as Jim Ginchereau) | |
| Dino Grossi | .... | driver | |
| Michael D. Kuljis | .... | transportation captain (as Mike 'Juice' Kuljis) | |
| Larry Market | .... | driver | |
| Russell McEntyre | .... | driver (as Russ McEntyre) | |
| Jess Resendez | .... | driver (as Jess Renendez) | |
| Tony Sackmann | .... | driver (as Tony Sackman) | |
| Gail Van Dyke | .... | driver | |
| Greg Van Dyke | .... | transportation coordinator | |
| Randy White | .... | driver | |
| Rick Wiley | .... | driver: camera car | |
Thanks | |||
| Pierre Edelman | .... | special thanks | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb France section |
Twin Peaks: Fire Walk With Me is a feature film prequel to the television series Twin Peaks. The film shows the last week of a high school teenager named Laura Palmer. Laura does drugs and balances life with her male friends and her best friend Donna. Laura is also really cautious around her overbearing and creepy father. She also seems to get weird visions and nightmares on top of things, so her life is pretty complicated and she is a pretty disturbed teenager. At the end of the film it ends where the Twin Peaks television show starts with the investigation of her murder. Winner of The Saturn Award for Best Music at The Academy of Science Fiction, Fantasy and Horror Films; The Brit Award for Best soundtrack at The Brit Awards and The Independent Spirit Award for Best Original Score. Twin Peaks: Fire Walk With Me has good direction, a good script, good performances by the entire cast, good original music, good cinematography and film editing. I have never seen the Twin Peaks television series before, but I really wanted to see this film because I figured I wouldn't have had to have seen the TV show seeing as this is a prequel and I also wanted to see the film because I love the films by the film's writer/director David Lynch. The film is hard to describe in many ways because like so many of David Lynch's films it is very unusual and is sometimes hard to figure out. But I was intrigued by this movie and I liked the character's dialog and the eeriness of the town and the different people who live there. The film is very well crafted and put together and I like how David Lynch was able to put together such an atmospheric and stylish film. Also to write a movie this interesting and off the wall takes the genius of a great writer and director such as David Lynch. I was thoroughly captivated by the film and entertained. I was also fascinated by this wonderfully unique journey into this odd little town with odd little characters and settings. A truly unique film experience and another hit for David Lynch.