Unforgiven (1992)

Director:

Clint Eastwood

Writer (WGA):

David Webb Peoples (written by)

Release Date:

7 August 1992 (USA)

Genre:

Crime | Drama | Western

Plot:

Retired Old West gunslinger William Munny reluctantly takes on one last job, with the help of his old partner and a young man.

Plot Keywords:

Cowboy | Sheriff | One Last Job | Gunslinger | Prostitute

Awards:

Won 4 Oscars. Another 30 wins & 15 nominations

Cast

Clint Eastwood	...	William 'Bill' Munny
Gene Hackman	...	Little Bill Daggett
Morgan Freeman	...	Ned Logan
Richard Harris	...	English Bob
Jaimz Woolvett	...	The Schofield Kid
Saul Rubinek	...	W.W. Beauchamp
Frances Fisher	...	Strawberry Alice
Anna Levine	...	Delilah Fitzgerald (as Anna Thomson)
David Mucci	...	Quick Mike
Rob Campbell	...	Davey Bunting
Anthony James	...	Skinny Dubois
Tara Frederick	...	Little Sue (as Tara Dawn Frederick)
Beverley Elliott	...	Silky
Liisa Repo-Martell	...	Faith
Josie Smith	...	Crow Creek Kate

Also Known As:

The Cut Whore Killings (USA) (original script title)
The William Munny Killings (USA) (working title)
De skoningslösa (Finland: Swedish title) (Sweden) [sv]
Erbarmungslos (Austria) (Germany) [de]
Impitoyable (France) (Switzerland: French title) [fr]
Los imperdonables (Argentina) (Venezuela) [es]
мЕОПНЫЕММШИ (Russia) [ru]
Armoton (Finland) [fi]
Armutu (Estonia) [et]
Bez przebaczenia (Poland) [pl]
De nådesløse (Denmark) [da]
Gli spietati (Italy) [it]
Impardonnable (Canada: French title) [fr]
Imperdoável (Portugal) [pt]
Nådeløse menn (Norway) [no]
Neoprosceno (Slovenia) [sl]
Neoprosteno (Serbia) [sr]
Nesmiritelní (Czech Republic) [cs]
Nincs bocsánat (Hungary) [hu]
Oi asyghoritoi (Greece) [el]
Os Imperdoáveis (Brazil) [pt]
Sense perdó (Spain: Catalan title) [ca]
Sin perdón (Spain) [es]

MPAA:

Rated R for language, and violence, and for a scene of sexuality.

Runtime:

131 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby

Certification:

Canada:13+ (Quebec) | Canada:A (Nova Scotia) | Canada:AA (Ontario) | Canada:PA (Manitoba) | Spain:18 | USA:R (certificate #31757) | South Korea:15 | Ireland:18 | Brazil:12 | Philippines:R-18 | Sweden:15 | Australia:MA (DVD rating) | New Zealand:M | Argentina:16 | Australia:M | Chile:18 | Finland:K-16 | Germany:16 | Iceland:16 | Israel:PG | Netherlands:12 | Norway:15 | Singapore:NC-16 | UK:15

Filming Locations:

Alberta, Canada

Company:

Malpaso Productions

Trivia:

The final screen credit reads, "Dedicated to Sergio and Don", referring to Clint Eastwood's mentors, Sergio Leone and 'Don Siegel (I)'.

Goofs:

Revealing mistakes: When English Bob is shooting the pheasants from the train, strings attached to the pheasants are clearly visible.

Quotes:

[first lines]
Quick Mike: Dammit! Come a-running, lad!
Delilah Fitzgerald: Stop it!

Movie Connections:

Referenced in "Mystery Science Theater 3000: Laserblast (#8.6)" (1996)

A Fitting End

There may never be another real western. Clint appears to be done with the genre and there really isn't anyone else I can think of that can do it Properly. Sergio Leone is gone. William Wellman is gone. Sam Peckinpah is gone. John Huston is gone. John Ford is gone. Howard Hawks is gone.

Kevin Costner tries hard but he just doesn't get it. Dances With Wolves wasn't really a western. It wasn't even an anti-western. It was more like a political indictment of the actions of the Americans of the time. For all that I did enjoy it.

Most of the others since Unforgiven are movies where somebody decides to put the characters on a horse, but the story is just generic pap. Nobody has the balls to make something with a meaning.

I will grant that Deadwood is a truly excellent series but it isn't a movie.

That's why I believe that Unforgiven is a fitting end to the western genre. I won't get all rhapsodic and spout a bunch of crap about how Clint made this movie as a symbol of the end of the western. Cuz that's a load of crap. The script had been around since the early 70s when things were still going strong. What it is, is a movie that shows us that there is no black and white in any time. There are only shades of grey.

It is also just as dirty and violent as things actually were for most people in that era. Life was comparatively cheap and most people didn't have much hope of justice. The middle class was very small and the upper class was tiny. The vast majority belonged to the under-classes.

Good guys didn't wear white hats and not every sheriff was a good guy. Some were violent and corrupt braggarts and bullies. Little Bill mocks English Bob's self-promotion, but at the same time he knocks Bob down he builds himself up. He doesn't bother with courts or judges and he is his own executioner. He isn't motivated by any innate sense of justice when he deals with any criminal elements. It's more that he takes it as an insult to his own power.

William Munny is a killer, plain and simple. He has human feelings but basically he is unrepentant. He changed for his wife, but like many changes it wasn't permanent. He won't sleep with a whore but when he needs money he is willing to kill for it. At the same time he treats the whore with kindness and is loyal to his friend. And somehow he managed to get a good woman to love him. A classic anti-hero.

Rather than being about the end of the Western genre I believe that it is actually an ode to what came before it. Sergio Leone would have been proud.