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Falling Down (1993)

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303 comments in total

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144 out of 161 people found the following comment useful :-
An important look at the decay of society, 9 June 1999

Author: Dan Grant (dan.grant@bell.ca) from Toronto, Ontario

Falling Down is the kind of film that has much more more happening than many of us want to know about. It is disguised simply as a film about an apparent nut who goes out and tries to right the wrongs that have been done to him and in his trek across Los Angeles he becomes an anti-hero.

While that may be true to an extent, read more into it and you can see a film that tries to show us that there is something terribly wrong with how we live. I wasn't alive in the 50's, in fact, I was born in the 70's. So I can't honestly tell you if life was easier back then. But what I can tell you is that times were a bit more simple then. For the most part, you had one income in the household. You had T.V and radio as your entertainment and kids went outside to play. Now you must have both parents working so you can have that double income. Kids are obsessed with the internet and videogames and so on. What does all of this have to with the film? Everything!

Falling Down is about the decay in one man's life and how it affects not only him but those around him. There is one very powerful scene in the film that can sum up everything.

There is a key moment in Falling Down that is sad in it's reality, but true in it's opinion. Douglas is in a surplus store and the guy running it is a Nazi sympathizer. When Douglass doesn't share his opinions, they get into a confrontation. The guy snaps and tells Douglas to spread against the wall. He obliges and then the Nazi guy wants to handcuff him. He tells Douglas to give him his hand, he does. Then he tells Douglas to give him his other hand. Douglas is supporting himself on the wall in a 30 degree angle and if he gives the guy his other hand " he'll fall down. " Which is precisely what he tells the Nazi guy. This is a microcosm of the film and a microcosm of what may be wrong with not only society but people in general. There is a theory in wrestling that your arms and legs are like a table, if you take out any two of the legs or arms, your opponent falls down and is vulnerable. Same thing with a human being. Take away so many of his limbs ( job, wife, dignity, credit rating, kids, etc. ) and it may be only a matter of time before that person does snap. This movie shows us what happens to one individual that does snap. He wasn't all that bad to begin with, but as time went on and he was " lied " to, he can't handle it and finally one day, he has had enough. I think this film is more important than people realize and if you have only seen it once, see it again. You may see something that you didn't see before. Hats off to Schumacher and Douglas who had the guts to make this film.

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86 out of 94 people found the following comment useful :-
An affirmation of decadence, 22 November 2004
Author: josevcutts (josevcutts@hotmail.com) from Sheffield, Northern England

Take the hottest day of the year, a traffic gridlock, cracked pavements, dirty streets, unwarranted hostility and a general feeling of being short changed. Then add the frustrations of having an estranged wife and child, an extremely jaded and unbalanced mindset, and the frustration of being obsolete with no marketable skills. Set them against the decadent back drop of modern day LA where if you are 'Not economically viable,' you are of no use, and the result is Falling Down.

The tag line 'The Adventures of an Ordinary man at War with the Everyday World,' makes Joel Schumacher's masterpiece sound like the benign story of a working stiff with issues. However Falling Down is a dark and engrossing urban fable, a study into the mind of the disenfranchised and reminder to all that the removal of comfort is a lot closer than we care to believe.

Full of clichés, like the cop on his last day before retiring, Falling Down bravely meets all expectations of stereotypes, rather than challenging them, making for a realistic reflection of a failing society. Here, a man in extremis, without the feral cunning or killer instinct required for a life in the street, makes his way on anger and luck alone, somehow surviving to leave a paper chase of violence and destruction behind.

Relying heavily on symbolism, illustrating a flip side of America running parallel to the hunky dory world occupied by the successful, the over all message of 'No Matter, Never Mind,' is clear in this world where children play next to vagrants dying from AIDS and Korean grocers can legally steal from the public with their overpriced goods.

Michael Douglas displays some hitherto unseen talent as the unbalanced D-FENS, as he casually totes gang weapons (complete with rubber bands on the grips) in his formal shirt and tie, does battle with store owners and comes up against fast food restaurants, homeless people, gangsters and Nazis. Robert Duval is equally brilliant as the desk jockey on his final day, determined to stop anyone else from being hurt, including the perp.

There is, of course, a small amount of Hollywood sentimentality thrown in for good measure, however the dynamics of such a strong narrative make this completely forgivable and it's possible to overlook this as a flaw given the film's overall strengths.

Praise surely has to go to Ebbe Roe Smith for writing one of the finest scripts ever to grace celluloid. Known for bit parts and cameos, who the hell knows who Ebbe really is? Look on IMDb to find out (if you're a geek like me) or release him into the ether if you don't care. The truth is, he's out there. The question is: Where's the next script?

On the whole, Falling Down is a powerful and dramatic indictment of American culture, societal decadence, and the failing values of the West. It's not for everyone and will most certainly offend some, but if approached with an open mind, will provide plenty of fuel for thought.

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63 out of 81 people found the following comment useful :-
Douglas has turned out to be my favorite action hero, 22 January 2002

Author: Raven45975

This was one of the best movies in the 90's that all of us stress takers can relate to. He represented us who put up with people's crap all day long and people who spit and walk over his face not being afraid of who he is. Douglas has proved to the world that even the most quiet fellows can be dangerous. I love this movie every step of the way. After watching this movie it seemed as if Duvall and the others were the bad guys and Douglas was the good guy.

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48 out of 59 people found the following comment useful :-
Michael Douglas: voice of the average consumer, 9 July 2002

Author: Agent10 from Tucson, AZ

Joel Schumacher's career has gone down the drain since this movie, for now he is just trying to make stupid movies with no sense and style. However this proved to be one of his best films. Michael Douglas portrayed William Forster perfectly, giving us a character who is both sensible and psychotic at the same time. The whole scene with Douglas in the fast food restaurant was priceless, giving a voice to the typical angry consumer. So many messages in the film really brought out the stereotypical infuriated American, and gave us the reactionary nature of such an individual. While this film will most likely leak in to the annals of obscurity, this one will always remain in my video collection.

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36 out of 37 people found the following comment useful :-
An Unusual Performance for Douglas...But a Good One!!!, 2 April 2004
Author: David Drebsky (Paninoguy@aol.com) from Brooklyn, NY

Falling Down (1993)

Tagged as `the adventures of an ordinary man at war with the everyday world,' Joel Schumacher's `Falling Down' tells the tragic tale of William Foster aka D-FENS, a now unemployed defense worker who finds himself trapped on a hot summer day in bumper-to-bumper Los Angeles traffic. Having been pushed past the brink of sanity, Foster loses it and storms out of his car, walking around town and trying desperately to see his little daughter for her birthday, a daughter who is untouchable because of a court order against him by his estranged wife. Along the way, Foster will run across character types we've all come across: the 'war veteran' bum who is really just a lowlife looking to score some quick cash, an irate Korean grocery store owner, a homophobic neo-nazi army retail store owner, a crusty elitist country club golf player, super friendly fast food workers, young Hispanic thugs, and so forth. And each one will chip away at what remains of his patience and tolerance for stupidity, fueling a rampage.

Up against this anti-hero is Prendergast, a veteran cop who has felt many of the same pains as Foster, but who serves as sort of a foil to him. Foster has lost everything, and while Prendergast has lost quite a bit (his wife is a basketcase, his little daughter died years ago under mysterious circumstances), he still retains some optimism, calmness, and dignity. As Prendergast, who is on his last day on the job, begins to put together the pieces of the mysterious crime spree plaguing the city (he seems to be the only one smart enough to figure out it's all the doing of one man!), it pits him in an inevitable confrontation between him and Foster.

Michael Douglas, playing Foster / D-FENS plays an incredibly complex character. On the one hand, you know much of what he does is so wrong, but at the same time there's immense satisfaction at seeing him lash out at those deserving of it. And while he tries to stay calm, he finds himself constantly provoked by those who have 'wronged society.' In fact, many of the things he does could so easily have been avoided if the 'victims' were not so positively despicable. You can't help but feel at the end of the day, when Foster gets his due, that he's, in some small way, made Los Angeles a better place despite the carnage he's unleashed.

And this is perhaps what is so strange about the movie. There seems to be no clear message. Who was right? Who was wrong? It becomes a very blurry line over the approximately 2 hours of the movie's run. I've seen it now several times and I still can't give any definitive answer. Perhaps this is a strength, that different people will view this movie in different ways. Some will see this as the story of a noble, decent man who modern society has beaten down and crushed, and who desperately tries to struggle against the tyranny and betrayal. Others will see Foster as a lunatic who needed to be put down. No one, I think, will find that Foster doesn't warrant some sympathy.

Personally, I think Foster got the wrong end of the stick. His wife's anger and fear of him seems somewhat unwarranted, and though it is clear that Foster (and not just society itself) has brought many of his problems upon his own head, he is tired and angry and rightfully resentful at the course his life has taken. He feels he has nothing to live for, so he takes it out on anyone who crosses his path. I recommend this movie because the performances are all-around great, it delivers a solid cast, and as the portrayal of one man's journey down the path of madness, few have done better.

Grade: A-

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45 out of 56 people found the following comment useful :-
The story of the obsolete man., 4 March 1999

Author: Giordano Lahaderne (giordano@n2.com) from Great Falls, Montana

*** This comment may contain spoilers ***

At first it might just look like a guy getting fed up with "the system", but that's just crap. This film is about a man (Micheal Douglas) who has become obsolete. He used to be the average joe, but the world has moved on, and to his society, he is now the stranger. The other main character, Robert Duvall, is also a man who is obsolete, but he handles it in his own way. I've always loved the ending, and it has several memorable scenes (the fast food place that refuses to serve breakfast comes to mind). Watch it sometime, in the summer.

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34 out of 41 people found the following comment useful :-
Don't We All Want To Fall Down Sometimes?, 25 November 2002

Author: MovieAddict2008 from UK

Michael Douglas and Robert Duvall star in a film that portrays life as true, funny and aggravating as it really is. Douglas is wonderful in his role of an average Joe Schmoe gone haywire, and Robert Duvall is vivid and deep as the cop on the chase.

Falling Down may have a few incredibilities (though I remember going through a lot of situations in the film Douglas went through-though I never was angry enough to pull a shotgun out), but it's more symbolic than anything.

I think the funniest part is the burger restaurant, obviously a mimic of McDonalds, and Douglas' reaction. It's kind of like he realizes, "Hey, I'm this far, why not complain about the burger while I'm at it? It's always bugged me anyway!" Falling Down represents all Americans: the aggravations, road rage we hear about, everything. Every day situations in a new perspective.

5/5 stars-

JOHN ULMER

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22 out of 23 people found the following comment useful :-
Excellent Observations of Society, 20 January 2004
Author: Beaux from College Park, Maryland

"Falling Down" is a film that intends to point out the many quirks and oddities of modern urban society. It succeeds in doing so, but one must look carefully. Each situation Bill Foster (Michael Douglas) faces is one that most people can relate to. However, unlike most people he decides to "fight the system" and wage war on the everyday annoyances that we all face. Foster is a People's Champion. To illustrate this, most people who watch this film naturally pull for him and see him as being a hero, mostly out of pure sympathy. However, at the end of the day, Foster is still "the bad guy" for going against the societal grain. Most viewers will find this upsetting or even unfair, considering that he fought back against many criminals and unjust forces.

Where Falling Down fails at times is during the scenes where it attempts to do too many things at once. The bits of humor throughout the film are mostly derived from over-the-top scenes, and at times Foster's actions seem cheesy and unrealistic. The fact that the film is two stories in one (Foster and Prendergast) provides a good contrast because the viewer gets to see both sides of the story. On one hand, we see an ordinary family man going bezerk (but in a way most of us can understand) and on the other hand we see a cop who believes Foster is a complete psychopath. Only the audience knows the truth. The film could have done without some of the lame subplots such as Duvall's marriage, even though those scenes illustrate his perception of being "weak" or "whipped". The film sets out to do a lot at once, which is quite necessary to create a thorough storyline, but at times doesn't come out right on film.

One scene that I have always found moving and powerful is the scene where Bill Foster sees the man who is "Not Economically Viable" protesting outside of the bank that denied him a loan. As everyone on the busy street goes about their business and ignores this man, Foster (and the viewer) are focused directly on him. Foster obviously sympathizes with this poor, hardworking man who is also being stepped on by society. As the man is escorted away in the police car he looks directly at Foster and says "don't forget me". In a gesture of sympathy and appreciation, he nods to him. The two characters share a connection. It is especially important to notice the symbolism of this scene. Both men are wearing the exact same outfits: a white short-sleeved dress shirt, black tie and black pants. They are on the opposite sides of the street. When they look at each other, even though they are white and black, it is as though they are looking into a mirror and seeing the same thing: a victim of society.

Overall, a slightly sad story that tries to do a whole lot, succeeds in most of it and provides lots of entertainment. A good storyline and an excellent observation of modern society.

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32 out of 43 people found the following comment useful :-
great film, 7 July 2003

Author: colinwhitefan

It's just not William Foster's (Michael Douglas) day. Laid off from his defense job, Foster gets stuck in the middle of big traffic jam. Foster on his way to attend his daughter's birthday party at the home of his ex-wife (Barbara Hershey), Foster leaves his vehicle and begins walking, running into one problem after another. He also slowly loses it, finally snapping at a fast food restaurant (a spoof of McDonald's) that refuses to serve him breakfast because he was late. Foster also known as "D-FENS" because of his custom license plate quickly becomes a source of terror to some, a hero to others. It's up to hesitant cop Prendergast (Robert Duvall), on the eve of retirement, to bring Foster down. Douglas and Duvall nail their roles within this well written movie. If you haven't seen this movie you are in store for a nice work.

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39 out of 60 people found the following comment useful :-
We have all felt like this at some time!, 26 March 2001

Author: John Taylor (jdtaylor@btinternet.com) from Bedfordshire,England

Only a few hours before watching Falling Down i was in a local branch of McDonalds trying to order my usual Filet'o'Fish only to be told by the gormless spotty member of staff that it would take 8 minutes because they had none ready. When asked why they had none ready at the height of lunch time the moron proceded to tell me "it's because they arent very popular"!. When i tried to explain that they were not popular because every time someone tries to order one they have to wait an eternity for you to cook it, i was presented with a face of immense puzzlement and confusion! I'm not saying i would ever go as far as Michael Douglas does when he cant get his breakfast 2 minutes after the cut off time in this film but i understand EXACTLY how he feels.!. Falling Down is a very good interpretation on how if someone not quite the full package, comes up against the day to day greedyness ,rudeness and descrimination of todays western society and how he feels he needs to get his point across in his own way. This is a very good film and is superbly acted,especially from Duvall and Douglas. 8 out of 10.

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