at Crackle

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| Mon. July 6 | 10:00 AM | FX | |||
| Tue. July 7 | 8:00 AM | FX |
| Bill Murray | ... | Phil | |
| Andie MacDowell | ... | Rita | |
| Chris Elliott | ... | Larry | |
| Stephen Tobolowsky | ... | Ned | |
| Brian Doyle-Murray | ... | Buster | |
| Marita Geraghty | ... | Nancy | |
| Angela Paton | ... | Mrs. Lancaster | |
| Rick Ducommun | ... | Gus | |
| Rick Overton | ... | Ralph | |
| Robin Duke | ... | Doris the Waitress | |
| Carol Bivins | ... | Anchorwoman | |
| Willie Garson | ... | Phil's Assistnat Kenny | |
| Ken Hudson Campbell | ... | Man in Hallway | |
| Les Podewell | ... | Old Man | |
| Rod Sell | ... | Groundhog Official | |
| Tom Milanovich | ... | State Trooper | |
| John M. Watson Sr. | ... | Bartender (as John Watson Sr.) | |
| Peggy Roeder | ... | Piano Teacher | |
| Harold Ramis | ... | Neurologist | |
| David Pasquesi | ... | Psychiatrist | |
| Lee R. Sellars | ... | Cop | |
| Chet Dubowski | ... | Bank Guard Felix | |
| C.O. Erickson | ... | Bank Guard Herman (as Doc Erickson) | |
| Sandy Maschmeyer | ... | Phil's Movie Date | |
| Leighanne O'Neil | ... | Fan on Street | |
| Evangeline Binkley | ... | Jeopardy! Viewer | |
| Samuel Mages | ... | Jeopardy! Viewer | |
| Ben Zwick | ... | Jeopardy! Viewer | |
| Hynden Walch | ... | Debbie (as Hynden Walsh) | |
| Michael Shannon | ... | Fred | |
| Timothy Hendrickson | ... | Waiter Bill | |
| Martha Webster | ... | Waitress Alice | |
| Angela Dezen | ... | Piano Student (as Angela Gollan) | |
| Shaun Chaiyabhat | ... | Boy in Tree | |
| Dianne B. Shaw | ... | E.R. Nurse | |
| Barbara Ann Grimes | ... | Flat Tire Lady | |
| Ann Heekin | ... | Flat Tire Lady | |
| Lucina Paquet | ... | Flat Tire Lady | |
| Brenda Pickleman | ... | Buster's Wife | |
| Amy Murdoch | ... | Buster's Daughter | |
| Eric Saiet | ... | Buster's Son | |
| Lindsay Albert | ... | Woman with Cigarette (as Lindsay Reinsch) | |
| Roger Adler | ... | Guitar Player | |
| Ben A. Fish | ... | Bass Player | |
| Don Riozz McNichols | ... | Drum Player (as Don Rio McNichols) | |
| Brian Willig | ... | Saxophon Player | |
| Richard Henzel | ... | D.J. (voice) | |
| Rob Riley | ... | D.J. (voice) | |
| Scooter | ... | The Groundhog | |
| rest of cast listed alphabetically: | |||
| Douglas Blakeslee | ... | Man with Snow Shovel (uncredited) | |
| Tony DeGuide | ... | Reporter (uncredited) | |
| Leslie Frates | ... | Herself - 'Jeopardy!' Contestant (uncredited) | |
| Simon Harvey | ... | News Reporter (uncredited) | |
| Grady Hutt | ... | (uncredited) | |
| Regina Prokop | ... | Polka Dancer (uncredited) | |
Directed by | |||
| Harold Ramis | |||
Writing credits(WGA) | ||
| Danny Rubin | (screenplay) and | |
| Harold Ramis | (screenplay) | |
| Danny Rubin | (story) | |
Produced by | |||
| Trevor Albert | .... | producer | |
| C.O. Erickson | .... | executive producer | |
| Harold Ramis | .... | producer | |
| Whitney White | .... | associate producer | |
Original Music by | |||
| George Fenton | (music by) | ||
Cinematography by | |||
| John Bailey | (director of photography) | ||
Film Editing by | |||
| Pembroke J. Herring | |||
Casting by | |||
| Howard Feuer | (casting) | ||
Production Design by | |||
| David Nichols | |||
Art Direction by | |||
| Peter Landsdown Smith | |||
Set Decoration by | |||
| Lisa Fischer | |||
Costume Design by | |||
| Jennifer Butler | |||
Makeup Department | |||
| Art Anthony | .... | special prosthetic makeup | |
| Deborah K. Dee | .... | makeup artist | |
| Emanuel Millar | .... | key hair stylist (as Emanuel 'Manny' Millar) | |
| Dorothy J. Pearl | .... | key makeup artist (as Dorothy Pearl) | |
| Gunnar Swanson | .... | hair stylist | |
| James Lacey | .... | makeup artist (uncredited) | |
Production Management | |||
| C.O. Erickson | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Cyd Adams | .... | second second assistant director | |
| Brian W. Boyd | .... | second assistant director: second unit | |
| Steve Boyum | .... | second unit director | |
| Michael Haley | .... | first assistant director | |
| Sam Hoffman | .... | second second assistant director | |
| Alan Hopkins | .... | first assistant director: second unit (as J. Alan Hopkins) | |
| Gaetano Lisi | .... | first assistant director: second unit (as Gaetano 'Tom' Lisi) | |
| John L. Roman | .... | second assistant director | |
Art Department | |||
| Gary Baugh | .... | assistant art director | |
| Amy Berk | .... | art department coordinator | |
| Ron Bolanowski | .... | assistant property master | |
| Karen Fletcher Trujillo | .... | set designer (as Karen Fletcher-Trujillo) | |
| Amie McCarthy | .... | property master (as Amie Frances McCarthy) | |
| James J. Murakami | .... | assistant art director | |
| Joel Prihoda | .... | leadman | |
| Phil Read | .... | construction coordinator | |
| Anthony Joseph Fatigato | .... | painter (uncredited) | |
| Michael Anthony Jackson | .... | storyboard artist (uncredited) | |
| Mike Monckton | .... | signwriter (uncredited) | |
Sound Department | |||
| George H. Anderson | .... | supervising sound editor | |
| Mary Andrews | .... | adr editor | |
| Kevin Barlia | .... | sound editor | |
| Bill W. Benton | .... | sound re-recording mixer | |
| Ed Callahan | .... | sound editor | |
| Ann Ducommun | .... | assistant sound editor | |
| David Giammarco | .... | sound editor | |
| John A. Larsen | .... | sound editor | |
| Les Lazarowitz | .... | production sound mixer | |
| Linda Martin | .... | assistant sound editor | |
| Cindy Marty | .... | sound editor | |
| Sergio Reyes | .... | sound re-recording mixer | |
| B. Tennyson Sebastian III | .... | sound re-recording mixer | |
| Scott R. Thomson | .... | cable person | |
| Jeffrey A. Williams | .... | boom operator (as Jeff Williams) | |
| Harry E. Snodgrass | .... | sound editor (uncredited) | |
Special Effects by | |||
| Tom Ryba | .... | special effects | |
Stunts | |||
| Steve Boyum | .... | stunts | |
| Frank P. Calzavara | .... | stunts | |
| Rudy J. Calzavara | .... | stunts (as Rudy Calzavara) | |
| Eddie J. Fernandez | .... | stunts (as Ed Fernandez) | |
| James Fierro | .... | stunts | |
| Glory Fioramonti | .... | stunts | |
| Mark Harper | .... | stunts | |
| Maryann Kelman | .... | stunts | |
| Rick Le Fevour | .... | stunt coordinator (as Rick LeFevour) | |
| Stacy Logan | .... | stunts | |
| James R. Mammoser | .... | stunts | |
| Jim McCarthy | .... | stunts | |
| Linda Perlin | .... | stunts | |
| Randy Popplewell | .... | stunts | |
| Gina Reale | .... | stunts | |
| Rich Wilkie | .... | stunts | |
| Jeff Williams | .... | stunts (as Jeffrey Martin Williams) | |
| Daniel Maldonado | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| James Blanford | .... | director of photography: second unit | |
| Beth Cotter | .... | second assistant camera | |
| Dennis De La Mata | .... | key grip: second unit (as Dennis E. de la Mata) | |
| Linda Gacsko | .... | loader | |
| Louis Goldman | .... | still photographer | |
| Michael Kohnhorst | .... | camera operator: second unit | |
| George Kohut | .... | director of photography: second unit | |
| Peter Kuttner | .... | first assistant camera | |
| Morgan Michael Lewis | .... | key grip | |
| Thomas Lewis | .... | chief lighting technician: second unit (as Tom Lewis) | |
| Mark R. Lindberg | .... | assistant chief lighting technician | |
| Ann Lukacs | .... | camera operator: second unit | |
| Bradley T. Matthys | .... | dolly grip | |
| Mark E. Matthys | .... | best boy grip | |
| Mike Moyer | .... | chief lighting technician (as Mike G. Moyer) | |
| Michael Stone | .... | camera operator | |
| Paolo Cascio | .... | first assistant camera: "a" camera, second unit (uncredited) | |
Casting Department | |||
| Nicole Arbusto | .... | casting assistant | |
| Jane Brody | .... | casting: Chicago | |
| Catherine Holzer-Ballowe | .... | extras casting | |
| Barbara L. Roche | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Michael Butler | .... | costume supervisor (as Mike Butler) | |
| Patrick Caulfield | .... | costumer | |
| Julie Glick | .... | costumer (as Julie Lynn Glick) | |
Editorial Department | |||
| Tony Ciccone | .... | first assistant editor | |
| Lin Coleman | .... | first assistant editor | |
| James Durante | .... | apprentice editor (as Jim Durante) | |
| Sandy French | .... | second assistant editor (as Sandra French) | |
| Craig Herring | .... | additional editing | |
| Kimberly Lord | .... | apprentice editor | |
| Scot Deer | .... | telecine colorist (uncredited) | |
Music Department | |||
| Jeff Atmajian | .... | orchestrator | |
| Sally Boldt | .... | music editor | |
| Sharon Boyle | .... | music supervisor | |
| John Richards | .... | score mixer | |
| Jeffrey Pollack | .... | music consultant (uncredited) | |
| Dana Sano | .... | music coordinator (uncredited) | |
Transportation Department | |||
| George DiLeonardi | .... | transportation captain (as George J. DiLeonardi) | |
| Danny Maxwell | .... | transportation co-captain (as Dan Maxwell) | |
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Taken as a light comedy, this movie would rate perhaps eight stars out of ten. But it's much, much more than just a light comedy. It is, in fact, utterly unique. The character of Phil Connors, played by Bill Murray, is, quite literally, a man without a future.
What do we gain from watching this movie? Different people will take away different things from it. I discovered two very important truths in Groundhog Day.
One was the importance of concentrating on the things that last. Phil Connors must live the same day over and over again, and is forced to realize that the only real change that will ever be possible must happen within himself. (From this it is a short leap to the realization that this is the only kind of change that really matters; for in his case, it is literally true.) It is at this point that he takes up piano, begins reading, learns to ice-sculpt. But if it weren't for his unique predicament, he never would have realized this; in his routine at the TV studio back in Pittsburgh, we surmise, there was always something changing...and not changing. (It is interesting that Phil is a weatherman: the weather is a perfect metaphor for something that changes constantly...without, in the long term, changing at all.) We can be distracted by the superficial changes in the world around us, and forget that real change in our lives must come from within. This was the great gift of Groundhog Day for Phil Connors: the chance to discover this truth for himself.
The other thing I noticed, while reflecting on this movie, is how uncertainty can keep us from charitable acts. We use our ignorance like a crutch: we don't give to charity because it may be a scam, we don't offer to help someone because they may not need help anyway, and so on. But Phil doesn't have the luxury of ignorance. He knows...he knows with absolute certainty that if he doesn't buy the old man a bowl of soup, that man will die in the streets within a few hours. He knows that if he isn't on hand at the right time, a boy will fall from a tree and break his neck. Faced with such knowledge, even Phil, self-absorbed as he is, cannot stand by idly. Nor could we, in his position. This is a powerful argument for knowledge as the most reliable foundation for generous behavior. What other movie can offer an insight half so profound?
Many more truths can be mined from this movie. As others have said, this is a thought experiment that went very well indeed--better than anything I've ever seen on the Big Screen. As such, I'd vote for it as one of the greatest movies ever made, and very likely the most underrated movie ever made.