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Tony Chiu-Wai Leung,
Simon and Wei-Tung are a gay couple living together in Manhattan. To defer the suspicions of Wei-Tung's parents, Simon suggests a marriage of convenience between Wei-Tung and Wei-Wei, an immigrant in need of a green card. When Wei-Tung's parents come to America for the wedding, they insist upon an elaborate banquet, resulting in several complications. Written by
Scott Renshaw <firstname.lastname@example.org>
During the small family dinner to which Simon treats the newlyweds and Wei-Tung's parents, Simon can be seen to alternately hold chopsticks, a small bowl or nothing in his left hand, depending on the camera angle. See more »
Ang Lee with infinite wisdom seems to be saving the best part of this film for last. Acceptance is the underlying theme of this movie, which I recently watched for the second time. I saw the film when it was originally released in 1993. At that time, it seemed to have been breaking ground for tolerance from the straight world toward gays, in general.
Ang Lee is one of the best film directors working these days. This is a small film in comparison to what came afterward. The story of how parents in a conservative society view their children that are "different" is always an interesting idea. Those same parents produced that child; the mere idea they will turn their backs to a son who is living openly as a gay man is a complex problem, at best.
Different cultures react differently, as is the case in this film. While the parents are not completely taken over by the way they discover their son has turned out to be, they go along with the flow, never condemning the son, his partner, or the young woman who is pretending to be, what she is not.
The acting is good in general, but it has to be the actor who plays the father, who ultimately wins one's heart. His culture goes back for centuries and he is won by his son's lover because he sees how kind, decent and honest he really is.
It's better never to judge, or so it seems that Ang Lee is telling us.
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