The Remains of the Day (1993)

Director:

James Ivory

Writers (WGA):

Kazuo Ishiguro (novel)
Ruth Prawer Jhabvala (screenplay)

Release Date:

5 November 1993 (USA)

Genre:

Drama | Romance

Plot:

A butler who sacrificed body and soul to service in the years post World War II realizes too late how misguided his loyalty has been.

Plot Keywords:

Unhappy Marriage | Father Son Relationship | Toast | Loyalty | Friendship

Awards:

Nominated for 8 Oscars. Another 15 wins & 14 nominations

Cast

John Haycraft	...	Auctioneer
Christopher Reeve	...	Jack Lewis
Anthony Hopkins	...	James Stevens
Emma Thompson	...	Mary Kenton
Caroline Hunt	...	Landlady
James Fox	...	Lord Darlington
Peter Vaughan	...	William Stevens
Paula Jacobs	...	Mrs. Mortimer, the cook
Ben Chaplin	...	Charlie, Head Footman
Steve Dibben	...	George, Second Footman
Abigail Hopkins	...	Housemaid (as Abigail Harrison)
Patrick Godfrey	...	Spencer
Peter Cellier	...	Sir Leonard Bax
Peter Halliday	...	Canon Tufnell
Hugh Grant	...	Reginald Cardinal
Terence Bayler	...	Trimmer
Jeffrey Wickham	...	Viscount Bigge (as Jeffry Wickham)
Hugh Sweetman	...	Scullery boy
Michael Lonsdale	...	Dupont D'Ivry
Brigitte Kahn	...	Baroness
John Savident	...	Doctor Meredith
Tony Aitken	...	Postmaster
Emma Lewis	...	Elsa
Joanna Joseph	...	Irma
Rupert Vansittart	...	Sir Geoffrey Wren
Tim Pigott-Smith	...	Thomas Benn
Christopher Brown	...	Wren's friend
Lena Headey	...	Lizzie
Paul Copley	...	Harry Smith
Ian Redford	...	Publican
Jo Kendall	...	Publican's wife
Steven Beard	...	Andrews
Pip Torrens	...	Doctor Richard Carlisle
Frank Shelley	...	Prime Minister
Peter Eyre	...	Lord Halifax
Jestyn Phillips	...	Foreign Office official
Wolf Kahler	...	German ambassador
Frank Höltje	...	German Embassy official
Andreas Töns	...	German Embassy official
Roger McKern	...	Police constable
Angela Newmarch	...	Waitress

Directed by
James Ivory

Writing credits (WGA)
Kazuo Ishiguro		(novel)
Ruth Prawer Jhabvala		(screenplay)

Produced by
Paul Bradley	....	executive producer
John Calley	....	producer
Ismail Merchant	....	producer
Mike Nichols	....	producer
Donald Rosenfeld	....	associate producer

Original Music by
Richard Robbins

Cinematography by
Tony Pierce-Roberts		(photography)

Film Editing by
Andrew Marcus

Casting by
Celestia Fox

Production Design by
Luciana Arrighi

Art Direction by
John Ralph

Set Decoration by
Ian Whittaker

Costume Design by
Jenny Beavan
John Bright

Makeup Department
Christine Beveridge	....	chief makeup artist
Carol Hemming	....	chief hair stylist
Paolo Mantini	....	hair stylist
Norma Webb	....	makeup artist

Production Management
Joyce Herlihy	....	production supervisor

Second Unit Director or Assistant Director
Bernard Bellew	....	third assistant director
Simon Moseley	....	second assistant director
Christopher Newman	....	first assistant director (as Chris Newman)

Art Department
Simone Assanand	....	art department assistant
Chris Browning	....	stand-by props
Sveva Costa Sanservino	....	art department assistant
Mark Fruin	....	stand-by props
John Hedges	....	construction manager
Sophia Müller	....	art department assistant (as Sophia Müeller)
Jill Quertier	....	production buyer
Dennis Simmonds	....	dressing props
Arthur Wicks	....	property master
Chris Seddon	....	drapes master (uncredited)

Sound Department
Aaron Anawalt	....	on-set sound assistant
Brian Blamey	....	foley editor
Geoff R. Brown	....	assistant sound editor
Derek Holding	....	dialogue editor
Dominic Lester	....	assistant sound re-recordist
Colin Miller	....	sound editor
Robin O'Donoghue	....	sound re-recordist
David Stephenson	....	sound recordist
Colin Wood	....	boom operator
Russ Woolnough	....	assistant sound editor

Special Effects by
Karin Hanson	....	special effects hair (uncredited)
Garth Inns	....	special effects supervisor (uncredited)

Visual Effects by
Martin Body	....	rostrum cameraman (uncredited)

Camera and Electrical Department
Peter Batten	....	clapper loader
Damienne Caron	....	camera apprentice
Tommy Finch	....	gaffer
Rawdon Hayne	....	focus puller
Malcolm Huse	....	camera grip
Rod Marley	....	camera trainee (as Roderick Marley)
Roger Pearce	....	camera operator: second unit
Derrick Santini	....	still photographer
Les Weighell	....	best boy

Costume and Wardrobe Department
Jill Avery	....	wardrobe assistant
Victoria Harwood	....	wardrobe assistant
Sue Honeybourne	....	wardrobe mistress
Adrian Simmons	....	wardrobe assistant (as Adrian Simmonds)

Editorial Department
Simon Cozens	....	second assistant editor
Michelle Gorchow	....	associate editor
Kerry Kohler	....	assistant editor
Craig Mooney	....	apprentice editor

Music Department
Geoff Alexander	....	music coordinator
Harry Rabinowitz	....	conductor
Bill Sommerville-Large	....	music recording engineer
Robert Stewart	....	music arranger: orchestral arrangements

Transportation Department
Cengiz Asiliskender	....	unit driver
Brian Baverstock	....	unit driver (as Bryan Baverstock)
David Bennett	....	unit driver
John Bower	....	unit driver

Other crew
Elizabeth Aldrich	....	choreographer
Bobby Blues	....	production accountant (as Bob Blues)
Cyril Dickman	....	technical advisor
Diana Dill	....	script supervisor
Lorraine Fennell	....	production coordinator
David Field	....	stand-in
Joe Friedman	....	location scout
Peter Giblin	....	runner: director
Robert Hamilton	....	assistant technical advisor
Jacky Holding	....	production accountant
William James	....	crowd marshall
Sunil Kirparam	....	production accountant
Fay Efrosini Lellios	....	project creative assistant
Annie Livings	....	stand-in
Kathryn Martin	....	assistant to producer
Christian McWilliams	....	location manager
Colin Plenty	....	location assistant

Thanks
The Duke of Beaufort	....	thanks
The Earl of Devon	....	thanks
The Lord Methuen	....	thanks

Production Companies

• Merchant Ivory Productions (as A Mike Nichols John Calley Merchant Ivory Production)
• Columbia Pictures Corporation (presents) (as Columbia Pictures)

Distributors

• Columbia Pictures (1993) (USA) (theatrical)
• Columbia TriStar Film Distributors International (????) (Argentina) (theatrical)
• Columbia TriStar Films de España S.A. (????) (Spain) (theatrical)
• Columbia TriStar Home Video (1994) (USA) (video) (laserdisc)
• Columbia TriStar Home Video (2001) (USA) (DVD) (widescreen)
• Columbia TriStar Home Video (2007) (USA) (DVD)
• Columbia TriStar (Brazil) (DVD)
• LK-TEL Vídeo (????) (Brazil) (VHS)
• LK-TEL (????) (Argentina) (VHS)

Special Effects

• Effects Associates

Other Companies

• Anglia Catering  catering
• Arthur Sanderson and Sons Ltd.  thanks
• Cosprop  costumes
• Garrard, The Crown Jewellers  thanks
• Lee Lighting  grip and lighting equipment
• Peerless Camera Company  titles and opticals
• Twickenham Film Studios  sound re-recording
• Windmill Lane Recording Studios  music recorded at

Also Known As:

Lo que queda del día (Argentina) (Spain) [es]
Återstoden av dagen (Sweden) [sv]
Despojos do Dia, Os (Portugal) [pt]
Elu kuldsed hetked (Estonia) [et]
Napok romjai (Hungary) [hu]
Ostanki dneva (Slovenia) [sl]
Pitkän päivän ilta (Finland) [fi]
Quel che resta del giorno (Italy) [it]
Shearit Ha-Yom (Israel: Hebrew title) [iw]
Vestígios do Dia (Brazil) [pt]
Vestiges du jour (Canada: French title) [fr]
Vestiges du jour, Les (France) (dubbed version) [fr]
Was vom Tage übrig blieb (Germany) [de]

Runtime:

134 min

Country:

UK | USA

Language:

English | French | German

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

70 mm 6-Track (70 mm prints) | Dolby SR (35 mm prints) | SDDS (35 mm prints)

Certification:

USA:PG | South Korea:15 | Iceland:L | Argentina:Atp | Australia:G | Chile:TE | Finland:S | France:U | Germany:6 | Ireland:G | Netherlands:AL | Norway:A | Peru:PT | Singapore:PG | Spain:T | Sweden:Btl | UK:U | Canada:PG

Filming Locations:

Badminton House, Gloucestershire, England, UK

Company:

Merchant Ivory Productions

Trivia:

The original screenplay was written by Harold Pinter for Mike Nichols. A few of his scenes survived the rewrite after Columbia reassigned the film to Merchant-Ivory (after which Pinter insisted that his name be removed from the credits). One of these scenes, almost at the very end of the film, where Anthony Hopkins finally accepts his failures and cries in front of a total stranger, a retired butler, did not make the final cut. The scene appears in the deleted scenes special features of the 2001 DVD release.

Goofs:

Anachronisms: The road markings at the junction outside the George Inn in Norton St Philip are modern; dashed double white lines were not around in the 1950s.

Quotes:

James Stevens: If two members of staff have to fall in love and decide to get married, there's nothing one can say. But what I do find a major irritation are those persons who are simply going from post to post looking for romance.

Movie Connections:

Featured in Blind Loyalty, Hollow Honor: England's Fatal Flaw (2001) (V)

Soundtrack:

Roll Along Prairie Moon

Masterful, restrained, heart-rending

As a rule, I am not a fan of Merchant Ivory's particular brand of costume drama. Though always well-lit, finely honed, pruidently adapted most of them suffer from the intense politeness of the filmmaking, often substituting reverence for literature for a love of the books themselves (The Bostonians and the awful version of Maurice are my witness) only Ruth Prawer Jabwala's adaptation of her own novel 'Heat and Dust' previously seemed compelling

In Remains of the Day, this very claustrophobic, conservative approach serves the material perfcectly. This is, after all, a story of repression and features one of Anthony Hopkins finest achievements. As Mr Stevens, the butler and gentleman's gentleman, he is capable of feeling - he is after all human - but incapable of showing any feeling: for his father, against his employer, for the woman (Emma Thompson) he loves. This frustrated passion between Hopkins and Thompson drives the film; but everything about it is magnificently observed. The facile, idealistic British flirtation with National Socialism and appeasement, the sense of position, the paternalistic worldview of 'Old Europe' are a world away from anything we know and yet, politically, a barely a generation away. The adaptation is excellent and the supporting cast almost perfect... it is achingly sad and frustrating, brilliantly acted (especially the magisterial Peter Vaughan) and - from the scant distance of fifty years - a perfect miniature of the terrifyingly sterile world we have left behind