Oskar Schindler is a vainglorious and greedy German businessman who becomes an unlikely humanitarian amid the barbaric German Nazi reign when he feels compelled to turn his factory into a refuge for Jews. Based on the true story of Oskar Schindler who managed to save about 1100 Jews from being gassed at the Auschwitz concentration camp, it is a testament to the good in all of us. Written by
Harald Mayr <email@example.com>
The story features a character called Poldek Pfefferberg. Later, a Leopold Pfefferberg places a stone on Schindler's grave. Finally, a Leopold Page is credited as a consultant on the film. Despite the different names, these all refer to the same person. Poldek Pfefferberg changed his name to Leopold Page after the war, when he moved to the United States. See more »
Oskar sits down at Amon's table for lunch, getting ready to eat, with the camera looking from behind Amon. When they change angles you can see him already chewing the food. See more »
[a Hebrew prayer is chanted, followed by a flashback to 1940s Poland]
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The end credits are shot in black and white.
The Amblin Entertainment logo is absent and in its place instead is the credit: "From Amblin Entertainment".
The MPAA Rated R logo at the end does not have the regular blue background and is shown over the black screen. See more »
Spielberg, stick to alien abductions and monster movies
As a (Jewish) professor of mine once said, "Spielberg doesn't have a glimmer of what it would take to do this material right." Don't be suckered by the subject matter--it's still schlockified for mass consumption. And worse still, it's likely the reason why every year since then we have to put up with some sappy Spielberg backed Holocaust movie or documentary winning another Oscar. Is this really how we want to respond emotionally, intellectually and otherwise?
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