| Photos (see all 18 | slideshow) | Videos (see all 2) |
| Andie MacDowell | ... | Ann Finnigan | |
| Bruce Davison | ... | Howard Finnigan | |
| Jack Lemmon | ... | Paul Finnigan | |
| Zane Cassidy | ... | Casey Finnigan | |
| Julianne Moore | ... | Marian Wyman | |
| Matthew Modine | ... | Dr. Ralph Wyman | |
| Anne Archer | ... | Claire Kane | |
| Fred Ward | ... | Stuart Kane | |
| Jennifer Jason Leigh | ... | Lois Kaiser | |
| Chris Penn | ... | Jerry Kaiser | |
| Joseph C. Hopkins | ... | Joe Kaiser | |
| Josette Maccario | ... | Josette Kaiser | |
| Lili Taylor | ... | Honey Bush | |
| Robert Downey Jr. | ... | Bill Bush | |
| Madeleine Stowe | ... | Sherri Shepard | |
| Tim Robbins | ... | Gene Shepard | |
| Cassie Friel | ... | Sandy Shepard | |
| Dustin Friel | ... | Will Shepard | |
| Austin Friel | ... | Austin Shepard | |
| Lily Tomlin | ... | Doreen Piggot | |
| Tom Waits | ... | Earl Piggot | |
| Frances McDormand | ... | Betty Weathers | |
| Peter Gallagher | ... | Stormy Weathers | |
| Jarrett Lennon | ... | Chad Weathers | |
| Annie Ross | ... | Tess Trainer / Vocals (Annie Ross & The Low Note Quintet) | |
| Lori Singer | ... | Zoe Trainer / Cello (The Trout Quintet) | |
| Lyle Lovett | ... | Andy Bitkower | |
| Buck Henry | ... | Gordon Johnson | |
| Huey Lewis | ... | Vern Miller | |
| Danny Darst | ... | Aubrey Bell | |
| Margery Bond | ... | Dora Willis (as Margerie Bond) | |
| Robert DoQui | ... | Knute Willis (as Robert Do'qui) | |
| Darnell Williams | ... | Joe Robbins | |
| Michael Beach | ... | Jim Stone | |
| Andi Chapman | ... | Harriet Stone | |
| Deborah Falconer | ... | Barbara | |
| Susie Cusack | ... | Nancy | |
| Charles Rocket | ... | Wally Littleton | |
| Jane Alden | ... | Mrs. Schwartzmeier | |
| Christian Altman | ... | Jimmy Miller | |
| William H.D. Marlett | ... | Jimmy's Friend (as Willie Marlett) | |
| Dirk Blocker | ... | Diner Customer | |
| Suzanne Calvert | ... | Tarmac Secretary | |
| Natalie Strong | ... | Mourner | |
| Jay Della | ... | Bartender | |
| Jeruth Persson | ... | Club Owner | |
| Derek Webster | ... | Joe Robbins' Pal | |
| Nathaniel Harris | ... | Joe Robbins' Pal (as Nathaniel H. Harris III) | |
| Alex Trebek | ... | Himself | |
| Jerry Dunphy | ... | Himself | |
| Terry Adams | ... | Piano (Annie Ross & The Low Note Quintet) | |
| Bobby Previte | ... | Drums (Annie Ross & The Low Note Quintet) | |
| Greg Cohen | ... | Bass (Annie Ross & The Low Note Quintet) | |
| Gene Estes | ... | Vibes (Annie Ross & The Low Note Quintet) | |
| Bruce Fowler | ... | Trombone (Annie Ross & The Low Note Quintet) | |
| Stuart Canin | ... | 1st Violin (The Trout Quintet) | |
| Anatoly Rosinsky | ... | Violin (The Trout Quintet) | |
| Roland Kato | ... | Viola (The Trout Quintet) | |
| Armen Guzelimian | ... | Piano (The Trout Quintet) | |
| rest of cast listed alphabetically: | |||
| Damon Charles | ... | Makeup teacher (uncredited) | |
| Andrew Levinson | ... | Bill Bush's model (uncredited) | |
| Derek Raser | ... | Helicopter pilot (uncredited) | |
| Pamela Roth | ... | Makeup Model (uncredited) | |
| Dani Shear | ... | Nurse (uncredited) | |
| Ken Twohy | ... | The Cook (uncredited) | |
Directed by | |||
| Robert Altman | |||
Writing credits(WGA) | ||
| Raymond Carver | (writings) | |
| Robert Altman | (screenplay) & | |
| Frank Barhydt | (screenplay) | |
Produced by | |||
| Cary Brokaw | .... | producer | |
| Scott Bushnell | .... | executive producer | |
| Mike E. Kaplan | .... | associate producer (as Mike Kaplan) | |
| David Levy | .... | associate producer | |
Original Music by | |||
| Mark Isham | |||
Cinematography by | |||
| Walt Lloyd | (director of photography) | ||
Film Editing by | |||
| Suzy Elmiger | |||
| Geraldine Peroni | |||
Production Design by | |||
| Stephen Altman | |||
Art Direction by | |||
| Jerry Fleming | |||
Set Decoration by | |||
| Susan Emshwiller | (as Susan J. Emshwiller) | ||
Costume Design by | |||
| John Hay | |||
Makeup Department | |||
| Dee Dee Altamura | .... | hair stylist | |
| Dee Dee Altamura | .... | makeup artist | |
| Theo Mayes | .... | hair stylist supervisor | |
| Theo Mayes | .... | makeup supervisor | |
| Damon Charles | .... | prosthetic makeup artist (uncredited) | |
Production Management | |||
| Diana Pokorny | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Allan F. Nicholls | .... | first assistant director (as Allan Nicholls) | |
| Jeff Rafner | .... | second assistant director | |
Art Department | |||
| Peter Borck | .... | lead man | |
| Randall M. Boyd | .... | swing gang | |
| John Bucklin | .... | construction coordinator (as John E. Bucklin) | |
| Kelly Deco | .... | scenic paint foreman | |
| Peter Emshwiller | .... | swing gang (as Peter R. Emshwiller) | |
| James Foley | .... | second assistant props | |
| Joseph W. Grafmuller | .... | swing gang (as Joseph Grafmuller) | |
| Michelle Guastello | .... | art department coordinator | |
| Gordon E. Holmes | .... | carpenter (as Gordon Holmes) | |
| Kate Long | .... | swing gang | |
| Josh Lusby | .... | art department assistant (as Joshua Lusby) | |
| Anthony Maccario | .... | property master | |
| William Maccario | .... | assistant property master | |
| Ronald Price | .... | swing gang (as Ronald D. Price Jr.) | |
| David Ronan | .... | on-set dresser | |
| Daniel C. Rothenberg | .... | swing gang (as Daniel Rothenberg) | |
| Jay Schmidt | .... | assistant painter (as Jay G. Schmidt) | |
| Wayne Springfield | .... | construction foreman | |
| Dan Whifler | .... | carpenter (as Daniel Whifler) | |
Sound Department | |||
| Michael Barry | .... | sound re-recording mixer | |
| Miriam Biderman | .... | foley editor | |
| Elisha Birnbaum | .... | foley artist | |
| Marko A. Costanzo | .... | additional foley artist | |
| Margaret Crimmins | .... | sound effects editor | |
| Elliot Deitch | .... | dialogue editor (as Elliot Dietch) | |
| Lee Dichter | .... | sound re-recording mixer | |
| Geeta Gandbhir | .... | apprentice sound editor | |
| John Glaeser | .... | cable puller | |
| Frank Kern | .... | additional foley artist | |
| George A. Lara | .... | foley recordist | |
| Julie Lindner | .... | assistant sound editor | |
| Barry Malawski | .... | apprentice sound editor | |
| Eliza Paley | .... | supervising sound editor | |
| John Pritchett | .... | production sound mixer | |
| Bruce Pross | .... | additional foley artist | |
| Joel Shryack | .... | boom operator | |
| Paul P. Soucek | .... | additional sound effects | |
| Ira Spiegel | .... | supervising dialogue editor | |
| Jeffrey Stern | .... | dialogue editor | |
| Zeborah Tidwell | .... | assistant sound editor | |
Special Effects by | |||
| John Harrdigan | .... | special effects | |
| Chris Nelson | .... | special effects | |
Stunts | |||
| Greg Walker | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Robert Reed Altman | .... | first assistant camera | |
| James Babineaux | .... | best boy electric | |
| George M. Chappell | .... | electrician | |
| Beth Cotter | .... | second assistant camera | |
| James A. Earley | .... | grip (as James Earley) | |
| Jack English | .... | gaffer | |
| Kevin Fahey | .... | grip (as Kevin J. Fahey) | |
| Michael James Fahey | .... | best boy grip (as Michael J. Fahey) | |
| Scott Graves | .... | electrician | |
| Christopher Lyons | .... | electrician | |
| Anthony T. Marra II | .... | key grip | |
| Michael A. McFadden | .... | grip | |
| Daniel Murphy | .... | electrician | |
| Joyce Rudolph | .... | still photographer | |
| Wayne Stroud | .... | dolly grip | |
| Claire Sutherland | .... | film loader (as Claire M. Sutherland) | |
| Alexander Witt | .... | helicopter camera operator | |
| Steve Graves | .... | rigger (uncredited) | |
Casting Department | |||
| Lesa Lotito | .... | casting associate (uncredited) | |
Costume and Wardrobe Department | |||
| Angela Billows | .... | wardrobe supervisor | |
| Amy Endries | .... | wardrobe assistant | |
| Timothy A. Wonsik | .... | wardrobe assistant | |
Editorial Department | |||
| Jade Altman | .... | apprentice editor | |
| Charles Cooper | .... | apprentice editor | |
| Jeffrey Cranford | .... | assistant editor | |
| Sandra Kaufman | .... | first assistant editor | |
| David Leonard | .... | first assistant editor | |
| Mike Stanwick | .... | color timer (as Michael Stanwick) | |
| Dylan Tichenor | .... | assistant editor | |
Music Department | |||
| Evan Greenspan | .... | music clearance (as Evan M. Greenspan) | |
| Mark Isham | .... | musician | |
| Susan Jacobs | .... | music coordinator | |
| Stephen Krause | .... | music score mixer | |
| Stephen Krause | .... | score recordist | |
| Eric Liljestrand | .... | music mixer | |
| Eric Liljestrand | .... | music recordist | |
| David Speltz | .... | musician | |
| Hal Willner | .... | music producer | |
| Ladd McIntosh | .... | orchestrator (uncredited) | |
Transportation Department | |||
| Alonzo Brown Jr. | .... | driver | |
| Bruce Callahan | .... | driver | |
| C. David Earle | .... | driver | |
| Steve Earle | .... | driver | |
| Don Feeney | .... | driver | |
| Scotty Goudreau | .... | driver (as Scott Goudreau) | |
| Gil Hayes | .... | driver | |
| David Joseph | .... | driver | |
| Derek Raser | .... | transportation coordinator | |
| William Mark Spencer | .... | driver | |
| J.T. Thayer | .... | transportation captain (as J.T. Thayer II) | |
| Earl Thielen | .... | driver (as Earl V. Thielen) | |
| Tracy Thielen | .... | driver | |
| Gregg Willis | .... | driver (as Greg Willis) | |
Thanks | |||
| Don Bachardy | .... | special thanks | |
| Ira Deutchman | .... | special thanks | |
| John Dorr | .... | special thanks | |
| Stephen P. Dunn | .... | special thanks (as Steve Dunn) | |
| Terry Ellis | .... | thanks | |
| Marianne Faithfull | .... | special thanks | |
| Tess Gallagher | .... | special thanks | |
| Paul Hutchinson | .... | thanks | |
| Kate Hyman | .... | special thanks | |
| Alice 'A.J. The Clown' Jones | .... | special thanks | |
| Michael Kirchberger | .... | special thanks | |
| Luzmarie 'Jellybean The Clown' Quintana | .... | special thanks | |
| Steve Trombatore | .... | thanks | |
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| Big Fish | Across the Universe | The Loss of Sexual Innocence | City of Shoulders and Noses | River's Edge |
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| News articles | IMDb Comedy section | IMDb USA section |
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When Altman is good he's among the greatest, and SHORT CUTS is among his best (M*A*S*H, BREWSTER McCLOUD, NASHVILLE). Adapted from Raymond Carver's collection of stories, SHORT CUTS offers a roving, restless glimpse into the lives of several Los Angelinos. The characters aren't completely real - in an 'I-can-relate-to-these-people' sense (I never expected this from this movie anyway), but are presented in a slightly hyperreal sense with Altman highlighting the everyday lives of characters who try valiantly to maintain their public personas (cutting across class boundaries in the process), even when things are spinning out of control beneath the surface (literally symbolized by the ending, though at least he didn't stoop to throwing in a rain of frogs...).
Los Angeles is famously mocked as a place that's all surface and no depth (see ANNIE HALL), and the slight exaggerations seen here characters plays with this, even as the isolation and instability of certain characters humanizes them. Through it all there's plenty of humor - though, as is usual with Altman, even the humor packs a wallop. Annie Ross' deadpan complaint gets to the heart of it all: "I hate L.A. - all they do is snort coke and talk." The irony in such nastiness becomes a bit more apparent when you consider where that assessment is coming from, within Altman's tragi-comic variant upon the notion that California's trends become America's truisms a decade or two down the road.
There are so many great moments here - Chris Penn's growing befuddlement (and seething, simmering murderous anger) with his wife's phone sex operator job; Tom Waits and Lily Tomlin as a boozy working class couple; Peter Gallagher and Frances MacDormand's marriage, collapsed into tantrums and furniture vandalism; the Tim Robbins/Huey Lewis confrontation; Jack Lemmon, Julianne Moore and Matthew Modine all deliver strikingly memorable performances. Every time I watch this, I get something new out of it - though it requires a bit of patience, SHORT CUTS is really worth checking out.