The plot couldn't be simpler or its attack on capital punishment (and the act of killing in general) more direct - a senseless, violent, almost botched murder is followed by a cold, ... See full summary »
Filip buys an eight-millimetre movie camera when his first child is born. Because it's the first camera in town, he's named official photographer by the local Party boss. His horizons widen... See full summary »
Georges and Anne are an octogenarian couple. They are cultivated, retired music teachers. Their daughter, also a musician, lives in Britain with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.
The first part of Kieslowski's trilogy on France's national motto: Liberty, Equality, and Fraternity. 'Blue' is the story of Julie who loses her husband, an acclaimed composer and her young daughter in a car accident. The film's theme of liberty is manifested in Julie's attempt to start life anew, free of personal commitments, belongings, grief or love. She intends to numb herself by withdrawing from the world and living completely independently, anonymously and in solitude in the Parisian metropolis. Despite her intentions, people from her former and present life intrude with their own needs. However, the reality created by the people who need and care about her, a surprising discovery and the music around which the film revolves heal Julie and draws her back to the land of the living. Written by
When Olivier has tracked down Julie but is then ignored by her, there is a close-up of Julie allowing a sugar cube to soak up her coffee. Deeming that the sugar cube had to soak up the coffee in precisely 5 seconds, Krzysztof Kieslowski had his assistant director test multiple brands (which soaked with coffee anywhere from 3 to 11 seconds) to find one that took just the correct time. See more »
When Julie spits the pills out of her mouth, she has white powder on her lips. In the next shot of her after the nurse see's her, her lips are clean, then the powder is visible again in the next shot. See more »
Now I have only one thing left to do: nothing. I don't want any belongings, any memories. No friends, no love. Those are all traps.
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The final credit says in French, "We thank Alfa Romeo who allowed the scene of the accident to the Alfa 164 whose dynamics are of course purely imaginary." See more »
Carefully directed, with attention to both detail and colour, the film is amazing on a visual scope, but it is also powerful on an emotional scope with a number of very intense and moving scenes. It is a story of coping with grief, with characters fleshed out through facial expressions rather than words and actions, and Binoche is a fine choice for the lead. The intriguing music score and fade-to-black editing provide the film with an interesting sensation, in particular alongside the cinematography and lighting, used cleverly to keep things in and out of focus. Kieslowski also plays with sound in an interesting manner, and it is hard to flaw the film on anything. We are told nothing of the background of our protagonist, the supporting characters at times appear haphazardly thrown around, and yes, there is a lot of meandering and not much story, but this surely depicts the state of mind of the protagonist. Really, it is hard to say anything against this film, as it is so well made and moving that it is really just fine viewing. The first entry in a trilogy of films, it was followed in 1994 by 'Trois Couleurs: Blanc'.
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