Directed by | |||
| John Landis | |||
Writing credits(WGA) | ||
| Danilo Bach | (character) and | |
| Daniel Petrie Jr. | (character) | |
| Steven E. de Souza | (written by) | |
Produced by | |||
| Leslie Belzberg | .... | co-producer | |
| Mark Lipsky | .... | executive producer | |
| Catherine Meyers | .... | field producer | |
| Ray Murphy Jr. | .... | associate producer | |
| Mace Neufeld | .... | producer | |
| Robert Rehme | .... | producer | |
Original Music by | |||
| Nile Rodgers | |||
Cinematography by | |||
| Mac Ahlberg | |||
Film Editing by | |||
| Dale Beldin | |||
Casting by | |||
| Jackie Burch | |||
Production Design by | |||
| Michael Seymour | |||
Set Decoration by | |||
| Marvin March | |||
Costume Design by | |||
| Catherine Adair | |||
Makeup Department | |||
| Marietta Carter-Narcisse | .... | makeup artist | |
| D.J. Plumb | .... | hair stylist | |
Production Management | |||
| Marty Hornstein | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Arthur Anderson | .... | assistant director | |
| Albert Cho | .... | second assistant director | |
| Matthew Feitshans | .... | additional second assistant director | |
Art Department | |||
| Robert Bonino | .... | construction coordinator | |
| Ricardo F. Delgado | .... | illustrator | |
| Cosmas A. Demetriou | .... | assistant art director | |
| Jane Kilkenny | .... | model builder | |
| Masako Masuda | .... | assistant art director | |
| Tina McKenzie | .... | graphic artist | |
| David Napoli | .... | set dresser | |
| Marco Rubeo | .... | set designer | |
| Ann-Giselle Spiegler | .... | art department coordinator | |
| Daren Dochterman | .... | storyboard artist (uncredited) | |
| D.A. Zingelewicz | .... | location foreman (uncredited) | |
Sound Department | |||
| Steve Bartkowicz | .... | re-recording engineer | |
| James Beshears | .... | adr supervisor | |
| Gloria D'Alessandro | .... | dialogue editor | |
| Ken Dufva | .... | foley artist | |
| Joseph Geisinger | .... | sound mixer | |
| Eric Gotthelf | .... | foley mixer | |
| William Jacobs | .... | sound effects editor | |
| Catt LeBaigue | .... | dialogue editor | |
| Paul Massey | .... | sound re-recording mixer | |
| Peggy McAffee | .... | assistant dialogue editor | |
| Thomas Needell | .... | assistant sound editor | |
| Paul O'Bryan | .... | assistant sound editor | |
| Steve Pederson | .... | sound mixer | |
| Mark Steinbeck | .... | cable person | |
| Bernard Weiser | .... | sound editor | |
| Marshall Winn | .... | sound editor | |
Special Effects by | |||
| William Aldridge | .... | special effects | |
| Jon G. Belyeu | .... | special effects | |
| Donald Krause | .... | special effects technician | |
Visual Effects by | |||
| Sean Dever | .... | 2D digital effects | |
| Bill Taylor | .... | special visual effects: Illusion Arts Inc. | |
| Brian Ripley | .... | lead propmaker: Global Effects (uncredited) | |
Stunts | |||
| Joni Avery | .... | stunt performer | |
| Rick Avery | .... | stunt coordinator | |
| Gregory J. Barnett | .... | stunts | |
| Eric Chambers | .... | stunts | |
| Doug Coleman | .... | stunts | |
| Eurlyne Epper | .... | stunts | |
| Jeannie Epper | .... | stunts | |
| Richard Epper | .... | stunt rigger | |
| Andy Gill | .... | stunt rigging on spider machine | |
| Mike Gunther | .... | stunts | |
| Rosine 'Ace' Hatem | .... | stunts | |
| Hubie Kerns Jr. | .... | stunt driver | |
| Kim Robert Koscki | .... | stunt driver | |
| Al Leong | .... | stunts | |
| Ray Lykins | .... | stunts | |
| Alan Oliney | .... | stunt double: Eddie Murphy | |
| Charlie Picerni | .... | stunts | |
| Spiro Razatos | .... | stunts | |
| Gregg Smrz | .... | stunts | |
| Cris Thomas-Palomino | .... | stunts | |
| Eddie L. Watkins | .... | stunts | |
| Tim Werner | .... | stunts | |
| Keith Woulard | .... | stunts | |
| Brian Avery | .... | stunts (uncredited) | |
| Edward Conna | .... | stunts (uncredited) | |
| Randall Huber | .... | stunt double (uncredited) | |
| Pamela Manning | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Roy Bean | .... | video assist operator | |
| David Boyd | .... | camera operator: second unit | |
| John Farmer | .... | grip | |
| Dulce 'Candy' González | .... | director of photography: second unit | |
| Dawn Jones | .... | second assistant camera: second unit (as Dawn Laurel) | |
| Gregory Lundsgaard | .... | Steadicam operator | |
| Laurence Manly | .... | second assistant camera (segment "Annihalator 2000") | |
| Brennan L. Price | .... | lighting technician | |
| Steve Robertson | .... | dolly grip: second unit | |
| Gary Katsuya Ushino | .... | assistant Steadicam operator: second unit | |
| Gary Katsuya Ushino | .... | first assistant camera: second unit | |
Animation Department | |||
| Ralph Eggleston | .... | character designer (uncredited) | |
Casting Department | |||
| Nancy A. Terriberry | .... | extras casting assistant | |
Costume and Wardrobe Department | |||
| Mitchell Ray Kenney | .... | set costumer | |
| Kelly Porter | .... | costumer | |
Editorial Department | |||
| Christopher S. Baird | .... | first assistant editor | |
| Jeffrey Harlacker | .... | assistant editor | |
Music Department | |||
| Bob Bornstein | .... | music preparation | |
| Louis Fagenson | .... | music producer | |
| Patrick Russ | .... | orchestrator | |
| Tom Villano | .... | music editor | |
Transportation Department | |||
| Kenneth Newland | .... | transportation office coordinator | |
Other crew | |||
| Sara Burton | .... | location scout | |
| Kathy Day | .... | assistant: Mr. Neufeld | |
| Gabe de Kelaita | .... | production assistant | |
| Sharon Dolin | .... | assistant: John Landis | |
| Todd Fischer | .... | production assistant | |
| Bonnie Haner | .... | assistant to producer | |
| George Herthel | .... | location manager: preparation | |
| Thomas Johnston | .... | script supervisor | |
| Patrick Mignano | .... | assistant location manager | |
| Michael Neale | .... | location manager | |
| Brieann Rich | .... | set medic | |
| Jeanine Wilson | .... | first assistant accountant | |
| Wayne Witherspoon | .... | production assistant | |
| Smith Wordes | .... | choreographer | |
| Joe Zimmerman | .... | stand-in: Timothy Carhart | |
| Bruce Wright | .... | display graphics (uncredited) | |
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| Beverly Hills Cop | The Rookie | Rush Hour 2 | Gone in Sixty Seconds | Lethal Weapon 3 |
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I think "Beverly Hills cop III" was an extremely regrettable turning point in the nice career of one of the most talented and funniest black comedians Hollywood has ever seen - Mr. Eddie Murphy. Before it he used to be funny or at least much funnier. He appeared in the rather enjoyable flicks like "48 Hrs.", "Coming to America", "Another 48 Hrs.", "The Distinguished gentleman", "Boomerang" and of course "Beverly Hills cop I & II" - two beloved movies that'll always be his very best works.
Then someone decided to add part three in the so far terrific "Beverly Hills cop" saga. This time Axel Foley was on the mission of revenge and the comedy was unfortunately replaced by action. Who forgot that most of the glamour behind these movies came directly from the humor? Even though John Landis - the man behind hit comedies like "The Blues Brothers" and "Three Amigos!" - sat in the director's chair the end result just wasn't that funny anymore or at least it was funny very rarely and that's a bad thing if we compare part three to its absolutely hilarious precursors. ...and as it happened, after "Beverly Hills cop III" Eddie Murphy got roles from the movies like "Vampire in Brooklyn" (with only couple of excellent scenes), "Metro" (that apparently wasn't supposed to be funny in the first place), "Doctor Dolittle" (cute little film for kiddies who love furry animals that talk), "Holy man" (interesting but more confusing than amusing) and "Nutty Professor II: The Klumps" (definitely one of his worst movies, waste of his undisputed talents and a model example of a comedy that doesn't make you laugh).
Lately I saw "Life" and surprisingly it was pretty brilliant and alongside with fairly good "Bowfinger" it's the only completely clear exception in this course. What I'm saying is, "Beverly Hills cop III" started it all. Was it all just a coincidence or was it meant to be that Eddie Murphy's best years were in the 80's and early 90's? I can't tell. This is just the way I see things.