| Photos (see all 30 | slideshow) | Videos (see all 3) |
| Kathy Bates | ... | Dolores Claiborne | |
| Jennifer Jason Leigh | ... | Selena St. George | |
| Judy Parfitt | ... | Vera Donovan | |
| Christopher Plummer | ... | Det. John Mackey | |
| David Strathairn | ... | Joe St. George | |
| Eric Bogosian | ... | Peter | |
| John C. Reilly | ... | Const. Frank Stamshaw | |
| Ellen Muth | ... | Young Selena | |
| Bob Gunton | ... | Mr. Pease | |
| Roy Cooper | ... | Magistrate | |
| Wayne Robson | ... | Sammy Marchant | |
| Ruth Marshall | ... | Secretary | |
| Weldon Allen | ... | Bartender | |
| Tom Gallant | ... | Searcher | |
| Kelly Burnett | ... | Jack Donovan | |
| Matt Appleby | ... | Kid on street | |
| Thomas Skinner | ... | Kid on street | |
| Vernon Steel | ... | Ferry vendor (as Vernon Steele) | |
| Taffara Jessica Stella Murray | ... | Young Selena (Age 5) | |
| Susan Lane | ... | Crying girl | |
| Frank Adamson | ... | Detective supervisor | |
| Edward Rubin | ... | Detective supervisor (as Ed Rubin) | |
| Sandy MacDonald | ... | Sheriff | |
| Dean Eilertson | ... | Moving man |
Directed by | |||
| Taylor Hackford | |||
Writing credits(WGA) | ||
| Stephen King | (book) | |
| Tony Gilroy | (screenplay) | |
Produced by | |||
| Gina Blumenfeld | .... | associate producer | |
| Taylor Hackford | .... | producer | |
| Michael Kelly | .... | associate producer | |
| Charles Mulvehill | .... | producer | |
Original Music by | |||
| Danny Elfman | |||
Cinematography by | |||
| Gabriel Beristain | (director of photography) | ||
Film Editing by | |||
| Mark Warner | |||
Casting by | |||
| Nancy Klopper | |||
Production Design by | |||
| Bruno Rubeo | |||
Art Direction by | |||
| Dan Yarhi | |||
Set Decoration by | |||
| Steve Shewchuk | |||
Costume Design by | |||
| Shay Cunliffe | |||
Makeup Department | |||
| Réjean Goderre | .... | hair stylist | |
| Luigi Rocchetti | .... | supervising makeup artist | |
| Aldo Signoretti | .... | hair stylist | |
| Micheline Trépanier | .... | makeup artist | |
Production Management | |||
| Joseph Boccia | .... | production manager | |
| Jeffrey Stott | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Christopher Ball | .... | second assistant director | |
| Josh McLaglen | .... | first assistant director | |
| Kayla Popp | .... | third assistant director | |
| Kristie Sills | .... | second second assistant director | |
| Lars P. Winther | .... | third assistant director | |
| Kerric Macdonald | .... | trainee assistant director (uncredited) | |
Art Department | |||
| Lorne Armstrong | .... | set dresser | |
| Art Baxter | .... | construction manager | |
| David Baxter | .... | head carpenter | |
| Stephan Bernier | .... | head carpenter | |
| Malcolm Callaway | .... | stand-by painter | |
| Keith Currie | .... | prop person | |
| Dean Eilertson | .... | assistant property master | |
| Tricia Fish | .... | art department coordinator | |
| Elinor Rose Galbraith | .... | set decorator: additional Toronto crew (as Elinore Galbraith) | |
| Mark Goodwin | .... | stand-by carpenter | |
| Robert Grani | .... | set dresser | |
| Randy Hardy | .... | stand-by painter | |
| David Hopkins | .... | set dresser | |
| Denis Kirkham | .... | assistant set decorator | |
| Mark Laing | .... | draftsman | |
| Patricia Larman | .... | assistant set decorator | |
| Barbara Luxton | .... | prop person | |
| Scott MacFarlane | .... | head carpenter | |
| Fritz McEvoy | .... | assistant head carpenter | |
| Angela Murphy | .... | first assistant art director | |
| Dan Owens | .... | set dresser | |
| Raymond Prado | .... | storyboard artist | |
| Bruno Robotti | .... | key scenic artist | |
| Paul Robotti | .... | scenic painter | |
| Cassandra Saulter | .... | scenic painter | |
| Kathie Shaw | .... | art department runner | |
| Darlene Sheils | .... | art department trainee | |
| Mary Steckle | .... | sets buyer | |
| Grant Swain | .... | property master | |
| Karen Toole | .... | art department runner | |
| David Sutherland | .... | co-head carpenter (uncredited) | |
Special Effects by | |||
| Dan Purdy | .... | special effects assistant | |
| Ted Ross | .... | special effects coordinator | |
| Lawrence Willett | .... | special effects assistant | |
| Jim Meisner | .... | special effects crew (uncredited) | |
Visual Effects by | |||
| Richard Bain | .... | visual effects digital designer | |
| David Fuhrer | .... | digital artist: CFC | |
| Rob Hodgson | .... | visual effects digital designer | |
| Richard E. Hollander | .... | additional visual effects | |
| Stuart McAra | .... | visual effects producer | |
| Janek Sirrs | .... | visual effects | |
| Janet Yale | .... | visual effects producer | |
| Bryan Hirota | .... | CG artist: VIFX (uncredited) | |
| Michele Maples | .... | visual effects producer (uncredited) | |
Stunts | |||
| Shelley Cook | .... | stunts | |
| Shannon Millen | .... | stunts | |
| Sammy Thurman | .... | stunts | |
| Tye Tyukodi | .... | stunts | |
| Ron Van Hart | .... | stunts | |
Casting Department | |||
| Ross Clydesdale | .... | casting: Toronto | |
| John Dunsworth | .... | extras casting | |
| Stacey Rosen | .... | casting associate | |
Costume and Wardrobe Department | |||
| Patricia Cowmeadow | .... | wardrobe runner (as Tisha Cowmeadow) | |
| Roberta Palmer | .... | wardrobe assistant | |
| Karen Renaut | .... | wardrobe mistress | |
| Robert Roberts | .... | wardrobe master | |
| Rhea Theriault | .... | seamstress | |
| Georgina Yarhi | .... | costume ager (uncredited) | |
Music Department | |||
| Steve Bartek | .... | orchestrator | |
| Andy Bass | .... | score recordist | |
| Danny Elfman | .... | music producer | |
| Robert Fernandez | .... | orchestra recordist | |
| Arlene Fishbach | .... | music consultant | |
| Christopher Kennedy | .... | score editor: temporary score | |
| David Marquette | .... | score recordist | |
| Hendrik Meurkens | .... | composer: song "Night in the Afternoon" | |
| Shawn Murphy | .... | score mixer | |
| Edgardo Simone | .... | additional orchestrator | |
| Curt Sobel | .... | music editor | |
| Richard Stone | .... | conductor | |
| Patti Zimmitti | .... | music contractor | |
| Richard Ziegler | .... | assistant music editor (uncredited) | |
Transportation Department | |||
| John Allen | .... | picture vehicle coordinator | |
| Robert Bennett | .... | head driver | |
| William M. Corkum | .... | production driver | |
| Gary Duncan | .... | driver: camera car | |
| Gert Gielen-MacGregor | .... | production driver | |
| Rob 'Huck' Hovis | .... | production driver | |
| Jannette Joudrey | .... | production driver | |
| Rick Leger | .... | driver: camera car | |
| Forbes MacDonald | .... | production driver | |
| Paul MacEachern | .... | production driver | |
| Bob MacIsaac | .... | production driver | |
| Dave Marwick | .... | production driver | |
| Stuart Mitchell | .... | production driver | |
| Steve Murphy | .... | production driver | |
| Donnie Ongo | .... | production driver | |
| Kelly Peterson | .... | production driver | |
| James Ritchie | .... | production driver | |
| Gordie Roberts | .... | production driver | |
| Gib Russell | .... | production driver | |
| Rohan Singh | .... | production driver | |
| Kimberly Smith | .... | production driver | |
| Nick Sweetman | .... | transportation coordinator | |
| Emmanuel 'Manny' Taylor | .... | transportation captain | |
| Grant Volkers | .... | production driver | |
Other crew | |||
| Leslie J. Adamson | .... | accommodation manager | |
| Greg Allen | .... | craft service | |
| Diana Alvarez | .... | assistant coordinator | |
| Christopher Archibald | .... | craft service | |
| Debra Beers | .... | location manager | |
| Dave Bennett | .... | post-production accountant | |
| Lynne Birdt | .... | assistant production accountant | |
| Peter Brenders | .... | security wrangler | |
| Kathryn Buck | .... | script supervisor: additional Toronto crew | |
| Doug Caron | .... | film assistant: Toronto | |
| Christopher Comrie | .... | assistant production accountant | |
| Shelley Crawford | .... | script supervisor | |
| Rita Davis | .... | accounting assistant | |
| James Donlon | .... | movement coach | |
| Gina Fowler | .... | production coordinator | |
| William Goldman | .... | consultant | |
| Alex Hackford | .... | gull wrangler | |
| John Hencher | .... | office production assistant | |
| Elizabeth Himelstein | .... | dialect coach | |
| Alan Jacques | .... | projectionist | |
| Leo Jones | .... | safety officer | |
| K. Lenna Katich | .... | production accountant | |
| Missy Kelly | .... | assistant: Taylor Hackford | |
| Beverley Kolbe | .... | assistant: Taylor Hackford | |
| Nancy Lohnes | .... | stand-in | |
| Charles N. Love | .... | technical advisor | |
| Barbara MacDonald | .... | stand-in | |
| Anne MacPherson | .... | craft service | |
| Andrew McInnes | .... | assistant location manager | |
| Dawn McKelvie Cyr | .... | stand-in | |
| Stephen Moore | .... | dailies projectionist | |
| Bettina Tendler O'Mara | .... | product promotions coordinator (as Bettina Tendler-O'Mara) | |
| Rae V. O'Neil | .... | office receptionist | |
| Franco Pante | .... | film assistant: Toronto | |
| Susan Pile | .... | production publicity | |
| Scott Pritchett | .... | production assistant | |
| Diane Ray | .... | craft service | |
| Robin M. Reelis | .... | office production assistant | |
| Kim Smith | .... | boat wrangler | |
| Blake Starratt | .... | office production assistant | |
| Gary Swim | .... | location manager | |
| Tavin Marin Titus | .... | assistant: Charles Mulvehill (as Tavin Marin) | |
| Jacqueline Wechselberger | .... | assistant production accountant | |
| Linda L. Wehbi | .... | assistant: Ms. Bates | |
| Suzanne De Grandis | .... | first assistant production accountant: prepartion only, Los Angeles (uncredited) | |
| Derek Filiatrault | .... | production assistant (uncredited) | |
| Eric Von Arx | .... | location scout (uncredited) | |
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If there is one thing I always fear, than it must be movies about bad marriages, an abusive husband, child abuse ... How often do you get a good movie with such subjects. Not very often, because most of the time these are awful TV-movies that seem to be written at a rate of at least one an hour. Always following the same concept, always trying to make the poor viewer cry his eyes out while saying that that poor woman / child didn't deserve to be treated that bad. Now don't get me wrong, I'm certainly not saying that it should be tolerated. Men who do such awful things can't be punished hard enough, but the movies that are made about this subjects are complete crap most of the time.
"Dolores Claiborne" tells the story of a woman who is accused of murdering the wealthy woman she worked for as a maid in Maine. When her daughter Selena finds out that her mother is accused of this crime, she immediately returns home from New York, leaving her job as an important reporter behind for a while. But she doesn't return to support her mother as you might expect. No, she's almost certain that she did it and she seems to try to get a good story out of it. But gradually she finds out what really happened and in the meantime some awful things about Selena's troubled childhood, the awful family life,... come floating at the surface again.
I know that I said in the beginning of this review that most movies with such a subject are plain crap, but there are always expectations to every rule and "Dolores Claiborne" certainly is one of those exceptions. It was written by Stephen King and it shows. The man knows how to build up suspense and certainly can give you an uneasy feeling while reading his books or watching one of 'his' movies. And "Dolores Claiborne" has a lot more depth than you might expect at first. The only thing is that they have managed to disguise it, not giving away too much information at a time. Only at the end of the movie you'll fully understand what has happened and what the reason was for both women to react the way they did.
What I also liked, next to the story, was the way everything is shot. All the scenes in the present are shot in those cool blue tones, but these blend seamlessly into the flashbacks that were shot in vivid colors. This gives an extra touch to the story that certainly works. You know exactly what is the present and what is the past, but those colors also add a lot to the drama.
But the way a movie was shot alone doesn't make it good of course. That's what good actors who do some excellent things are for. And that's also exactly what you'll get from Kathy Bates, Jennifer Jason Leigh, Christopher Plummer... Jennifer Jason Leigh is nice as the daughter, but it's Kathy Bates and Christopher Plummer who give away the best performances in my opinion. Bates is stunning as the tormented woman who's personality seems so strong, while in reality she is a broken soul who wishes for nothing much but to die as soon as possible, so all her misery can end. And I also loved Plummer as Detective John Mackey who's hate against Dolores is so big, because she is the only spot on an almost spotless career. He has solved all his cases except for one and he'll not rest until he can send Dolores to jail.
All in all this is a very good and suspenseful movie that never tries to become a tearjerker, despite the heavy subject. It offers some great acting, nice photography and a good story. That's about all I can wish for in a movie and I give it at least a 7.5/10, maybe even an 8/10.