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Exotica (1994)

R | | Drama | 24 March 1995 (USA)
Francis, whose daughter was murdered a few years ago, is always watching Christina dance in the night club Exotica. One night he is dared to touch the girl and ends up being thrown out. He then sends in Thomas to try and find explanations.

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15 wins & 10 nominations. See more awards »

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Cast

Complete credited cast:
David Hemblen ...
Inspector
Calvin Green ...
Customs Officer
...
Thomas
Peter Krantz ...
Man in taxi
...
...
Zoe
...
...
...
Man at opera
...
...
Harold
...
Scalper
Billy Merasty ...
Man at opera
...
Doorman
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Storyline

This psychological thriller is true to its subjects as well as being complex, dynamic, and overly dramatic. How something so long ago, seemingly trivial, years later with more significant trauma, turns repressed emotions into a dysfunctional life and distorted thinking. This is all merged into a psychological menagerie that unfolds piece by piece to perfection. Written by benignjamin

Plot Summary | Plot Synopsis

Taglines:

In a world of temptation, obsession is the deadliest desire.

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for some sexuality and language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

24 March 1995 (USA)  »

Also Known As:

Exótica  »

Filming Locations:


Box Office

Budget:

CAD 2,000,000 (estimated)

Gross:

$4,183,379 (USA)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

|

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Sarah Polley, playing a small supporting role in this film, later starred in Atom Egoyan's later film The Sweet Hereafter (1997). Also appearing in both films are Bruce Greenwood and Egoyan's wife Arsinée Khanjian. See more »

Goofs

In one scene when Eric is talking with Cristina walking on the grass, you can see a microphone at the top of the screen. See more »

Quotes

Eric: Do it for me, baby! Oh! My god, that's incredible, incredible! Let me ask you something, gentlemen: What is it that gives a schoolgirl her special innocence? Her sweet fragrance... Fresh flowers, light as a spring rain... Oh, my god, my god... Or is it her firm, young flesh, inviting your every caress, enticing you to explore her deepest and most private secrets? Well, gentlemen, I'm gonna let you decide that one for yourselves. Please join me in welcoming a sassy bit of jailbait to our stage. ...
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Connections

Featured in Faites comme si je n'étais pas là (2000) See more »

Soundtracks

Entrance of the Montagues and Capulets
(uncredited)
from the ballet music to "Romeo and Juliet"
by Sergei Prokofiev
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User Reviews

Beautiful, haunting, poetic and truthful.
28 July 2003 | by (Scotland) – See all my reviews

Just seen this for the second time. First time I saw it (about a year ago), I wasn't really sure what to make of it, but there were scenes from it (when Elias Koteas reveals why his connection to the disturbed and grieving father and the scene with the father and his daughter's babysitter at the end) that have always stuck in my mind.

A very haunting and beautiful movie (even though it gives a very unpleasant view of life), with a haunting snake charm style score and starring the brilliant Elias Koteas (from "Crash") and the lovely Mia Kirshner (from early first season "24" and "The Crow: City Of Angels"). Victor Garber (Sidney's dad in "Alias") also has a couple of scenes. Not to many tastes but very rewarding if you can appreciate it (although it's sense of detachment probably puts off a lot of people).

It seems to me to explore the theme of people trying to connect, in a very insular and ultimately unfulfilling way (the young gay man who goes to the ballet every night and gives away his "extra ticket" for companionship or the grieving father who pays a young girl to "babysit" his empty house so that he can have the illusion his daughter is still around for example), and also the theme of loss (variously of loved ones, innocence, youth, opportunity etc). The Exotica strip club seems such hollow place but at the same time it seems almost understandable that it would draw hapless souls night after night with nowhere else to go. Some of the dialogue seems poetic, cynical and truthful all at the same time. A film that you really need to watch to the end before you really feel you understand it's puzzle (and even then there seems to be something just out of grasp this viewing). A moving portrait of life that will linger in your mind afterwards.


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