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Richard Curtis (written by)
9 March 1994 (USA) more
He's quite engaging. She's otherwise engaged. more
Comedy-drama about a group of British friends... the title says the rest. full summary | full synopsis
Nominated for 2 Oscars. Another 23 wins & 14 nominations more
Movie Reviews: “Pirate Radio”
(From Studio Briefing - Film News. 13 November 2009, 11:56 AM, PST)
Review: Pirate Radio
(From Cinematical. 13 November 2009, 10:33 AM, PST)
Rich In Story and Characters more (162 total)
| Hugh Grant | ... | Charles | |
| James Fleet | ... | Tom | |
| Simon Callow | ... | Gareth | |
| John Hannah | ... | Matthew | |
| Kristin Scott Thomas | ... | Fiona | |
| David Bower | ... | David | |
| Charlotte Coleman | ... | Scarlett | |
| Andie MacDowell | ... | Carrie | |
| Timothy Walker | ... | Angus the Groom - Wedding One | |
| Sara Crowe | ... | Laura the Bride - Wedding One | |
| Ronald Herdman | ... | Vicar - Wedding One | |
| Elspet Gray | ... | Laura's Mother - Wedding One | |
| Philip Voss | ... | Laura's Father - Wedding One | |
| Rupert Vansittart | ... | George the Boor at The Boatman - Wedding One | |
| Nicola Walker | ... | Frightful Folk Duo - Wedding One | |
| Paul Stacey | ... | Frightful Folk Duo - Wedding One | |
| Simon Kunz | ... | John with the Unfaithful Wife - Wedding One | |
| Rowan Atkinson | ... | Father Gerald - Wedding Two | |
| Robin McCaffrey | ... | Serena - Wedding One | |
| Michael Mears | ... | The Boatman Waiter - Wedding One | |
| Kenneth Griffith | ... | Mad Old Man - Wedding One (as Kenneth Griffiths) | |
| David Haig | ... | Bernard the Groom - Wedding Two | |
| Sophie Thompson | ... | Lydia the Bride - Wedding Two | |
| Corin Redgrave | ... | Hamish - Wedding Two | |
| Donald Weedon | ... | Master of Ceremonies - Wedding Two | |
| Nigel Hastings | ... | Tea-Tasting Alistair - Wedding Two | |
| Emily Morgan | ... | Vomiting Veronica - Wedding Two | |
| Amanda Mealing | ... | Naughty Nicki - Wedding Two | |
| Melissa Knatchbull | ... | Mocking Martha - Wedding Two | |
| Polly Kemp | ... | Miss Piggy - Wedding Two | |
| Anna Chancellor | ... | Henrietta - Wedding Two | |
| Hannah Taylor-Gordon | ... | Young Bridesmaid - Wedding Two (as Hannah Taylor Gordon) | |
| Bernice Stegers | ... | Shop Assistant - Wedding Two | |
| Robert Lang | ... | Lord Hibbott - Wedding Two | |
| Jeremy Kemp | ... | Sir John Delaney - Wedding Two | |
| Rosalie Crutchley | ... | Mrs. Beaumont - Wedding Two | |
| Ken Drury | ... | Vicar - Wedding Three | |
| Struan Rodger | ... | Best Man - Wedding Three | |
| Lucy Hornack | ... | Married Woman - Wedding Three | |
| Randall Paul | ... | Chester - Wedding Three | |
| Pat Starr | ... | Gareth's Dance Partner - Wedding Three | |
| Tim Thomas | ... | Doctor - Wedding Three | |
| Neville Phillips | ... | Vicar - Funeral | |
| Susanna Hamnett | ... | Deirdre - Wedding Four | |
| John Abbott | ... | Polite Verger - Wedding Four | |
| Richard Butler | ... | Vicar - Wedding Four | |
| David Wright | ... | Rock and Roll Band Member - Wedding One | |
| Ray Uren | ... | Rock and Roll Band Member - Wedding One | |
| Gordon Blackwell | ... | Rock and Roll Band Member - Wedding One | |
| Ron Griffiths | ... | Rock and Roll Band Member - Wedding One | |
| Richard Allen | ... | Rock and Roll Band Member - Wedding One | |
| Mark James | ... | Swing Band Member - Wedding Two | |
| Jason Bruer | ... | Swing Band Member - Wedding Two | |
| Simon Wallace | ... | Swing Band Member - Wedding Two | |
| Jason McDermid | ... | Swing Band Member - Wedding Two | |
| Bryn Burrows | ... | Swing Band Member - Wedding Two | |
| Paulette Ivory | ... | Swing Band Member - Wedding Two | |
| rest of cast listed alphabetically: | |||
| Christine Hewett | ... | Wedding Guest (uncredited) | |
| Juliette James | ... | Bride's Mother (uncredited) | |
| Duncan Kenworthy | ... | Matthew's Gorgeous New Boyfriend (uncredited) | |
Directed by | |||
| Mike Newell | |||
Writing credits | ||
| Richard Curtis | (written by) | |
Produced by | |||
| Tim Bevan | .... | executive producer | |
| Richard Curtis | .... | co-executive producer | |
| Eric Fellner | .... | executive producer | |
| Duncan Kenworthy | .... | producer | |
Original Music by | |||
| Richard Rodney Bennett | |||
Cinematography by | |||
| Michael Coulter | |||
Film Editing by | |||
| Jon Gregory | |||
Casting by | |||
| Michelle Guish | |||
Production Design by | |||
| Maggie Gray | |||
Set Decoration by | |||
| Anna Pinnock | |||
Costume Design by | |||
| Lindy Hemming | |||
Makeup Department | |||
| Ann Buchanan | .... | chief hair designer | |
| Ann Buchanan | .... | chief makeup artist | |
| Francesca Crowder | .... | hair stylist | |
| Julia Fetterman | .... | hair production assistant | |
| Julia Fetterman | .... | makeup production assistant | |
| Melissa Lackersteen | .... | assistant hair stylist | |
| Melissa Lackersteen | .... | assistant makeup artist | |
| Tracey Lee | .... | assistant hair stylist | |
| Tracey Lee | .... | assistant makeup artist | |
Production Management | |||
| Mary Richards | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Oscar Beuselinck | .... | third assistant director | |
| Peter Freeman | .... | co-second assistant director | |
| Kieron Phipps | .... | first assistant director | |
| Trevor Puckle | .... | second assistant director | |
Art Department | |||
| Dave Allen | .... | construction | |
| Paul Cheesman | .... | dressing props | |
| Ken Hawkey | .... | stand-by painter | |
| Charles Ixer | .... | storeman (as Charlie Ixer) | |
| Gary Ixer | .... | stand-by propman | |
| Simon J. Lycett | .... | flowers | |
| Brian Mitchell | .... | stand-by stagehand | |
| Con Murphy | .... | stand-by rigger | |
| Philip Robinson | .... | assistant art director (as Phil Robinson) | |
| Peter Wallis | .... | dressing props | |
| Tommy Westbrook | .... | stand-by carpenter | |
| Barry Wilkinson | .... | property master | |
| Jamie Wilkinson | .... | dressing props | |
| Simon Wilkinson | .... | chargehand stand-by propman | |
Sound Department | |||
| Sue Baker | .... | supervising sound editor | |
| Gerry Bates | .... | sound maintenance | |
| Mick Boggis | .... | assistant dubbing mixer | |
| Nick Flowers | .... | boom operator | |
| Andrew Glen | .... | foley editor | |
| Diane Greaves | .... | foley artist (as Dianne Greaves) | |
| Derek Lomas | .... | assistant sound editor | |
| Peter Maxwell | .... | dubbing mixer | |
| Sarah Rains | .... | assistant dialogue editor | |
| Colin Ritchie | .... | dialogue editor | |
| Jupiter Sen | .... | second dialogue editor | |
| David Stephenson | .... | production sound mixer | |
| Jack Stew | .... | foley artist | |
Special Effects by | |||
| Ian Wingrove | .... | special effects supervisor | |
Visual Effects by | |||
| Peter Tyler | .... | motion control camera | |
Stunts | |||
| Clive Curtis | .... | stunt driver | |
| Wendy Leech | .... | stunt driver (as Wendy Leach) | |
| Wayne Michaels | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Richard Broome | .... | camera grip | |
| Vince Clarke | .... | rigging gaffer | |
| Jim Coward | .... | generator operator (as Jimmy Coward) | |
| Terry Edland | .... | gaffer | |
| Simon Finney | .... | second assistant camera | |
| Darren Gatrell | .... | electrician (as Darren Gattrell) | |
| Jeremy Gee | .... | second camera operator | |
| Peter Howard | .... | camera trainee | |
| Paul Kemp | .... | electrician | |
| Wayne Leach | .... | best boy | |
| Mark Milsome | .... | clapper loader | |
| Stephen Morley | .... | still photographer | |
| Chris Plevin | .... | focus puller | |
| Philip Sindall | .... | camera operator | |
| Malcolm Smith | .... | second camera grip | |
Casting Department | |||
| Sarah Beardsall | .... | casting assistant | |
| David Rubin | .... | casting: USA | |
| Louis Elman | .... | adr voice casting (uncredited) | |
Costume and Wardrobe Department | |||
| Nigel Egerton | .... | wardrobe assistant | |
| Odilon Rocha | .... | wardrobe runner | |
| Debbie Scott | .... | assistant to costume designer | |
| John Scott | .... | wardrobe supervisor | |
| Allison Wyldeck | .... | wardrobe assistant (as Alison Wyldeck) | |
| Dan Grace | .... | additional wardrobe assistant (uncredited) | |
Editorial Department | |||
| Valentina Giambanco | .... | second assistant editor | |
| Ian Macbeth | .... | editing jobfit | |
| Ian Seymour | .... | first assistant editor | |
Music Department | |||
| Dick Lewzey | .... | score mixer | |
| Dick Lewzey | .... | score recordist | |
| John Lunn | .... | music researcher | |
| Neil Richardson | .... | conductor | |
Transportation Department | |||
| Mike Beaven | .... | unit driver | |
| Jed Bray | .... | unit driver | |
| David Carr | .... | driver: mini-bus | |
| Roy Clarke | .... | unit driver | |
| Ted Debrera | .... | stand-by construction driver | |
| Nick Heather | .... | wardrobe bus driver | |
| Tom Innes | .... | stand-by property driver | |
| Dave Jones | .... | driver: trailers | |
| Tony Marshall | .... | driver: mini-bus | |
| Enyo Mortty | .... | unit driver (as Enyonam Mortty) | |
| Martin O'Connor | .... | driver: grip truck | |
| John Ott | .... | driver: camera truck | |
| John Squires | .... | driver: make-up/hair bus | |
| Terry Stinson | .... | driver: props runaround | |
| Ian Clarke | .... | vehicle technician (uncredited) | |
| Stanley Sirkin | .... | unit driver (uncredited) | |
Thanks | |||
| Clive Banks | .... | thanks | |
| Claire Christie | .... | thanks (as Clare Christie) | |
| John Fishlock | .... | thanks | |
| Toni Gard | .... | thanks: assistance with Ms. MacDowell's wardrobe | |
| Alison O'Brien | .... | thanks | |
| John Reid | .... | thanks | |
| Kathryn Smith | .... | thanks | |
| Stewart Till | .... | thanks | |
| Mark Wolfe | .... | thanks | |
Cuatro bodas y un funeral (Argentina) (Mexico) (Peru) (Spain) [es]
Fyra bröllop och en begravning (Finland: Swedish title) (Sweden) [sv]
Quatre mariages et un enterrement (Canada: French title) (France) [fr]
Quatro Casamentos E Um Funeral (Brazil) (Portugal) [pt]
Vier Hochzeiten und ein Todesfall (Germany) (Switzerland: German title) [de]
Arba Hatunot V'Levaya Ahat (Israel: Hebrew title) [iw]
Cztery wesela i pogrzeb (Poland) [pl]
Fire bryllup og en gravferd (Norway) (TV title) [no]
Négy esküvö és egy temetés (Hungary) [hu]
Neljät häät ja yhdet hautajaiset (Finland) [fi]
Quatre bodes i un funeral (Spain: Catalan title) [ca]
Quattro matrimoni e un funerale (Italy) [it]
Tesseris gamoi kai mia kideia (Greece) [el]
more
Rated R for language, and for some sexuality.
117 min
Color (Eastmancolor)
1.66 : 1 more
Netherlands:6 | Canada:14 (Nova Scotia) | Canada:AA (Ontario) | Canada:G (Quebec) | Canada:PG (Manitoba) | Iceland:L | Brazil:14 | South Korea:15 | Singapore:NC-16 (re-rating) | Singapore:PG (original rating) (cut) | New Zealand:PG | Norway:11 (TV rating) | Argentina:16 | Australia:M | Chile:18 | Finland:K-10 | Germany:6 | Norway:10 | Peru:14 | Spain:13 | Sweden:7 | UK:15 | USA:R | France:U | Portugal:M/12 (original rating) | Portugal:M/6 (DVD rating)
The first British film to win a Cesar - the French equivalent of the Oscar. It won for Best Foreign Film and Best Original Screenplay. more
Errors in geography: At the second wedding, Charles and Scarlet are depicted as sprinting to the church from their house. They live in Highbury and the church in the EC2 area of London - a distance of almost three miles which - whilst not impossible - is improbable. more
Referenced in 'Billy Elliot': Breaking Free (2001) (V) more
STAND BY YOUR MAN more
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The effects of personal want, need, love and desire on the friendships of a circle of eclectic individuals is examined with a spot of humor in the witty, clever and oh-so-British comedy of love, romance and finding that special someone, `Four Weddings and a Funeral,' directed by Mike Newell. Hugh Grant and Andie MacDowell head a delightful ensemble cast in this story of a group of long-time friends, all single, who watch and participate over a period of months as one by one those amongst them step up at last to the altar. Of them all, Charles (Grant) seems the most likely-- and at the same time the least likely-- to be next. Young, handsome and charismatic, Charles has no problem developing a relationship (he's had a number, in fact, as we learn in one particularly hilarious scene), but sustaining one is seemingly beyond his grasp. Until, at the wedding of one of his friends, he meets Carrie (MacDowell), an American, and she quickly enchants him. It is not the end of the story, however; for Charles, Carrie and the audience, it's only-- as they say-- the beginning.
Set in contemporary England, one of the aspects of this film that makes it so engaging is the propriety with which the humor is presented. Refreshingly subtle, there's more of Noel Coward than Tom Green or Rob Schneider to it; a matter of manners, mores and innuendo taking precedence over gross-out, in-your-face, shock schlock humor. And though Grant and MacDowell are at the forefront of the piece, Newell does an excellent job of developing all of the characters, succinctly supplying enough detail to each individual to give the film some depth and dimension, without having to actually go too deep. He never lets you forget that first and foremost, this is a comedy. There's some insight provided, but this is not an in-depth commentary on human nature, though there are some overtones and implications in that direction (Charles is always late to the weddings, for example; perhaps a subconscious denial of the impending nuptials?). Most importantly, the characterizations are rich, and the story is involving and presented with an even flow that allows you to effortlessly be swept away with it.
Certain actors make a career out of playing a variation of the same character in film after film, striving for that definitive portrayal. W.C. Fields played the hen-pecked husband in a number of films, finally perfecting that particular character in the person of Harold Bissonette in `It's A Gift.' For Hugh Grant, it's the retiring, somewhat self-conscious and stammering, eyelid fluttering charmer, of which he's done a variation in such films as `Sense and Sensibility,' `The Englishman Who Went Up A Hill, But Came Down A Mountain,' Notting Hill' and `Mickey Blue Eyes.' But Charles is his definitive portrayal of that character, the one in which he achieves the balance and honesty that makes the character so believable. It's a good bit of work by Grant, and definitely one of his most memorable performances.
Andie MacDowell, meanwhile, gives a rather composed performance as Carrie, the quiet American with a reserved bluntness who captivates Charles. MacDowell brings a sense of quietude to the role that is sensuously seductive, which lends credibility to Charles' infatuation with her. It's a role for which MacDowell is perfectly suited, as it allows her to play effectively to her naturally calm demeanor and exquisite beauty and femininity.
In a part that has to be an actor's dream, Simon Callow is absolutely exuberant as Gareth, one of the fixtures of Charles' circle of friends. More than just an effervescent character, Gareth is something of the conscience of the film, laughing away and laying bare any and all pretense or hypocrisy like a modern day flesh-and-blood Spirit of Christmas Present. It's a character that gives needed balance and perspective to the film, and he's wonderfully played by Callow.
Also turning in especially noteworthy performances are John Hannah as Matthew; Kristin Scott Thomas, who is quite alluring as Fiona; James Fleet as Tom, a character very reminiscent of his Hugo in the TV series `The Vicar of Dibley,' (and very effective here); Charlotte Coleman, memorable in the role of Scarlett; and Rowan Atkinson as the hapless Father Gerald.
Rounding out the supporting cast are David Bower (David), Timothy Walker (Angus), Sara Crowe (Laura), Anna Chancellor (Henrietta), Simon Kunz (John), David Haig (Bernard), Sophie Thompson (Lydia Jane) and Corin Redgrave (Hamish). There's enough twists and turns along the way to keep this film unpredictable, including one scene near the end that initially seems so mean-spirited that it may have you biting your fist and crying, `Oh, NO!' But, not to worry, Newell provides an instant resolution consistent with the rest of the film, and it not only works but gets a good laugh to boot. Entertaining, pleasant and funny, `Four Weddings and a Funeral' makes for a satisfying, feel-good cinematic experience that just seems so wonderfully civilized amid the seemingly endless rancor abounding in our world today. It's what's known as the magic of the movies. I rate this one 9/10.