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Léon: The Professional (1994)

Léon (original title)
Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the assassin's trade.

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Cast

Cast overview, first billed only:
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Willi One Blood ...
1st Stansfield Man (as Willie One Blood)
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Keith A. Glascoe ...
Randolph Scott ...
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Carl J. Matusovich ...
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Lucius Wyatt Cherokee ...
Tonto (as Lucius Wyatt 'Cherokee')
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Storyline

After her father, mother, older sister and little brother are killed by her father's employers, the 12-year-old daughter of an abject drug dealer is forced to take refuge in the apartment of a professional hitman who at her request teaches her the methods of his job so she can take her revenge on the corrupt DEA agent who ruined her life by killing her beloved brother. Written by J. S. Golden

Plot Summary | Plot Synopsis

Taglines:

A professional hitman, an innocent witness, a corrupt detective who went too far See more »

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for scenes of strong graphic violence, and for language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

18 November 1994 (USA)  »

Also Known As:

Léon: The Professional  »

Box Office

Budget:

FRF 115,000,000 (estimated)

Opening Weekend:

$5,306,558 (USA) (20 November 1994)

Gross:

$19,501,238 (USA)
 »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

| (uncut) | (International)

Sound Mix:

| (8 channels)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Stansfield is never seen wearing anything besides his trademark beige suit and white shirt. See more »

Goofs

Léon gives Mathilda a revolver, which she fires six times out the window. Later on (in the International version) she plays Russian Roulette with the same revolver, and we see her place three bullets into the cylinder, although the audio indicates she loads four. However when she spins the cylinder and before snapping it closed it can be seen that three out of five chambers are loaded. It would be impossible to fire the gun six times without reloading. See more »

Quotes

[first lines]
Tony: Allora, come stai, Leone?
Léon: Bene.
[Tony puts out his cigarette in an ashtray]
Tony: OK. OK. Let's talk business.
See more »

Crazy Credits

Under the "SPECIAL THANKS" heading you will find: Chevalier KAMEN (Prince of the Mash Potatoes) Byblos Bill (King of Saint Tropez) Princess Trudy (Queen of Hearts) See more »

Connections

Referenced in Tutti gli uomini del deficiente (1999) See more »

Soundtracks

Like a Virgin
Written by Billy Steinberg and Tom Kelly
Performed by Natalie Portman (uncredited)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
"I take no pleasure in taking life..."
24 February 2005 | by (Milwaukee, WI) – See all my reviews

"...if it's from a person who doesn't care about it."

What really stands out for me (aside from the really excellent direction of the action sequences) is the too-brilliant for its own good script. Oldman,Reno, and Portman deliver lines that would seem goofy if spoken by lesser performers. Oldman especially chews the scenery in a way that's both amusing and utterly menacing. I wonder if his Beethoven obsession is a nod to the ultra-violent Alex from A Clockwork Orange?

The American version ("The Professional") was the first version I saw. I'd originally had no real intention of seeing it because I'd read a pretty savage review of it likening it to child pornography. Clearly this particular reviewer had his head firmly planted in his rear. I'm surprised he could find room what with that tremendous stick in the way. Anyway, once I finally saw "Leon" for myself - thanks to my cinemaphile grandfather - I observed no such thing. This wasn't smut, it was love. Leon has no interest in Matilda sexually, but loves her as a father would love a daughter.

If you have a choice then go for the longer director's cut. You get about 15 minutes more film - and not just filler. These are scenes that truly expand upon the story.

My only complaints are about the almost complete under use of the completely underrated Danny Aiello, and Oldman's single dimensional evilness.


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