|
| Alia Agha | .... | visual effects coordinator: ILM |
| Mark Anderson | .... | model maker: ILM |
| Joel Aron | .... | computer graphics artist: ILM |
| Carl Assmus | .... | grip: miniature crash sequence, ILM |
| Charles Bailey | .... | model maker: ILM |
| John Bartle | .... | editor: EFILM |
| Joe Biggins | .... | visual effects camera assistant |
| Patricia Blau | .... | executive in charge of production: miniature crash sequence, ILM |
| Steve Bowen | .... | digital compositor: C.I.S. |
| Barbara Brennan | .... | computer graphics artist: ILM |
| Donald S. Butler | .... | computer graphics artist: ILM |
| Ernie Camacho | .... | associate digital compositor: C.I.S. |
| Chris Chaplin | .... | computer technical assistant: miniature crash sequence, ILM |
| Rob Coleman | .... | computer effects artist: ILM |
| Selena Cornish | .... | associate digital compositor: C.I.S. |
| Ken Corvino | .... | systems support specialist: miniature crash sequence, ILM |
| Michael Cummins | .... | model maker: ILM |
| C. Marie Davis | .... | visual effects producer: C.I.S. |
| Giovanni Donovan | .... | model maker: ILM |
| Dick Dova | .... | first company grip: miniature crash sequence, ILM |
| Mike Ellis | .... | scanning operator: miniature crash sequence, ILM |
| Pat Fitzsimmons | .... | supervising stage technician: miniature crash sequence, ILM |
| Lenny Fohrer | .... | associate digital compositor: C.I.S. |
| Jon Foreman | .... | chief model maker: ILM |
| Scott Frankel | .... | computer effects artist: ILM |
| Joe Fulmer | .... | effects rigger: miniature crash sequence, ILM |
| Steve Gawley | .... | chief model maker: ILM |
| Larry Gaynor | .... | digital artist: C.I.S. |
| Tim Geideman | .... | optical line-up: miniature crash sequence, ILM |
| Bill George | .... | visual effects art director: ILM |
| Brian Gernand | .... | chief model maker: ILM |
| Bart Giovanetti | .... | computer graphics sequence supervisor: ILM |
| John Goodson | .... | model supervisor: ILM |
| John Grower | .... | visual effects supervisor: SBS |
| Dawn Guinta | .... | computer imaging supervisor: C.I.S. |
| Nelson Hall | .... | model maker: ILM |
| David Heron | .... | key rigging technician: miniature crash sequence, ILM |
| Geoff Heron | .... | effects rigger: miniature crash sequence, ILM |
| Edward Hirsh | .... | stage manager: miniature crash sequence, ILM |
| Tripp Hudson | .... | production coordinator: EFILM |
| Peg Hunter | .... | computer effects artist: ILM |
| Joni Jacobson | .... | creative supervisor computer imaging: C.I.S. |
| Zoran Kacic-Alesic | .... | computer graphics software developer: miniature crash sequence, ILM |
| John Knoll | .... | visual effects supervisor: ILM |
| Peter Koczera | .... | digital compositor: C.I.S. (digital artist: C.I.S.) |
| Henry LaBounta | .... | computer effects artist: ILM |
| Don Lee | .... | digital compositing supervisor: C.I.S. |
| Jennifer Lee | .... | optical line up: ILM |
| Stewart Lew | .... | computer effects artist: ILM |
| Margaret B. Lynch | .... | production assistant: miniature crash sequence, ILM |
| Michael Lynch | .... | model maker: ILM |
| Karey Maltzahn | .... | visual effects editor: C.I.S. |
| Kim Marks | .... | director of photography: miniature crash sequence, ILM |
| Jeff Matakovich | .... | photo chemical composites |
| Bill Mather | .... | digital matte artist: ILM |
| Patrick McArdle | .... | first assistant photographer: miniature crash sequence, ILM |
| Mary McCulloch | .... | computer effects artist: ILM |
| Mickey McGovern | .... | visual effects editor: ILM |
| Roni McKinley | .... | visual effects producer: ILM |
| Scott McKnight | .... | blue screen rigging electrician |
| Scott McNamara | .... | model maker: ILM |
| Richard Miller | .... | model maker: ILM |
| Michael Min | .... | computer technical assistant: miniature crash sequence, ILM |
| Peter Moc | .... | operator: EFILM |
| Richard Moc | .... | technical supervisor: EFILM |
| Mark Moore | .... | concept designer: ILM |
| Ronald B. Moore | .... | visual effects supervisor |
| Jim Morris | .... | president: miniature crash sequence, ILM |
| Danny Mudgett | .... | digital compositor: C.I.S. |
| Andrew Mumford | .... | digital compositor: C.I.S. |
| Patrick T. Myers | .... | computer effects artist: ILM (as Pat Myers) |
| Gregory Oehler | .... | digital artist: C.I.S. |
| Michael Olague | .... | visual effects chief lightning technician: ILM |
| Jeff Olson | .... | model department supervisor: ILM |
| Kate O'Neill | .... | visual effects camera assistant: ILM |
| Lorne Peterson | .... | chief model maker: ILM |
| Josh Pines | .... | scanning supervisor: miniature crash sequence, ILM |
| Christopher Reed | .... | model maker: ILM |
| John Schlag | .... | computer graphics supervisor: ILM |
| Alex Seiden | .... | visual effects co-supervisor: ILM |
| Kim Smith | .... | model maker: ILM |
| Douglas Smythe | .... | computer effects artist: ILM |
| Ben Snow | .... | computer effects artist: ILM |
| Tony Sommers | .... | model maker: ILM |
| David St. Clair | .... | operator: EFILM |
| John Stillman | .... | computer graphics production assistant: miniature crash sequence, ILM |
| Duncan Sutherland | .... | camera engineer: miniature crash sequence, ILM |
| Pat Sweeney | .... | visual effects camera operator: ILM |
| Sylte | .... | payroll supervisor: miniature crash sequence, ILM |
| Larry Tan | .... | chief model maker: ILM |
| Ginger Theisen | .... | visual effects coordinator: ILM |
| Barbara Townsend | .... | computer effects artist: ILM (as Barbara Nellis Townsend) |
| Laurence Treweek | .... | computer effects artist: ILM |
| Dennis Turner | .... | computer effects artist: ILM |
| Yusei Uesugi | .... | digital matte artist: ILM |
| Bruce Vecchitto | .... | optical supervisor: miniature crash sequence, ILM |
| Steve Walton | .... | model maker: ILM |
| Harold Weed | .... | model maker: ILM |
| Habib Zargarpour | .... | computer effects artist: ILM |
| Eric Alba | .... | visual effects associate: Paramount Studios (uncredited) |
| Ronn Brown | .... | digital artist (uncredited) |
| Lloyd A. Buswell | .... | model maker (uncredited) |
| Scott Dougherty | .... | digital effects coordinator: Cinesite (uncredited) |
| George Hull | .... | conceptual illustrator (uncredited) |
| Kathi Samec | .... | systems manager: SBS (uncredited) |
| Bruce Wright | .... | pre-visualization artist (uncredited) |
| |
Quotes:
[
first lines]
[
the journalists are all talking at the same time, trying to get their questions in]
Journalist #3:
How does it feel to be back on the Enterprise bridge?
Journalist #1:
Captain Chekov, what are the most significant changes...
Journalist #3:
Captain Kirk, can I ask you a few questions?
Journalist #1:
Did you participate in the redesign?
Journalist #3:
We'd like to know how you feel about being...
Kirk:
I appreciate the...
Harriman:
Excuse me. Excuse me. Excuse me. There will be plenty of time for questions later. I'm Captain John Harriman and I'd like to welcome you all aboard.
Kirk:
It's our pleasure.
[
...]
more
*** out of ****
Star Trek: Generations stands out, in my mind, as the most underrated of all the Trek installments. Fans of the original series may not like the transition from old to new, but I personally prefer the crew of The Next Generation, and having been familiar with these characters through the show's seven season run on TV, seeing them on the big-screen was a welcome sight. Personal preference aside, Generations does a fine job of delivering an engrossing tale packed with exciting action and understated humor.
The plot involves an energy ribbon called the Nexus, a place where time has no meaning, where you can live out your greatest joys without fear or worry.
A near deranged scientist, named Soran (Malcolm Mcdowell), has amassed a horrific plan to enter the Nexus, one which could cause monumentous destruction and kill hundreds of millions. It becomes a race as the crew of the Enterprise-D struggles to find Soran before disaster strikes.
Generations has a fair share of problems, but for the most part, it's a very entertaining adventure boosted by excellent special effects and good performances. The film's highlight is the spectacular crash of the Enterprise, one of the most harrowing, exhilarating action sequences of any of the Star Trek films. Then, of course, there's the meeting between the two captains, Picard and Kirk, a memorable union that symbolically passes the torch and ends on a poignant note, which is enough to ignore the plot holes in the climax. Definitely recommended, Generations is a good stand-alone film and makes for an enjoyable warm-up to the superb First Contact.