| Mihály Vig | ... | Irimiás | |
| Putyi Horváth | ... | Petrina | |
| László feLugossy | ... | Schmidt | |
| Éva Almássy Albert | ... | Schmidtné | |
| János Derzsi | ... | Kráner | |
| Irén Szajki | ... | Kránerné | |
| Alfréd Járai | ... | Halics | |
| Miklós Székely B. | ... | Futaki | |
| Erzsébet Gaál | ... | Halicsné | |
| Erika Bók | ... | Estike | |
| rest of cast listed alphabetically: | |||
| György Barkó | ... | Iskolaigazgató | |
| Peter Berling | ... | Orvos | |
| András Bodnár | ... | Horgos Sanyi | |
| Ilona Bojár | ... | Horgosné | |
| Péter Dobai | ... | Százados | |
| István Juhász | ... | Kelemen | |
| Zoltán Kamondi | ... | Kocsmáros | |
| Barna Mihók | ... | Kerekes | |
| Mihály Ráday | ... | Narrator (voice) | |
Directed by | |||
| Béla Tarr | |||
Writing credits | ||
| László Krasznahorkai | novel and | |
| Mihály Vig | story & | |
| Péter Dobai | story & | |
| Barna Mihók | story | |
| László Krasznahorkai | (screenplay) & | |
| Béla Tarr | (screenplay) | |
Produced by | |||
| György Fehér | .... | producer | |
| Joachim von Vietinghoff | .... | producer | |
| Ruth Waldburger | .... | producer | |
Original Music by | |||
| Mihály Vig | |||
Cinematography by | |||
| Gábor Medvigy | |||
Film Editing by | |||
| Ágnes Hranitzky | |||
Costume Design by | |||
| János Breckl | |||
| Gyula Pauer | |||
Production Management | |||
| Tibor Dimény | .... | production manager | |
| Gábor Koncz | .... | production manager | |
| Ernõ Mihály | .... | production manager | |
| Gábor Téni | .... | unit manager | |
Sound Department | |||
| Csaba Erös | .... | sound recordist | |
| József Kardos | .... | sound recordist | |
| György Kovács | .... | sound designer | |
| György Kovács | .... | sound re-recording mixer | |
| Lajos Ledniczky | .... | boom operator | |
| István Pergel | .... | sound recordist | |
Special Effects by | |||
| Péter Pásztorfi | .... | special effects technician | |
Stunts | |||
| Zoltán Gulyás Kiss | .... | stunt arranger | |
| Krisztian Kery | .... | utility stunts | |
Camera and Electrical Department | |||
| Tamas Nyerges | .... | Steadicam operator | |
Other crew | |||
| Ferenc Kállai | .... | voice dubbing: Peter Berling | |
Thanks | |||
| Alf Bold | .... | dedicatee | |
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| Journal d'un curé de campagne | Chung Hing sam lam | Il divo: La spettacolare vita di Giulio Andreotti | Madame Bovary | Tre fratelli |
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IMDb User Rating: |
IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Hungary section |
My name is George Zoes and I am the assistant director of Theo Angelopoulos, the famous director from Greece. I just finished watching the movie and I am in state of cinematic nirvana. I only thought Theo Angelopoulos had the secans shots but I was mistaken.
Bela Tar knows what he is doing. For the people who are addicted to post modern cinema this movie would be a nervous breakdown. But for the people who love the power of images, who keep their minds open, who investigate the same art of cinema, its a miracle this film exists.
The time games that Bela Tar plays with the shots from a different angle are unique and the atmosphere that he creates conviced me that this is a parrarel universe rather than a cinema story. Its a purgative cinema that personally gave me trust to make my own feature film. The visual story seems greater than the written one but its not. I have the feeling that this form is the most suitable for this content. Its like the flesh and the blood, you cant distinguish them.
Thank you Bela Tar and to your screenwriter.
I am ready to leave Theo to work with you.