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The Thief and the Cobbler (1993)

When Tack upsets Zigzag the Vizier, the wizard drags him off to the royal castle, where Princess Yum Yum falls for the bashful boy and saves him from execution. Unfortunately, Zigzag plans ... See full summary »

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Writers:

(created by), (screenplay) | 9 more credits »
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Cast

Cast overview, first billed only:
...
ZigZag (voice)
...
Steve Lively ...
Ed E. Carroll ...
The Thief (Majestic Films version) / Additional voices (Miramax version) (voice) (as Ed. E. Carroll)
...
...
Nurse (Majestic Films version) / Witch (Majestic Films version) / Additional voices (Miramax version) (voice)
...
Kevin Dorsey ...
Mighty One-Eye (re-edited versions) (voice)
...
Phido the Vulture (original and Majestic Films version) / Additional voices (Miramax version) (voice)
Stanley Baxter ...
Gofer / Slap (voice)
...
Goblet / Tickle (voice)
...
Dying Soldier (voice)
...
Chief Roofless (voice)
Frederick Shaw ...
Goolie (voice)
Thick Wilson ...
Hook (voice)
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Storyline

When Tack upsets Zigzag the Vizier, the wizard drags him off to the royal castle, where Princess Yum Yum falls for the bashful boy and saves him from execution. Unfortunately, Zigzag plans to marry the princess in order to succeed her father, King Nod. The Thief, meanwhile, is more interested in gold than love and takes off with the protective orbs topping the palace. Together Tack and Yum Yum attempt to retrieve them in order to prevent Zigzag and the One-Eye army from conquering the city. Written by Anthony Pereyra {hypersonic91@yahoo.com}

Plot Summary | Add Synopsis


Certificate:

G | See all certifications »

Parents Guide:

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Details

Country:

| |

Language:

Release Date:

25 August 1995 (USA)  »

Also Known As:

Arabian Knight  »

Filming Locations:


Box Office

Budget:

$28,000,000 (estimated)

Opening Weekend:

$319,723 (USA) (27 August 1995)

Gross:

$669,276 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(workprint) | (Princess)

Sound Mix:

| (theatrical print)

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Richard Williams was inspired by silent comedy, in particular Harold Lloyd and Harry Langdon. Tack was modelled after both of them. See more »

Goofs

During the song sequence in the desert scenes, it is said they are all illiterate, but earlier they were seen reading. See more »

Quotes

Princess Yum Yum: Father, I'm smarter than any man in this city. And, faster than your clumsy - henchman.
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Crazy Credits

The end credits for the "Princess and the Cobbler" version use the standard Dolby Stereo logo, though a trailer for it uses the Dolby Stereo SR logo, but the American prints of "Arabian Knight" use the Dolby Stereo SR logo instead. See more »

Connections

Featured in Persistence of Vision (2012) See more »

Soundtracks

Bom Bom Bom Beem Bom (That's What Happens When You Don't Go to School)
Lyrics by Norman Gimbel
Music by Robert Folk
Performed by "The Brigands": Randy Crenshaw, Kevin Dorsey, Roger Freeland, Nick Jameson, Bob Joyce, Jon Joyce, Kerry Katz, Ted King, Michael Lanning, Raymond McLeod, Rick Nelson (as Rick Charles Nelson), Scott Rummell (as Scott Rummel)
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Miramax version vs. workprint
20 June 2001 | by (Victoria, BC) – See all my reviews

I've had the opportunity to view a copy of the workprint Richard Williams cobbled together (consisting of finished footage, storyboards, and pencil tests), and it gives a good idea as to what the movie would have been like if Williams had managed to finish it.

Is it better than the Miramax version? Most definitely. Miramax vandalized the movie by adding those voice-overs for the Thief and the Cobbler characters - a ludicrous idea, since these characters were designed to be SILENT. Seeing these quiet characters not moving their mouths - but hearing wise-cracking dialogue, and dialogue that doesn't fit the character's personalities - is infuriating and very distracting. Though Miramax didn't do all the butchery, since the movie was significantly cut by other hands, and with poor linking animation added. (Not to mention some HORRIBLE song numbers.)

The workprint beats the Miramax version by far - but it's not perfect. True, seeing all that uncut animation - AMAZING animation - makes it a must see. It's breathtaking at times. But if the movie had been finished, I'm sure critics and audiences - when not gushing about the animation - would have criticized the story and characters. There's barely a story here, and it takes forever to get going. And once it gets going, there are plenty of times when the story stops for a pseudo intermission. Apparently, Williams was so charmed by all the vignettes that he thought up (mostly to do with the Thief bumbling around and making an ass of himself), he didn't want to leave any of them out. Seen by themselves, the vignettes are funny and a wonder to the eye. But seeing one after the other...well, it gets tiring after a while.

As well, with all the effort put in making visual splendor and animated gags, it seems not much was put into fleshing out the characters more than they are now. (Though they all have a charm that carries them further than you'd expect.)

Though I do have some sympathy for Williams for the heartbreak he suffered after being fired from the project (after working on it for more than 20 years!), he must accept his share of the blame for his firing and the eventual butchery of his project, seeing that he constantly went over time and budget, and refused to stop "improvising" as well as avoiding scripts and storyboards.

Anyway, seek the workprint and avoid the Miramax version!


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