| Photos (See all 11 | slideshow) | Videos (see all 2) |
| Patricia Arquette | ... | Laura Bowman | |
| U Aung Ko | ... | U Aung Ko | |
| Frances McDormand | ... | Andy Bowman | |
| Spalding Gray | ... | Jeremy Watt | |
| Tiara Jacquelina | ... | San San, Hotel Desk Clerk | |
| Kuswadinath Bujang | ... | Colonel at Hotel | |
| Victor Slezak | ... | Mr. Scott | |
| Jit Murad | ... | Sein Htoo | |
| Ye Myint | ... | Zaw Win | |
| Cho Cho Myint | ... | Zabai | |
| Johnny Cheah | ... | Min Han | |
| Haji Mohd Rajoli | ... | Karen Father | |
| Azmi Hassan | ... | Older Karen Boy | |
| Ahmad Fithi | ... | Younger Karen Boy | |
| Adelle Lutz | ... | Aung San Suu Kyi | |
| Mohd Wan Nazri | ... | Checkpoint Soldier #1 at Train | |
| Zaidi Omar | ... | Checkpoint Officer #1 at Train | |
| Roslee Mansor | ... | Checkpoint Soldier #2 at Train | |
| Michael Pickells | ... | Nick Bowman | |
| Enzo Rossi | ... | Danny Bowman | |
| Ridzuan Hashim | ... | Officer Min | |
| Samko | ... | Bird Man | |
| Norlela Ismail | ... | Young Sula Woman | |
| Ramona Sánchez-Waggoner | ... | Female Tourist #1 | |
| Nyak Osman | ... | Village Headman | |
| Yusof Abdul Hamid | ... | River Trader | |
| Lutang Anyie | ... | Karen Leader | |
| Dion Abu Bakar | ... | Rapist | |
| Ali Fiji | ... | Fuel Vendor | |
| Yeoh Keat Chye | ... | BLK Beret Major | |
| Johari Ismail | ... | BLK Beret Sergeant | |
| Rashidi Mohd | ... | Secret Policeman | |
| William Saw | ... | Bandana Man | |
| Ann Howard | ... | Australian Doctor | |
| Manisah Mandin | ... | Aung Ko's Daughter | |
| Charley Boorman | ... | Photographer | |
| Hani Mohsin Hanafi | ... | Young Monk / Soldier | |
| Ismail Din | ... | Myanmar Official | |
| Jamaludin Rejab | ... | Cig Soldier #1 | |
| Aung | ... | Cig Soldier #2 | |
| Peter Win | ... | Aung Ko's Helper | |
| John Mindy | ... | Myanmar Soldier | |
| U Kyaw Win | ... | Sula Aide / Budda Monk (as Dr. U Kyaw Win) | |
| Gael D'Oliviera | ... | French Boy #1 | |
| Pascale D'Oliviera | ... | French Mother | |
| Gilles D'Oliviera | ... | French Father | |
| Asmi Wahab | ... | Sula Commander | |
| Albert Thaw | ... | Sula Officer | |
| Mansell Rivers-Bland | ... | Hotel Guest | |
| Siti Abdullah | ... | Village Woman | |
| Satish Chand Bhandari | ... | Aung Ko's Friend |
Directed by | |||
| John Boorman | |||
Writing credits(WGA) | ||
| Alex Lasker | (written by) & | |
| Bill Rubenstein | (written by) | |
Produced by | |||
| John Boorman | .... | producer | |
| Walter Donohue | .... | associate producer | |
| Mark Egerton | .... | associate producer | |
| Alex Lasker | .... | co-producer | |
| Eric Pleskow | .... | producer | |
| Bill Rubenstein | .... | co-producer | |
| Sean Ryerson | .... | executive producer | |
| Sean Ryerson | .... | producer | |
| Barry Spikings | .... | producer | |
Original Music by | |||
| Hans Zimmer | |||
Cinematography by | |||
| John Seale | |||
Film Editing by | |||
| Ron Davis | |||
Casting by | |||
| Mary Gail Artz | |||
| Barbara Cohen | |||
Production Design by | |||
| Anthony Pratt | |||
Art Direction by | |||
| Errol Kelly | |||
Set Decoration by | |||
| Eddie Fowlie | |||
Costume Design by | |||
| Deborah Kramer | |||
Makeup Department | |||
| Felicity Bowring | .... | key makeup artist | |
| Maire O'Sullivan | .... | assistant makeup artist | |
| Lloyd Yeoh Seng Chee | .... | assistant hair stylist | |
| Larry Waggoner | .... | key hair stylist | |
Production Management | |||
| Asoka Perera | .... | unit production manager | |
| Chandran Rutnam | .... | production supervisor | |
Art Department | |||
| Martin Atkinson | .... | draughtsman | |
| Aloysius Chan | .... | props buyer | |
| John Davey | .... | scenic artist | |
| Daya Dollapihila | .... | sculptor | |
| Eddie Fowlie | .... | property master | |
| Kathleen Fowlie | .... | assistant set dresser | |
| Charles Green | .... | plasterer foreman | |
| Lal Harindranath | .... | property master | |
| U.U. Illangakoon | .... | sculptor | |
| Wimal Jayawardene | .... | sculptor | |
| K.D. Justin | .... | construction coordinator | |
| Sena Mabulage | .... | chief props | |
| Sena Mabulage | .... | painter foreman | |
| Sena Mabulage | .... | stand-by painter | |
| Senaka Nawaratne | .... | scenic artist | |
| Christina Phun | .... | assistant props buyer | |
| Sunil Premaratine | .... | second stand-by props | |
| Mansell Rivers-Bland | .... | head sculptor | |
| Ajith Seneviratne | .... | general foreman | |
| Peter Singho | .... | sculptor | |
| Derek Wallace | .... | stand-by props | |
| Sunil Wijeratne | .... | assistant art director | |
| Sunil Wijeratne | .... | propmaker foreman | |
| Nimal Wijesiri | .... | labor foreman | |
| Adrian Start | .... | supervising painter (uncredited) | |
Sound Department | |||
| Pat Brennan | .... | dialogue editor | |
| Scott Crafford | .... | assistant sound editor | |
| Mike Dowson | .... | foley mixer | |
| Ian Fuller | .... | supervising sound editor | |
| John Hayward | .... | sound re-recording mixer | |
| John Ireland | .... | foley supervisor | |
| Robert Ireland | .... | assistant sound editor | |
| Jenny Lee Wright | .... | foley artist | |
| Pauline Martin | .... | foley artist | |
| Teddy Mason | .... | adr supervisor (as Ted Mason) | |
| Geoff Mist | .... | foley recordist | |
| Christine Newell | .... | assistant sound editor | |
| Bob Robinson | .... | dialogue editor | |
| Mark J. Wasiutak | .... | boom operator | |
| Gary Wilkins | .... | sound mixer | |
| Sandy Buchanan | .... | post-production sound assistant (uncredited) | |
| Tom Meadows | .... | sound mixer (uncredited) | |
| Richard Pryke | .... | assistant re-recording mixer (uncredited) | |
Special Effects by | |||
| Ron Cartwright | .... | special effects | |
| Kevin Draycott | .... | special effects | |
| John Evans | .... | special effects coordinator | |
| Bill Hansard | .... | projectionist: special effects (as Billy Hansard) | |
| Garth Inns | .... | special effects | |
| Digby Milner | .... | special effects | |
| Robert Nugent | .... | special effects | |
| Harry Stokes | .... | special effects | |
| Phil Stokes | .... | special effects | |
| Barry Whitrod | .... | special effects | |
Visual Effects by | |||
| Craig Zerouni | .... | digital opticals effects | |
Stunts | |||
| Raymond Chia | .... | stunts | |
| William Ong | .... | stunt coordinator | |
| Francie Phang | .... | stunts | |
Casting Department | |||
| Zul Akbar | .... | extras casting | |
| Hafis Hafim | .... | extras casting | |
| Amy Elisabeth Sabel | .... | casting assistant | |
| Mohd Wan Nazzi | .... | extras casting | |
Costume and Wardrobe Department | |||
| Kathleen Gore-Misko | .... | on-set costumer (as Kathleen Misko) | |
| Amber Jordyn | .... | assistant costumer | |
| For Soon Lap Ang | .... | seamstress | |
| Alvin Lew | .... | assistant costumer | |
| Arabella Lockhart | .... | assistant costumer | |
| Ernest Misko | .... | costume department head | |
| Rob Nevis | .... | assistant costumer | |
Editorial Department | |||
| John Stanborough | .... | color timer | |
| Sylvia Wheeler | .... | negative cutter | |
Music Department | |||
| Nick Glennie-Smith | .... | composer: additional music | |
| Nick Glennie-Smith | .... | conductor | |
| Gavin Greenaway | .... | orchestrator | |
| Richard Harvey | .... | composer: additional music | |
| Graham Prescott | .... | orchestrator | |
| Maggie Rodford | .... | score producer | |
| Adam Milo Smalley | .... | music editor | |
| Adam Milo Smalley | .... | music producer | |
| Marc Streitenfeld | .... | assistant composer | |
| Fiachra Trench | .... | orchestrator | |
| Hans Zimmer | .... | music producer | |
| Richard Harvey | .... | musician: flute and ethnic pipes (uncredited) | |
Transportation Department | |||
| Brian Hathaway | .... | transportation captain | |
| Rudy Neoh Kok Wah | .... | transportation coordinator | |
| David Marder | .... | transportation coordinator | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb UK section |
This is one of the most underrated movies of the 1990s. If you allow yourself to identify with the Patricia Arquette character, you will find it to be a very moving story of a woman regaining a sense of purpose to her life, and finding a new will to live.
Arquette's performance is brave because it is purposefully "wooden" -- it's a way of defining her character's spiritual death, her complete lack of a desire to be alive. She moves through life like a zombie because her family has been murdered and she can't see the point of living. What is moving is how in the course of the story, she is reawakened -- by the Burmese landscape, by the beautiful quality of its people and landscapes, and by the primal choices she is forced to confront.
Boorman supports this visually (and Hans Zimmer supports it with one of his most gorgeous, haunting scores) with an often static camera and with a propensity to shoot through glass, windows, windshields, etc. We are on the outside looking in, just like Arquette.... until she finds herself deep in the jungle and is forced to choose whether or not to fight for her life.
I recommend the 1954 movie THE PURPLE PLAIN as well. It's a similar story in a similar setting, and makes for a fascinating comparison.