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The Bridges of Madison County (1995)

PG-13 | | Drama, Romance | 2 June 1995 (USA)
Photographer Robert Kincaid wanders into the life of housewife Francesca Johnson, for four days in the 1960s.

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Writers:

(screenplay), (novel)
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3,093 ( 532)

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Nominated for 1 Oscar. Another 6 wins & 14 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
Michael Johnson
...
Richard Johnson
...
Young Carolyn (as Sarah Kathryn Schmitt)
...
Young Michael
Phyllis Lyons ...
Betty
...
Madge
Richard Lage ...
Lawyer Peterson
...
Lucy Redfield
Alison Wiegert ...
Child #1
Brandon Bobst ...
Child #2
Pearl Faessler ...
Wife
R.E. 'Stick' Faessler ...
Husband
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Storyline

The path of Francesca Johnson's future seems destined when an unexpected fork in the road causes her to question everything she had come to expect from life. While her husband and children are away at the Illinois state fair in the summer of 1965, Robert Kincaid happens turn into the Johnson farm and asks Francesca for directions to Roseman Bridge. Francesca later learns that he was in Iowa on assignment from National Geographic magazine. She is reluctant seeing that he's a complete stranger and then she agrees to show him to the bridges and gradually she talks about her life from being a war-bride from Italy which sets the pace for this bittersweet and all-too-brief romance of her life. Through the pain of separation from her secret love and the stark isolation she feels as the details of her life consume her, she writes her thoughts of the four-day love affair which took up three journals. The journals are found by her children after the lawyer was going over Francesca's will and ... Written by Mark Fleetwood <mfleetwo@mail.coin.missouri.edu>

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 on appeal for some sexuality and brief strong language | See all certifications »

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Details

Official Sites:

Country:

Language:

Release Date:

2 June 1995 (USA)  »

Also Known As:

Los puentes de Madison  »

Box Office

Budget:

$24,000,000 (estimated)

Gross:

$71,516,617 (USA)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Prior to this film Winterset Iowa was primarily known as the birthplace of John Wayne. This film ultimately drew a huge number of fans to the various bridges and other locations and it is still visited by Wayne fans today. See more »

Goofs

After Richard dies, Francesca tries unsuccessfully to find Robert via the National Geographic office. The box she received from Robert's lawyer upon his death had Robert Kincaid stationery clearly showing his address: PO Box 634, Bellingham Washington, 98225. Even his phone number: KL-5-8763. The letter she received from him in 1965 (the one in the safe deposit box) probably used the same stationery (I know if I were Robert I would have given her as many ways to contact me as I could think of). And, if I were Francesca, I would have hired a private investigator if all these avenues failed. She knew he was from Washington state from his license plate. The National Geographic dead end was too superficial. See more »

Quotes

Robert Kincaid: I don't want to need you, 'cause I can't have you.
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Connections

Referenced in Tatort: Hexentanz (2003) See more »

Soundtracks

For All We Know
Written by Sam Lewis (as Sam M. Lewis) and J. Fred Coots
Performed by Johnny Hartman
Courtesy of Bee Hive Records
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User Reviews

 
A cinematic silk purse from a literary sow's ear ...
11 September 2003 | by (England) – See all my reviews

I only managed about two pages of the book before feeling physically ill by the trite dialogue, heavy dependence on cliche and ham fisted, adolescent romance prose style. So a film of the book 'The Bridges of Madison County' did not fill me with joy and pleasureable anticpation.

Yet Clint Eastwood has waved a magic wand, and worked wonders on the lack lustre source material, by pairing it down to produce a beautiful, warm film with only one real flaw (more on that later)

The film's overwhelming main strength is the casting of Meryl Streep. As Francesca she dissolves into the role - at times her gestures and dialogue seem so natural and unforced it is as if Eastwood had installed a fly-on-the-wall camera into the house of a real Iowan housewife. She lifts the film - which does centre on themes which could appear trite in the wrong hands - to the level of profound piece of art. Her selflessness and devotion to her family, and tortured sense of divided loyalites are presented so powerfully, and so plausibly, that the final scene in the car at the end (those who've seen it will recall immediately what I mean) pulls at your emotions so hard you'd swear it was you who was making the decision. I defy anyone with a pulse not to shed copious amounts of tears at this point --- you would have to have a heart of stone not to be moved on some level by this great, great performance.

Clint Eastwood provides good, solid support in the sense that he doesn't overact, and allows Meryl to become the heart of the film. This is a wise decision - part of the terrible weakness of the book was its dependence upon the inane thoughts and ramblings of Robert Kincaid. The film is beautifully directed, beautifully photograhed and beautifully scored - the radio tunes and the non-diegetic Bridges Love theme really enhance the romantic, lush tone and mood of the film.

My only problem is with the misguided decision to cast Francesca's older children and flash back periodically to them reading through their Mother's journals. The acting in these parts is mediocre at best, and they detract from the elegance and poignant mastery of Meryl Streep's central performance. The ashes scene at the end is - I feel - necessary for closure, but the rest of the scenes featuring the chldren should have been scrapped. The Francesca and Robert sections stand alone and require no interruption - these other segments cheapen the mastery of Meryl.

Above all, this is a film which (on paper) can be dismissed as pure soap opera. But it transcends these potentially trite themes to make a universal story of love, selflessness, devotion and choice, that speaks eloquently to the viewer, no matter what your age or experience. It's a truly heartbreaking tale of transitory experience and the power of memory. It will make you think about your own life, and about your closest family members and relationships.

And its finest quality has to be the magic of Meryl Streep who proves, yet again, why she is uniquely the best actress we have ever had. As Clint Eastwood said about casting this role: 'I only made one phonecall'. He knew as you will too - no other actress could have brought so much depth, warmth, beauty, charisma and humanity to this character. As a humble film lover, it's all I can do to applaud her from the depths of my heart. Bravo, Queen Meryl!


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