The Bridges of Madison County (1995)

User Rating:

7.2/10   

Director:

Clint Eastwood

Writers (WGA):

Richard LaGravenese (screenplay)
Robert James Waller (novel)

Release Date:

2 June 1995 (USA)

Genre:

Drama | Romance

Plot:

Photographer Robert Kincaid wanders into the life of housewife Francesca Johnson, for four days in the 1960s.

Plot Keywords:

Bridge | Love | Diary | Photographer | 1960s

Awards:

Nominated for Oscar. Another 6 wins & 6 nominations

US TV Schedule:

Fri. Nov. 20

10:00 AM

AMC

Cast

Clint Eastwood	...	Robert Kincaid
Meryl Streep	...	Francesca Johnson
Annie Corley	...	Carolyn Johnson
Victor Slezak	...	Michael Johnson
Jim Haynie	...	Richard Johnson
Sarah Kathryn Schmitt	...	Young Carolyn
Christopher Kroon	...	Young Michael
Phyllis Lyons	...	Betty
Debra Monk	...	Madge
Richard Lage	...	Lawyer Peterson
Michelle Benes	...	Lucy Redfield
Alison Wiegert	...	Child #1
Brandon Bobst	...	Child #2
Pearl Faessler	...	Wife
R.E. 'Stick' Faessler	...	Husband

Also Known As:

Broarna i Madison County (Finland: Swedish title) (Sweden) [sv]
Die Brücken am Fluß (Austria) (Germany) [de]
Los puentes de Madison (Argentina) (Spain) [es]
Sur la route de Madison (Canada: French title) (France) [fr]
Мосты округа Мэдисон (Russia) [ru]
A sziv hídjai (Hungary) [hu]
As Pontes de Madison County (Portugal) [pt]
Broerne i Madison County (Denmark) [da]
Co sie wydarzylo w Madison County (Poland) [pl]
Els ponts de Madison (Spain: Catalan title) [ca]
Hiljaiset sillat (Finland) [fi]
I ponti di Madison County (Italy) [it]
Madison Megye hídjai (Hungary) [hu]
Madisonas apgabala tilti (Latvia) [lv]
Madisonské mosty (Slovakia) [sk]
Madisonské mosty (Czech Republic) [cs]
Najini mostovi (Slovenia) [sl]
Oi gefyres tou Madison (Greece) [el]
Podurile din Madison County (Romania) [ro]
Yasak iliski (Turkey: Turkish title) [tr]

MPAA:

Rated PG-13 on appeal for some sexuality and brief strong language.

Runtime:

135 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

DTS | Dolby Digital

Certification:

Iceland:L | Philippines:R-18 | France:Unrated | South Korea:15 | New Zealand:M | USA:R (original rating) | Argentina:13 | Australia:M | Chile:14 | Finland:S | Germany:12 (w) | Netherlands:AL | Portugal:M/12 | Spain:T | Sweden:Btl | UK:12 | USA:PG-13 (re-rating on appeal) (certificate #33820) | Canada:PG (Ontario) (Canadian Home Video rating) | Singapore:NC-16 (DVD rating) | Singapore:R(A)

Filming Locations:

Adel, Iowa, USA

Company:

Warner Bros. Pictures

Trivia:

The farmhouse used in the film had been abandoned for over thirty years and was completely restored by production designer Jeannine Claudia Oppewall and her art directors Charles Breen and William Arnold.

Goofs:

Anachronisms: Modern John Deere tractor visible in the background.

Quotes:

Francesca: I realized love won't obey our expectations, it's mystery is pure and absolute.

Movie Connections:

Referenced in "The Office: The Fire (#2.4)" (2005)

Soundtrack:

It Was Almost Like A Song

A surprisingly sensitive film that Eastwood does well to keep away from the usual sentimental clichés of the weepy genre

When Francesca Johnson passes away, her grown children are puzzled to learn that she wishes to be cremated and her ashes scattered from a local bridge rather than being buried next to her husband. Their puzzlement turns to surprise and shock when they read their mother's secret journals and read about an affair she had had many years ago with a photographer who came to the area for a few days.

I had seen this film many years ago in the cinema when it came out and had only average memories of it. With it coming onto TV recently, I wasn't sure if I'd bother because I had the idea in my head that this was a rubbish weepy but decided to go for it anyway. I am glad that I do not just make assumptions about films based on genre because my memory had tricked me in regards this film and in fact it was surprisingly good. I'm not generally a weepy fan but this is not what you think a weepy will be. Reading the plot summary and watching the film itself, it is clear how easily this could have fallen into sweeping sentiment and unbearable mush and it is to Eastwood's credit that it never does. Even as the plot sees the lovers falling into idealised romance, the film never does and it is the cool, calm direction that keeps it from being this way. Some will see this as 'excusing' the affair but I don't think it does – affairs happen because the grass is greener and that is just what this film does; it seems romantic and idyllic but that's because it is meant to be. I'm the last person to try and defend having affairs but I don't think that this film did this but I can understand why people would dislike it for doing this.

Without the mush, what is left is a film that is refreshingly free of sentiment and is able to deliver a grown up romance that is genuinely touching. This is seen in the honest chemistry between Francesca and Robert; sometimes things like this happen – two people just click, nothing has to be massively wrong in the relationship for it to happen. The film avoids easy shots (like making the husband be a real idiot) and just tries to show us why these two fell for one another so quickly. It isn't perfect of course and it is still a weepy of sorts – some of the dialogue is a bit self-consciously 'deep' for my liking but generally it was an adult telling of an adult romance – no corny ending, no sweeping score or clichéd effort to pump the audience for sentiment, instead I found it genuine and, as cold hearted a b*stard as I am, I was moved by the film.

I am a fan of Clint Eastwood and this film was a real pleasant surprise as it showed how able he is as a director and performer. I have already praised his work as director but he also turns in an unshowy and natural performance in the lead. Streep has never totally won me over and I often felt that doing an accent is not the same as giving a performance. Here her accent put me off at first but generally she is good and shows suitable restraint in depicting her character. She suffers a bit from having to deliver a narration that occasionally contains sentimental dialogue but she does well despite this. The support cast is OK but really contributions from Corley and Slezak are no more than distractions from the main show which is a collection of natural scenes between the two leads and no one else.

Overall, I consider this film a reason to not just watch any specific genre of movie and reject films simply because 'those aren't my type of things'. I was pleasantly surprised by a film that is romantic without being sentimental or mushy; idealistic without being unrealistic; moving without being sickly. True it may not be everyone's idea of a great film (nothing goes bang and there are no car chases) but I liked it a lot more than I had expected and if you want to see an adult love story then you could do a lot worse than this.