IMDb > Low (1995)

Overview

User Rating:
5.1/10   17 votes
MOVIEmeter: ?
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Director:
Lise Raven
Writer:
Lise Raven (writer)
Plot:
A towel-boy at a Brooklyn boxing gym kidnaps a woman to impress an ex-boxer. | add synopsis
Plot Keywords:
User Comments:
An exciting and fascinating movie - one that rewards repeated viewings. more (1 total)

Cast

  (Credited cast)
Robert Alexander

Faye Jackson ... Sharon Lee Radcliffe
Charles Reed ... Boom Boom
Jessica Sager ... Michelle Darling

Camillia Sanes ... Brenda White

Pamela Stewart ... Crystal Fairlane
Thomas Vallette ... Speck White
John Ventimiglia ... Terry 'Lullaby' Fairlane
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Additional Details

Runtime:
95 min
Country:
USA
Language:
English
Color:
Color
Aspect Ratio:
1.37 : 1 more
Company:
Cold more

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1 out of 1 people found the following comment useful.
An exciting and fascinating movie - one that rewards repeated viewings., 27 May 2002
Author: Robert Carry from London, England

An exciting and fascinating movie - one that rewards repeated viewings. "LOW" is a dark New York crime film that throbs almost audibly with the promise of violence, yet the director's black humour is so finely woven into this tense psychological drama that you find yourself laughing at its most horrifying moments. It's got a 70's kind of feel to it, but it's not all "in-jokey" like a Tarantino movie. The lead actor's portrayal of a boxing club janitor who can barely suppress his love for a failed prize-fighter brings to mind Ratso Rizzo, as well as the killer Robert Blake played in "IN COLD BLOOD". I also thought the prizefighter's shy and awkward come-on towards the underage girl he went to prison for "spoiling" reminds me of Brando courting Eva Marie Saint in "ON THE WATERFRONT". I've seen this actor (John Ventimiglia) on The Sopranos – he's even better here because he has more to work with. The other characters are also drawn with originality and quirkiness, yet never veer off the path of total believability. Their blindness and confusion is so real you want to take them by the shoulders and shake some sense into them. I saw this film a few years ago in New York and then again last year in Berlin. Both times the audiences seemed to love it. The director gave a talk afterwards and the biggest question was "how did a young woman make such a violent and dark film about men?" I don't know how, but she got it right. I find it almost criminal that this film never got a UK release and would kill to find a video copy.

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