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Se7en (1995)

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Two detectives, a rookie and a veteran, hunt a serial killer who uses the seven deadly sins as his motives.

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366 ( 19)
Top Rated Movies #22 | Nominated for 1 Oscar. Another 25 wins & 33 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Dead Man at 1st Crime Scene (as Andy Walker)
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Officer Davis
Bob Mack ...
Peter Crombie ...
Dr. O'Neill
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Dr. Santiago
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Workman at Door of Somerset's Office
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Cab Driver
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William Davidson ...
First Guard at the Library (as Roscoe Davidson)
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Storyline

A film about two homicide detectives' (Morgan Freeman and (Brad Pitt desperate hunt for a serial killer who justifies his crimes as absolution for the world's ignorance of the Seven Deadly Sins. The movie takes us from the tortured remains of one victim to the next as the sociopathic "John Doe" (Kevin Spacey) sermonizes to Detectives Somerset and Mills -- one sin at a time. The sin of Gluttony comes first and the murderer's terrible capacity is graphically demonstrated in the dark and subdued tones characteristic of film noir. The seasoned and cultured but jaded Somerset researches the Seven Deadly Sins in an effort to understand the killer's modus operandi while the bright but green and impulsive Detective Mills (Pitt) scoffs at his efforts to get inside the mind of a killer... Written by Mark Fleetwood <mfleetwo@mail.coin.missouri.edu>

Plot Summary | Plot Synopsis

Taglines:

Gluttony * Greed * Sloth * Envy * Wrath * Pride * Lust See more »


Motion Picture Rating (MPAA)

Rated R for grisly afterviews of horrific and bizarre killings, and for strong language | See all certifications »

Parents Guide:

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Details

Official Sites:

Country:

Language:

Release Date:

22 September 1995 (USA)  »

Also Known As:

Seven  »

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Box Office

Budget:

$33,000,000 (estimated)

Gross USA:

$100,125,643

Cumulative Worldwide Gross:

$327,311,859
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.40 : 1
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Did You Know?

Trivia

A rejected version of the credits had the same scratchy handwriting and Coil-remixed "Closer", but used static images instead of the jumpy, blurred footage used currently. (This credit sequence is in the Criterion LaserDisc supplement section.) See more »

Goofs

When they remove the painting which is supposedly placed upside down, the picture frame's string to hold the artwork against the wall is fixed two thirds up so that it could not have hung the other way without hanging far away from the wall. This means, that with the frame's string position it could only hang the way it is seen in the film and not the other way. Hence the comment that "he moved the screws to rehang it." See more »

Quotes

[first lines]
Detective Taylor: Neighbors heard them screaming at each other, like for two hours, and it was nothing new. Then they heard the gun go off, both barrels. Crime of passion.
William Somerset: Yeah, just look at all the passion on that wall.
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Crazy Credits

Credits roll down instead of up, contrary to common movie procedure. See more »

Connections

Referenced in Psych: Yang 3 in 2D (2010) See more »

Soundtracks

Closer (Precursor)
Written by Trent Reznor
Performed by Nine Inch Nails
Courtesy of Nothing/TVT/Interscope Records
By Arrangement with Warner Special Products and TVT Records
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Frequently Asked Questions

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User Reviews

Superbly crafted drama delves into darkest corners of the psyche
16 August 1999 | by See all my reviews

David Fincher's bleak, relentless, and ultimately terrifying crime thriller Seven transcends other films of the genre with incredible plotting (the sort Hitchcock might employ were he alive and making films in the 1990s) and scalding intelligence. With only a small handful of minor flaws -- the overly familiar retiring cop/young cop pairing; the awful "I'm taking you off the case!" cliche seemingly required by the genre; one giant lapse in logic in the downward spiral toward the conclusion that cannot be revealed without ruining the script's gruesome surprise -- Seven typically keeps its viewers imprisoned in their seats with a combination of morbid fascination and abject fear. Despite attempts by studio executives to alter Andrew Kevin Walker's ending, the filmmaking team prevailed and audiences experienced that rare treat of mainstream cinema: an uncompromising vision.


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