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Directed by | |||
| John Carpenter | |||
Writing credits(WGA) | ||
| John Carpenter | (characters) and | |
| Nick Castle | (characters) | |
| John Carpenter | (written by) & | |
| Debra Hill | (written by) & | |
| Kurt Russell | (written by) | |
Produced by | |||
| Debra Hill | .... | producer | |
| Kurt Russell | .... | producer | |
Original Music by | |||
| John Carpenter | |||
| Shirley Walker | |||
Cinematography by | |||
| Gary B. Kibbe | |||
Film Editing by | |||
| Edward A. Warschilka | |||
Casting by | |||
| Carrie Frazier | |||
Production Design by | |||
| Lawrence G. Paull | |||
Art Direction by | |||
| Bruce Crone | |||
Set Decoration by | |||
| Kathe Klopp | |||
Costume Design by | |||
| Robin Michel Bush | |||
Makeup Department | |||
| Rick Baker | .... | special makeup effects | |
| Dennis Liddiard | .... | personal makeup artist | |
| Susan Mills | .... | hair department head | |
| Joseph Yuss Simon | .... | makeup effects | |
| Bill Sturgeon | .... | special effects makeup foreman | |
| Marvin G. Westmore | .... | makeup artist | |
Production Management | |||
| Alexandra Koch | .... | production supervisor | |
| David Witz | .... | unit production manager | |
Sound Department | |||
| Willy Allen | .... | dialogue editor | |
| Ron Bartlett | .... | sound re-recording mixer | |
| Ted Caplan | .... | foley editor | |
| Michael C. Casper | .... | sound re-recording mixer | |
| Thomas Causey | .... | sound | |
| Matt Colleran | .... | foley recordist | |
| Zack Davis | .... | adr editor | |
| Joe Dorn | .... | adr editor | |
| Ken Dufva | .... | foley artist | |
| John Dunn | .... | supervising sound editor | |
| Christopher Flick | .... | supervising foley editor | |
| Donald Flick | .... | sound effects editor | |
| Catherine Harper | .... | foley artist | |
| John Hulsman | .... | sound effects editor | |
| Scott A. Jennings | .... | foley editor | |
| Courtenay Marvin | .... | assistant sound editor | |
| Steve Maslow | .... | sound re-recording mixer | |
| John Pospisil | .... | sound designer | |
| Randy Singer | .... | foley mixer | |
| Robert Ulrich | .... | supervising adr editor | |
| David A. Whittaker | .... | sound effects editor | |
| David Williams | .... | supervising dialogue editor | |
| Kerry Dean Williams | .... | adr editor | |
Special Effects by | |||
| Martin Bresin | .... | special effects coordinator (as Marty Bresin) | |
| Roy L. Downey | .... | miniature pyrotechnician | |
| Dale Ettema | .... | special effects supervisor | |
| Roy Goode | .... | special effects technician | |
| Hiroshi Katagiri | .... | special makeup effects artist: The Character Shop | |
| Rick Lazzarini | .... | puppets: Kurt Russell & Pam Grier | |
| Ian C. McArthur | .... | special effects technician | |
| David A. Poole | .... | special effects | |
| Michael Roundy | .... | special effects foreman | |
| Bryan Sides | .... | special effects technician | |
| Robert Simokovic | .... | special effects foreperson | |
| Anthony Simonaitis | .... | special effects technician | |
| Richard Stringfellow | .... | underwater effects | |
| Paul Vigil | .... | special effects technician | |
| Tom von Badinski | .... | special effects foreman | |
| Dennis Yeager II | .... | special effects technician | |
| Mark Yuricich | .... | special effects shop foreperson | |
| Jaime Galindo | .... | special effects laborer (uncredited) | |
| Jeff Himmel | .... | miniature puppet fabrication: The Character Shop (uncredited) | |
| Paul Salamoff | .... | miniature puppet fabrication: The Character Shop (uncredited) | |
Visual Effects by | |||
| Joshua Arsenault | .... | production assistant: Buena Vista Visual Effects | |
| Les Bernstien | .... | visual effects director of photography | |
| Isaac Cohen | .... | model maker | |
| Denise Davis | .... | visual effects producer: BVVE | |
| Valerie Delahaye | .... | computer generated art supervisor | |
| Jason Dennis | .... | technical administration | |
| Harrison Ellenshaw | .... | executive producer: BVVE | |
| Joshua Geisler-Amhowitz | .... | digital artist | |
| Allen Gonzales | .... | digital art department supervisor | |
| Stephen Humphrey | .... | visual effects electronics | |
| David Jones | .... | CG supervisor: Buena Vista | |
| Michael Lessa | .... | visual effects supervisor | |
| Craig Mullins | .... | digital matte painter | |
| Kimberly K. Nelson | .... | visual effects supervisor | |
| Winston Quitasol | .... | lead digital compositor | |
| Michael Ramirez | .... | digital artist | |
| Joseph Thomas | .... | FX animation | |
| Shyam V. Yadav | .... | visual effects documentarian | |
| Lisa Fisher | .... | digital artwork: Buena Vista Visual Effects (uncredited) | |
| Lee Lanier | .... | digital artist (uncredited) | |
Camera and Electrical Department | |||
| Michael Condro | .... | first assistant camera | |
| Mark J. Coyne | .... | assistant camera | |
| Jerome Fauci | .... | Steadicam operator | |
| Antonio V. Garrido | .... | dolly grip (as Antonio Garrido) | |
| Norman Glasser | .... | chief lighting technician (as Norman L. Glasser) | |
| Jan Gould | .... | best boy grip | |
| Mark Gutterud | .... | vistavision camera operator | |
| Jud Kehl | .... | camera operator | |
| Christopher J. Lama | .... | electrician | |
| Dominic Napolitano | .... | assistant camera | |
| Leo J. Napolitano | .... | camera operator (as Leo Napolitano) | |
| Evan A. Nesbitt | .... | first assistant camera: VistaVision camera | |
| Charles Saldana | .... | key grip | |
| Chris Squires | .... | camera operator | |
| Stephen J. Ullman | .... | assistant camera | |
| Mark Vollmer | .... | grip | |
| Robert Zuckerman | .... | special photography | |
| Robert Zuckerman | .... | still photographer | |
| Robert Zullo | .... | key rigging grip | |
| Erin Franklyn | .... | rigging grip (uncredited) | |
| Marc Marino | .... | electrician (uncredited) | |
Casting Department | |||
| Jennifer Bender | .... | extras casting | |
| Barbara Harris | .... | voice casting | |
Costume and Wardrobe Department | |||
| Joe Diaz | .... | costumer (as Joe Diaz Jr.) | |
| Bridgitte Ferry | .... | costumer (as Brigitte Ferry) | |
| Haleen K. Holt | .... | costume illustrator | |
| Juan Lopez | .... | assistant costume designer | |
| Damien Quinn | .... | costumer | |
Music Department | |||
| Robert Fernandez | .... | scoring mixer | |
| Michael McCuistion | .... | orchestrator | |
| Thomas Milano | .... | music editor | |
| Lolita Ritmanis | .... | orchestrator | |
| Shirley Walker | .... | conductor | |
| Kristopher Carter | .... | orchestrator (uncredited) | |
| Kevin Crehan | .... | assistant music editor (uncredited) | |
Transportation Department | |||
| Michael W. Broomer | .... | driver | |
| Thomas Garris | .... | driver | |
| Chris Haynes | .... | driver | |
| Robert K. Johnson | .... | transportation captain | |
| Dennis H. Murdoch | .... | military vehicle supplier | |
| Jim Petti | .... | transportation | |
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| Escape from New York | Golgo 13 | Captain America: The First Avenger | The Expendables | The Dark Knight |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
I don't think there's a better movie describing today's atmosphere in America and you can easily forget Escape From New York cause its political themes are pretty much restrained. Also Escape From L.A. is kind of timeless in a way that it satirizes all what America is known for, from motorcycle gangs, hookers, Hollywood agents, face-lifts, politics, freedom, violence TO implied peculiar American (created) all movie genres (sci-fi, action, comedy, western) to movie characters (typical US movies bad guys/good guys), music (typical western score, typical US orchestrated score), dialogues, typical US action movie scenes and especially parodying Hollywood stupid copycat sequels. You can find so much about America through this film, you just have to know how to watch it.
Also i think the fact that the story of this film is only borrowed from EFNY is done partially on purpose because Russell & Carpenter wanted to do it with familiar story and highlight especially those aspects only characteristic to contemporary America and make fun of them. Carpenter did surely one of his best films ever that already no doubt surpassed his inferior classic Escape From New York. Gee what amazing piece of work Carpenter created do you even realize that? And personally i think Escape From L.A. over time will definitely gain well-deserved status as one of the greatest master-pieces in American movie history!