IMDb > Eskimo Day (1996) (TV)

Eskimo Day (1996) (TV) More at IMDbPro »


Overview

User Rating:
7.6/10   127 votes
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Director:
Piers Haggard
Writer:
Jack Rosenthal (writer)
Contact:
View company contact information for Interview Day on IMDbPro.
Release Date:
28 May 1996 (USA) more
Genre:
Comedy | Drama more
Plot:
Comedy drama about the trials and tribulations of three sets of parents as they finally realise that... more | add synopsis
Plot Keywords:
User Comments:
Humor, irony, and depth more (4 total)

Cast

  (Cast overview, first billed only)
Maureen Lipman ... Shani Whittle
David Ross ... Bevis
Benedict Sandiford ... Neil

Tom Wilkinson ... Hugh
Anna Carteret ... Harriet
Laura Howard ... Pippa

Alec Guinness ... James
James Fleet ... Simon
Kathryn Pogson ... Malcolm's mum
Grant Warnock ... Malcolm
Laurie Ventry ... Rosemary's dad
Kathy Kiera Clarke ... Rosemary

Susannah Wise ... Miss Wilding
Lila Kaye ... Mother Polly

Pippa Hinchley ... Bobbie the waitress
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Additional Details

Also Known As:
Interview Day (USA)
Cambridge Fieber (Germany) [de]
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Runtime:
85 min
Country:
UK
Language:
English
Color:
Color
Aspect Ratio:
1.33 : 1 more
Sound Mix:
Stereo
Certification:
UK:PG

Fun Stuff

Trivia:
Alec Guinness's last movie more
Movie Connections:
Followed by Cold Enough for Snow (1997) (TV) more

FAQ

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1 out of 1 people found the following comment useful.
Humor, irony, and depth, 18 May 2000
Author: Doug MacDonald (dhmacdon@star.net) from Massachusetts

Seemingly unprepossessing as it opens, _Interview Day_ (it was aired under this title by WGBH) gains humor, irony, and depth as it follows the anxious introduction of three young applicants to Cambridge University and the visit to a nursing home of one of the interviewing faculty along with his reluctant father (a retired don). It explores the limits of reach of the family, even the most loving family, as an adolescent or elderly parent moves beyond its power to protect.

As each family approaches this reality the caregivers attempt, sometimes comically, sometimes painfully, always awkwardly, to navigate the transition along with their loved one. Ultimately they realize that they cannot. But this misses the humane, hopeful attitude brought to the film by all involved. People (most people at least) are open to learning from change and to finding the best in it.

A moment of pure magic occurs when Neil's ditzy, superstitious mother experiences an epiphany of loss as she watches her son head in for his interview, and he (not knowing quite why) turns to wave goodbye. Something has moved, all have felt it, but Shani (the intuitive of the group) is the one who understands what it means. It is an intimation of mystery, of workings beyond anyone's ken, and for those with faith, of reassurance.

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