Gérard Jugnot (writer)
Philippe Lopes-Curval (writer)
20 November 1996 (France) more
Could have been better but saved by its actors more (1 total)
| Gérard Jugnot | ... | Bernard Leroy | |
| François Morel | ... | Sébastien | |
| Jean Yanne | ... | Magic | |
| Michèle Laroque | ... | Constance | |
| Martin Lamotte | ... | Solomuka | |
| Micheline Presle | ... | Bernard's Mother | |
| Claude Piéplu | ... | Bernard's Father | |
| Jacques Jouanneau | ... | Constance's Father | |
| Sophie Desmarets | ... | Constance's Mother | |
| Annie Grégorio | ... | Constance's Friend | |
| Thierry Lhermitte | ... | Doctor Simson | |
| Maxime Leroux | ... | Un spire | |
| Marine Mazeas | ... | Gwenaelle | |
| Bruno Slagmulder | |||
| Maurice Illouz | |||
| Philippe Sturbelle | |||
| Eric Prat | |||
| Jean-François Chaintron | |||
| Hubert Saint-Macary | |||
| Philippe Beglia | ... | Réceptionniste | |
| Roland Marchisio | |||
| rest of cast listed alphabetically: | |||
| Zoon Besse | (as Zoon) | ||
| Carole Brenner | |||
| Didier Caron | |||
| Pierre Chevallier | |||
| David Douillet | ... | Killer | |
| Pascal Elbé | |||
| Thierry Heckendorn | |||
| Marcel Houde | |||
| Annie Jouzier | |||
| Bernard Larmande | |||
| Patrick Lizana | |||
| Jean-Pierre Malignon | |||
| Pétronille Moss | |||
| Didier Rousset | |||
| Bonnafet Tarbouriech | |||
| Elric Thomas | (as Elrik Thomas) | ||
| Xavier Vilsek | |||
Directed by | |||
| Gérard Jugnot | |||
Writing credits(in alphabetical order) | ||
| Gérard Jugnot | writer | |
| Philippe Lopes-Curval | writer | |
Produced by | |||
| Alain Depardieu | .... | producer | |
Original Music by | |||
| Khalil Chahine | |||
Cinematography by | |||
| Gérard de Battista | |||
Makeup Department | |||
| Lucía Bretones-Méndez | .... | key makeup artist | |
| Marie Luiset | .... | makeup artist | |
Production Management | |||
| Jean-Marc Deschamps | .... | production manager | |
| Nathalie Nghet | .... | assistant production manager | |
| Clément Sentilhes | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| David Artur | .... | trainee assistant director | |
| Hervé Ruet | .... | assistant director | |
Visual Effects by | |||
| Seb Caudron | .... | digital artist | |
| Pitof | .... | visual effects supervisor | |
Camera and Electrical Department | |||
| Stéphane Degniau | .... | camera | |
| Jean-Marie Leroy | .... | still photographer | |
Costume and Wardrobe Department | |||
| Anne-Sophie Hervieux | .... | costumer | |
Editorial Department | |||
| Antoine Battistelli | .... | second assistant editor | |
| Dorian Rigal-Ansous | .... | assistant editor | |
Other crew | |||
| Adrien Adriaco | .... | production assistant | |
| Raoul B. Reinert | .... | legal consultant | |
Caiga quien caiga, mañana me caso (Spain)
Caigui qui caigui, em caso (Spain: Catalan title)
more
95 min
1.85 : 1 more
|
|
|
|
|
| Taxi | Taxi 2 | Son of Rambow | Pinot simple flic | La buena vida |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | IMDb Comedy section |
| IMDb France section | Add this title to MyMovies |
"Fallait pas..." is the third comedy by Gérard Jugnot that tries to deal with a serious theme, but he's less successful here than with his previous "Une époque formidable" and "Casque Bleu". Here the target is the sectarian phenomenon, with a precise reference to the "Solar Temple Order" whose members committed mass suicide in France and Canada. Bernard, an executive for a big company, tries to get home in time for his wedding but is caught in the middle of a mass suicide. He saves a sect member (who then follows him like a puppy), and he's chased by the sect leaders, two over-the-top crooks with bloated egos and a craving for money. The parody of sectarian life and mind-control mechanisms is quite funny, but is unfortunately mixed with more conventional sitcom clichés (Bernard's family). However the actors are very good, particularly Yanne, Lamotte and Lhermite as the various flavours of sect leaders, and the movie is eventually redeemed by their performances.