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Directed by | |||
| Joel Coen | |||
| Ethan Coen | (uncredited) | ||
Writing credits(WGA) | ||
| Ethan Coen | (written by) & | |
| Joel Coen | (written by) | |
Produced by | |||
| Tim Bevan | .... | executive producer | |
| John Cameron | .... | line producer | |
| Ethan Coen | .... | producer | |
| Eric Fellner | .... | executive producer | |
| Joel Coen | .... | producer (uncredited) | |
Original Music by | |||
| Carter Burwell | (music by) | ||
Cinematography by | |||
| Roger Deakins | (director of photography) | ||
Film Editing by | |||
| Ethan Coen | (as Roderick Jaynes) | ||
| Joel Coen | (as Roderick Jaynes) | ||
Casting by | |||
| John S. Lyons | (casting by) (as John Lyons) | ||
Production Design by | |||
| Rick Heinrichs | |||
Art Direction by | |||
| Thomas P. Wilkins | |||
Set Decoration by | |||
| Lauri Gaffin | |||
Costume Design by | |||
| Mary Zophres | |||
Makeup Department | |||
| John Blake | .... | key makeup artist | |
| Daniel Curet | .... | key hairstylist | |
| Bart Mixon | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| Margaret Hayes | .... | post-production supervisor | |
| Gilly Ruben | .... | unit production manager | |
Special Effects by | |||
| Bruce R. Anderson | .... | special effects technician | |
| Wilfred Caban | .... | pyrotechnician | |
| Joe Carroll | .... | special effects technician | |
| Michael Kranz | .... | special effects technician | |
| Paul Murphy | .... | special effects coordinator | |
| Dieter Sturm | .... | snowmaker | |
| Yvonne Sturm | .... | snowmaker | |
Visual Effects by | |||
| John Alagna | .... | opticals | |
Stunts | |||
| Danny Downey | .... | stunt player | |
| Jery Hewitt | .... | stunt coordinator | |
| Jery Hewitt | .... | stunt player | |
| Jennifer Lamb | .... | stunt player | |
| Eddie L. Watkins | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Jim Bridges | .... | still photographer (as James Bridges) | |
| Robin Brown | .... | camera operator | |
| Peter Clemence | .... | best boy grip | |
| Tony Corapi | .... | electrician | |
| Ed Dally | .... | film loader | |
| Milo Durben | .... | dolly grip | |
| Tom Franchett | .... | electrician | |
| Adam Gilmore | .... | second assistant camera | |
| Andy Harris | .... | first assistant camera | |
| William H. Hobson | .... | company grip (as William Hobson) | |
| Jeremy Knaster | .... | best boy electrician | |
| Mitchell Andrew Lillian | .... | key grip (as Mitch Lillian) | |
| William Moore | .... | rigging gaffer | |
| Bill O'Leary | .... | chief lighting technician | |
| Timothy O'Toole | .... | video playback | |
| Joseph Slagerman | .... | company grip | |
| Michael Tackett | .... | still photographer | |
| Niel Williams | .... | company grip (as Neil Williams) | |
| Robin Brown | .... | director of photography: second unit (uncredited) | |
Casting Department | |||
| Jane Brody | .... | location casting | |
| Kathleen Chopin | .... | casting assistant | |
| Sandra Dawes | .... | extras casting (as Sandra D. Dawes) | |
| Christine Sheaks | .... | casting associate | |
Costume and Wardrobe Department | |||
| Virginia Burton | .... | costumer | |
| Sister A. Daniels | .... | costume supervisor (as Sister Daniels) | |
Editorial Department | |||
| Tricia Cooke | .... | associate editor | |
| Nick Dibeneditto | .... | negative cutting by: N&D Films and Video | |
| David Diliberto | .... | first assistant editor (as Big Dave Diliberto) | |
| Daniel J. Geiger | .... | location assistant editor (as Daniel Geiger) | |
| Alma Kuttruff | .... | apprentice editor | |
| John Dowdell | .... | telecine colorist (uncredited) | |
Music Department | |||
| Carter Burwell | .... | music conducted by | |
| Carter Burwell | .... | music orchestrated by | |
| Emile Charlap | .... | music contractor | |
| Edmund Choi | .... | assistant to composer | |
| Michael Farrow | .... | music scoring mixer | |
| Todd Kasow | .... | music editor (as Todd Kassow) | |
| Shari Schwartz | .... | associate music editor | |
| John Moses | .... | musician: clarinet (uncredited) | |
| Paul Peabody | .... | musician: violin (uncredited) | |
Transportation Department | |||
| Dave Amberik | .... | driver | |
| Michael Arnold | .... | picture car coordinator | |
| Keith Carlson | .... | driver | |
| Dave Drentlaw | .... | driver (as David Drentlaw) | |
| Wade P. Ehlen | .... | driver | |
| David F. Evans | .... | driver | |
| Scott Michael Johnson | .... | driver (as Scott Johnson) | |
| Michael Kennedy | .... | transportation coordinator (as Michael J. Kennedy) | |
| Frank Ketchum | .... | transportation captain | |
| Eugene Kirsch | .... | driver (as Gene Kisch) | |
| Peter L. Mullin | .... | picture car assistant | |
| Ivy Poulliot | .... | driver | |
| John Rehborg | .... | driver | |
| Marti Smith | .... | driver (as Marty E. Smith) | |
| Tommy Ray Smith | .... | driver | |
Thanks | |||
| Mark Cady | .... | special thanks | |
| David Daugherty | .... | special thanks | |
| Deana Elwell | .... | special thanks | |
| Rick Finkelstein | .... | special thanks | |
| Peter D. Graves | .... | special thanks (as Peter Graves) | |
| Julie Hartley | .... | special thanks | |
| James Hautman | .... | special thanks | |
| Robert Hautman | .... | special thanks | |
| Michael Kuhn | .... | special thanks | |
| Aline Perry | .... | special thanks | |
| Malcolm Ritchie | .... | special thanks | |
| Russell Schwartz | .... | special thanks | |
| Stewart Till | .... | special thanks | |
| Mark Wolfe | .... | special thanks | |
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| A History of Violence | The Departed | Repo Men | Before the Devil Knows You're Dead | The Black Dahlia |
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"What'd this guy look like anyway?"
"Oh, he was a little guy, kinda funny lookin'."
"Uh-huh. In what way?"
"Just a general way."
In that interplay between a Brainerd, MN., police officer and a witness discussing a criminal investigation, you have one of your principal pieces of dialogue from what is considered by many to be Joel and Ethan Coen's finest film.
Of course you can draw comparisons to others they've made, such as Blood Simple, Raising Arizona, even Barton Fink and The Big Lebowski. But Fargo illustrates the Coen Brothers' takes on plot, art and drama more succinctly and emotionally than any of those others. Here you have a set of memorable, if not always likeable, characters in a plot that goes from clunky to chaotic in the most unspoiled manner, from Jerry Lundegaard's stilted conversation with Gaear and Carl in a bar in Fargo at the beginning of the movie - the only occasion in which the movie specifically shows you Fargo, N.D. - to Marge Gunderson's confrontation with Gaear and the wood-chipper.
Frances McDormand deservedly won an Oscar for playing a well-balanced, intelligent, pregnant police officer placing her own straightforward methodology on to an investigation of bizarre goings-on. And William H. Macy gives a true one-two punch playing a frenetically-charged, fearful and, in the end, inept used car salesman trying in the most remarkable manner to make money. The two best scenes in the movie are the two occasions in which Marge questions Jerry about the Brainerd murders and a car from his lot being involved -- I couldn't imagine an actress doing a better job of seriously but comically exclaiming, "He's fleeing the interview!"
Notable among the actors as well are Steve Buscemi and Peter Stormare playing Carl and Gaear, the two hit men hired by Jerry to help him con his father-in-law out of money. There's comic brilliance watching Stormare silently grimace at Buscemi's violent but gregarious behavior, and Buscemi shines being able to play the most out-of-control of all the characters in the movie. Kristin Rudrüd also stands out playing Jean Lundegaard, Jerry's haplessly kidnapped wife.
If you can appreciate an intelligent look at not-always-so-intelligent life on this planet, you'll enjoy the little more than the hour and a half this movie has to show you.