| Keith Fulton | ... | Narrator (voice) | |
| Dorothea Braemer | ... | Additional Voices (voice) | |
| Kristi Connors | ... | Additional Voices (voice) | |
| Ken Haas | ... | Additional Voices (voice) | |
| John Haralambous | ... | Additional Voices (voice) | |
| Daniel Hardt | ... | Additional Voices (voice) | |
| Bob Hering | ... | Additional Voices (voice) | |
| Meg Knowles | ... | Additional Voices (voice) | |
| Michael Kuetemeyer | ... | Additional Voices (voice) | |
| Karin Morris | ... | Additional Voices (voice) | |
| Birgitte Mortensen | ... | Additional Voices (voice) | |
| Michael O'Reilly | ... | Additional Voices (voice) | |
| Christopher Sapienza | ... | Additional Voices (voice) | |
| Anula Shetty | ... | Additional Voices (voice) | |
| Brad Thoennes | ... | Additional Voices (voice) | |
| Nanette Wizov | ... | Additional Voices (voice) | |
| rest of cast listed alphabetically: | |||
| Mick Audsley | ... | Himself | |
| Jeffrey Beecroft | ... | Himself | |
| Mark Egerton | ... | Himself | |
| Terry Gilliam | ... | Himself | |
| Ernie Malik | ... | Himself | |
| David Webb Peoples | ... | Himself (as David Peoples) | |
| Janet Peoples | ... | Herself | |
| Lloyd Phillips | ... | Himself | |
| Charles Roven | ... | Himself | |
| Crispian Sallis | ... | Himself | |
| Aaron Michael Lacey | ... | Himself / WWI Sergeant (uncredited) | |
| Joseph Melito | ... | Himself (uncredited) | |
| Brad Pitt | ... | Himself (uncredited) | |
| Christopher Plummer | ... | Himself (uncredited) | |
| Madeleine Stowe | ... | Herself (uncredited) | |
| Bruce Willis | ... | Himself (uncredited) | |
Directed by | |||
| Keith Fulton | |||
| Louis Pepe | |||
Writing credits(in alphabetical order) | ||
| Keith Fulton | writer | |
| Louis Pepe | writer | |
Produced by | |||
| Lucy Darwin | .... | associate producer | |
| Lisbeth Fouse | .... | associate producer | |
| Keith Fulton | .... | producer | |
| Alan Glazer | .... | executive producer | |
| Louis Pepe | .... | producer | |
Original Music by | |||
| John Benskin | |||
Cinematography by | |||
| Keith Fulton | |||
| Louis Pepe | |||
Film Editing by | |||
| Keith Fulton | |||
| Louis Pepe | |||
Production Management | |||
| Juli Vizza | .... | post-production supervisor | |
Sound Department | |||
| Joe di Mattia | .... | sound recording engineer | |
| Keith Fulton | .... | sound | |
| Mark Knox | .... | narration recordist | |
| Louis Pepe | .... | sound | |
| Steve Rowland | .... | sound designer | |
Camera and Electrical Department | |||
| Keith Fulton | .... | camera operator | |
| Louis Pepe | .... | camera operator | |
Animation Department | |||
| Chaim Bianco | .... | animator | |
| Joseph C. Pepe | .... | walking monkey animation (as Joseph Pepe) | |
Editorial Department | |||
| Cheryl Hess | .... | on-line editor | |
| Eugene Martin | .... | on-line editor | |
| Ann Tegnell | .... | editorial consultant | |
| Juli Vizza | .... | on-line editor | |
Music Department | |||
| Markus Armotowski | .... | assistant recording engineer | |
| John Benskin | .... | musician: viola | |
| Chris Hagan | .... | assistant recording engineer | |
| Daniel Hardt | .... | musician: violin | |
| Carmelo Pino | .... | musician: accordion | |
| Keiko Sato | .... | musician: piano | |
| J. Glyn Williams | .... | soundtrack session footage | |
Other crew | |||
| Amadee Braxton | .... | distribution researcher | |
| Victoria Byczkiewicz | .... | transcribing | |
| Lori Grossman | .... | transcribing | |
| Andrew Hurwitz | .... | production counsel (as Andrew J. Hurwitz) | |
| Alice Kinkelovers | .... | archival researcher | |
| Valerie Koscelnik | .... | archival researcher | |
| Chris Marker | .... | photograph source | |
| Robert McLaughlin | .... | archival researcher | |
| Robert McLaughlin | .... | transcriber | |
| Alexander Murphy Jr. | .... | production counsel | |
| Snarby Richard | .... | interpreter | |
| Shashwati Talukdar | .... | transcribing | |
| Lebbeus Woods | .... | set | |
Thanks | |||
| Susan Adelizzi | .... | thanks | |
| Warren Bass | .... | special thanks | |
| Colleen A. Benn | .... | special thanks | |
| Jean-Marc Bouineau | .... | thanks | |
| Dorothea Braemer | .... | thanks | |
| Stephen Bridgewater | .... | thanks | |
| Elizabeth Brous | .... | thanks | |
| David Bryen | .... | thanks | |
| Terri Cafaro | .... | thanks | |
| Kristi Connors | .... | thanks | |
| Jerome Deppe | .... | thanks | |
| Chris Dwyer | .... | thanks | |
| Dooson Elliot | .... | thanks (as Dodson Elliott) | |
| Mary Flanagan | .... | thanks | |
| Nigel Fountain | .... | thanks | |
| Larry Freedman | .... | thanks | |
| Beverly Fulton | .... | thanks | |
| Robert Fulton | .... | thanks | |
| Vincent Fumo | .... | thanks | |
| Dean Galanis | .... | thanks | |
| Lissa Gibbs | .... | thanks | |
| Avner Gidron | .... | thanks | |
| Matt Gould | .... | thanks | |
| Julie Gustafson | .... | thanks | |
| David Haas | .... | special thanks | |
| Marlé Hammond | .... | thanks | |
| Adam Hatley | .... | thanks | |
| Monica Henriquez | .... | thanks | |
| David Ingersol | .... | thanks | |
| Simon Jones | .... | thanks | |
| Nancy Lewis | .... | thanks | |
| Marian Masone | .... | thanks | |
| Jack McCarthy | .... | thanks | |
| Susan Moses | .... | thanks | |
| Sharon Mullally | .... | thanks | |
| Hébert Peck | .... | thanks | |
| Joseph C. Pepe | .... | thanks (as Joseph Pepe) | |
| Peter Pepe Jr. | .... | thanks | |
| Mary Lou Pepe | .... | thanks | |
| Peter Pepe | .... | thanks | |
| Sharon Pinkenson | .... | thanks | |
| Cindy Rehm | .... | thanks | |
| Carrie Rickey | .... | thanks | |
| Edwin Rupert | .... | thanks | |
| Joe Schramm | .... | thanks | |
| Kelley Smith-Wait | .... | thanks | |
| R.C. Staab | .... | thanks | |
| Margie Strosser | .... | thanks | |
| Morrie Warshawski | .... | thanks | |
| David E. Williams | .... | thanks | |
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| The Battle of Brazil: A Video History | Lost in La Mancha | What Is Brazil? | Music for the Movies: Bernard Herrmann | Spin |
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This is a documentary on the "making of" of Twelve Monkeys, found on the Collector's Edition DVD. It consists of interviews, behind the scenes footage, clips of the movie and a little bit of marvelous, Gilliam-esquire animation(!). Coming in at almost 90 minutes, this is thorough, going over every aspect of the process of putting the film together, as of Terry joining the production, thus, the script-writing isn't dealt with much. You get a lot of insight into how he approaches the craft, the issues that arise with him in the director's chair(him being something of an uncompromising perfectionist), and how he manages to inject such a massive amount of surrealism and food for thought into one single motion picture. This also goes into the marketing, the preview screenings, and the casting of Willis and Pitt. It's all well-edited, sharp and not wasting any time. Well-paced, as well, you're never bored during this. It's pretty funny, too, maybe especially if you're into the ex-Python, and if you're considering watching this, chances are that you are a fan. There is strong language in this, if not in copious amounts. I recommend this to anyone who wants to know more about the subject. 8/10