| Videos |
| Stephen Mendillo | ... | Cliff | |
| Stephen J. Lang | ... | Mikey | |
| Chris Cooper | ... | Sam | |
| Elizabeth Peña | ... | Pilar | |
| Oni Faida Lampley | ... | Celie | |
| Eleese Lester | ... | Molly | |
| Joe Stevens | ... | Deputy Travis | |
| Gonzalo Castillo | ... | Amado | |
| Richard Coca | ... | Enrique | |
| Clifton James | ... | Hollis | |
| Tony Frank | ... | Fenton | |
| Miriam Colon | ... | Mercedes Cruz | |
| Kris Kristofferson | ... | Charlie Wade | |
| Jeff Monahan | ... | Young Hollis | |
| Matthew McConaughey | ... | Buddy Deeds | |
| Joe Morton | ... | Del | |
| LaTanya Richardson | ... | Priscilla Worth | |
| Eddie Robinson | ... | Chet | |
| Ron Canada | ... | Otis | |
| Chandra Wilson | ... | Athena | |
| Damon Guy | ... | Shadow | |
| Dee Macaluso | ... | Anglo Mother | |
| Luis Cobo | ... | Mexican-American Father | |
| Marco Perella | ... | Anglo Father | |
| Don Phillips Jr. | ... | Principal (as Don Phillips) | |
| Mary Jane R. Hernandez | ... | Mexican-American Mother | |
| Jesse Borrego | ... | Danny | |
| Carina Martinez | ... | Paloma | |
| Tony Plana | ... | Ray | |
| Richard Jones | ... | Ben Wetzel (as Richard A. Jones) | |
| Beatrice Winde | ... | Minnie Bledsoe | |
| Gabriel Casseus | ... | Young Otis | |
| Randy Stripling | ... | Roderick | |
| Richard Reyes | ... | Jorge | |
| Olga Luna | ... | Waitress | |
| Juan Vega III | ... | Cook | |
| Lizzie Curry Martinez | ... | Girl | |
| Leo Burmester | ... | Cody | |
| Carmen De Lavallade | ... | Carolyn (as Carmen de Lavallade) | |
| Vanessa Martinez | ... | Young Pilar | |
| Tay Strathairn | ... | Young Sam | |
| Sam Vlahos | ... | Pete | |
| Maricela Gonzalez | ... | Anselma | |
| Tony Amendola | ... | Chucho Montoya | |
| Gilbert R. Cuellar Jr. | ... | Eladio | |
| James Borrego | ... | Young Chucho | |
| Gordon Tootoosis | ... | Wesley Birdsong | |
| Lisa Suarez | ... | Marisol | |
| Jesus Ramirez | ... | Driver (as Jesús Ramirez) | |
| Frances McDormand | ... | Bunny | |
| John Griesemer | ... | Football Announcer (voice) | |
| Eduardo Martínez | ... | Jaime (as Eduardo Martinez) | |
| Azalea Mendez | ... | Young Mercedes | |
| rest of cast listed alphabetically: | |||
| Murray Mead | ... | Man at breakfest table (uncredited) | |
Directed by | |||
| John Sayles | |||
Writing credits(WGA) | ||
| John Sayles | (written by) | |
Produced by | |||
| Jan Foster | .... | associate producer | |
| R. Paul Miller | .... | producer | |
| Maggie Renzi | .... | producer | |
| John Sloss | .... | executive producer | |
Original Music by | |||
| Mason Daring | |||
Cinematography by | |||
| Stuart Dryburgh | (director of photography) | ||
Film Editing by | |||
| John Sayles | |||
Casting by | |||
| Avy Kaufman | |||
Production Design by | |||
| Dan Bishop | |||
Art Direction by | |||
| J. Kyler Black | (as Kyler Black) | ||
Set Decoration by | |||
| Dianna Freas | |||
Costume Design by | |||
| Shay Cunliffe | |||
Makeup Department | |||
| Roy Bryson | .... | key hair stylist | |
| Maria Camino | .... | assistant makeup artist | |
| Lori Hicks | .... | key makeup artist | |
| Martha Mendez | .... | assistant makeup artist | |
| Caroline Rempher | .... | hair stylist | |
| Susan Todd | .... | hair stylist | |
Production Management | |||
| Robert Labrecque | .... | production manager | |
| Caitlin Maloney | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Galia Hardy | .... | second second assistant director | |
| Brian O'Kelley | .... | second assistant director | |
| John Powditch | .... | first assistant director | |
Sound Department | |||
| Michael Barry | .... | sound re-recording engineer | |
| Kam Chan | .... | foley editor | |
| Benjamin Cheah | .... | sound effects recordist (as Ben Cheah) | |
| Marko A. Costanzo | .... | foley artist (as Marko Costanzo) | |
| Chris Fielder | .... | transfer assistant | |
| Eugene Gearty | .... | sound effects editor | |
| Lewis Goldstein | .... | sound effects editor (as Lew Goldstein) | |
| Frank Kern | .... | foley editor | |
| Sylvia Menno | .... | dialogue editor | |
| Caroline Hall Otis | .... | cable puller | |
| Bruce Pross | .... | foley recordist | |
| Gail Showalter | .... | adr editor (as Gail Stockton) | |
| Stuart Stanley | .... | foley editor | |
| Philip Stockton | .... | supervising sound editor | |
| Steven Visscher | .... | foley editor (as Steve Visscher) | |
| Jennifer Winslow | .... | boom operator (as Jennifer C. Winslow) | |
| Clive Winter | .... | sound mixer | |
Special Effects by | |||
| Jack Bennett | .... | special effects coordinator | |
Casting Department | |||
| Lizzie Curry Martinez | .... | extras casting director | |
| Julie Lichter | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Sevilla Granger | .... | wardrobe assistant | |
| Shari Gray | .... | key costumer | |
| Mayes C. Rubeo | .... | wardrobe supervisor (as Mayes Rubeo) | |
Editorial Department | |||
| Josh Brockman | .... | post-production assistant | |
| Monica De Armond | .... | post-production assistant | |
| Mario Ontal | .... | assistant editor | |
| David Orr | .... | color timer | |
| Plummy Tucker | .... | associate editor | |
Music Department | |||
| Bruce Bennett | .... | music assistant (as Bruce Bennet) | |
| Mason Daring | .... | score performer | |
| Arlene Fishbach | .... | music consultant | |
| Evan Harlan | .... | score performer | |
| Tim Jackson | .... | score performer | |
| Duke Levine | .... | score performer | |
| Larry Luddecke | .... | score performer | |
| Billy Novick | .... | score performer | |
| Nic Ratner | .... | music editor | |
| David Shacter | .... | music score engineer | |
| David Shacter | .... | music score mixer | |
| Mike Turk | .... | score performer | |
| Marshal Wood | .... | score performer | |
Transportation Department | |||
| Jorge Betancourt | .... | driver | |
| Juan Betancourt | .... | driver | |
| Billy Cude | .... | driver | |
| Rolando De Hoyos | .... | driver (as Rolando de Hoyos) | |
| Jim Dicuffa | .... | transportation captain (as Jim DiCuffa) | |
| Yolanda B. Flores | .... | driver | |
| Bill Girard | .... | driver | |
| Leo Perez | .... | driver | |
| Phil Schriber | .... | transportation coordinator | |
| Jesus F. Tellez | .... | driver (as Jessie Tellez) | |
| Jesus Vallejo | .... | driver | |
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| News articles | IMDb Drama section | IMDb USA section |
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The discovery of a skull and a sheriff's badge on a disused military firing range prompts Sheriff Sam Deeds to investigate. Sam has long lived in the shadow of his father Buddy, himself the sheriff at one time. However clues point to the fact that the skull may belong to Charley Wade, the corrupt sheriff who `vanished' to Mexico when Deeds challenged him many years prior. However when Sam begins to ask questions that go deeper than the legends, he finds secrets within the border town that hit very near home.
Having just watched The Hi Lo Country (a modern day western with a sprawling story but focused on one thing), I was put in mind to watch Lone Star again. Lone Star is easily the superior film and is a rich weaving of many characters and stories all around one event. The one event is the uncovering of an old murder (possibly) and this central investigation holds the attention easily. Within this investigation and the lives that Buddy affected we are shown a lot of subplots some followed through, others just giving us enough background to understand the characters. All of these work very well and as a result you don't feel like the film is wandering when it moves away from the investigation by Sam. The subplots are so well translated that we are given a lot of back story to complex characters in a very short time.
For the script to be able to create so many characters that feel real and that have meaningful things going on is impressive. That it makes them all work is amazing and is due to Sayles both writing and editing. As director he is great as well, avoiding the washed out desert feel many `Mexico related' films have and instead goes for richer colours that reflect the rich mix of communities that are in his story.
The acting is faultless all round. No one actor stands out regardless of screen time simply because no one goes over the top and everyone realises they are playing part of a story even Cooper (realistically the nearest thing to a lead actor) plays it down rather than taking the film over. Morton is good even if his character is the least connected to the investigation, McConaughey is strong despite being little more than a cameo, likewise with Kristofferson. McDormand has a small role but is very impressive as Deeds' ex-wife. Elizabeth Peña, so often dumped with almost token Espanic roles is given a real good part and works with it well. I could list them all, however if any one person stands out it can only be Sayles himself he takes all the strands and brings them together. I watched a 90 minutes comedy earlier the same day that had dragged. At 130 minutes this simply flew it is that engrossing.
Overall some will find it too slow, too character driven, sadly some will just not sit through a good story if that's all there is to it (all!). I think this was reflected in poor box office at the time (comparatively poor anyway). But those who have seen it will generally love it if only more people would watch it! A final word on the film the ending is shocking and sensationalist on paper and a lesser man would have made a big deal out of it. Sayles simply ends the film softly and leaves us the audience to take what we will from it. Low key from start to finish I can't praise it enough.