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Directed by | |||
| David Lynch | |||
Writing credits(WGA) | ||
| David Lynch | (written by) & | |
| Barry Gifford | (written by) | |
Produced by | |||
| Deepak Nayar | .... | producer | |
| Tom Sternberg | .... | producer | |
| Mary Sweeney | .... | producer | |
Original Music by | |||
| Angelo Badalamenti | |||
Cinematography by | |||
| Peter Deming | (director of photography) | ||
Film Editing by | |||
| Mary Sweeney | |||
Casting by | |||
| Elaine J. Huzzar | |||
| Johanna Ray | |||
Production Design by | |||
| Patricia Norris | |||
Art Direction by | |||
| Russell J. Smith | (uncredited) | ||
Set Decoration by | |||
| Leslie Morales | |||
Costume Design by | |||
| Patricia Norris | |||
Makeup Department | |||
| Robert Bowen | .... | makeup effects lab technician | |
| Lynne Brinton | .... | makeup effects assistant | |
| Michael Burnett | .... | special effects makeup coordinator | |
| Hayley Cecile | .... | assistant makeup artist | |
| Shane Donahue | .... | makeup effects lab technician | |
| Dan Gates | .... | makeup effects lab technician | |
| Chris Hanson | .... | makeup effects assistant | |
| Chip Heller | .... | makeup effects lab technician | |
| Marlene Lipman | .... | body makeup artist | |
| Patricia Miller | .... | hair stylist (as Patty Miller) | |
| Kathleen Norris | .... | assistant hair stylist | |
| Vince Oddone | .... | special effects makeup shop manager | |
| Toni-Ann Walker | .... | hair stylist | |
| Henry Wilfredo | .... | makeup effects lab technician | |
| Debbie Zoller | .... | makeup artist | |
Production Management | |||
| Desmond Cannon | .... | post-production supervisor | |
| Deepak Nayar | .... | unit production manager | |
| Sabrina S. Sutherland | .... | production supervisor | |
Art Department | |||
| Jerry Brumley | .... | art laborer | |
| Chris Burch | .... | art swing gang | |
| Keith Cox | .... | construction coordinator | |
| Eric DaRe | .... | art swing gang | |
| Eric DaRe | .... | property buyer | |
| Morgan Flaherty | .... | property maker | |
| Craig Sherman Hall | .... | property master | |
| Jon Kazunaga | .... | construction foreman | |
| Robert A. Masini | .... | property maker | |
| Scott Miller | .... | property maker | |
| David C. Nute | .... | construction gang boss | |
| Frank A. Oliveri | .... | painter | |
| Dano Parker | .... | art laborer | |
| Andrew J. Peterson | .... | art swing gang (as Andrew 'Skip' Peterson) | |
| Mark Peterson | .... | art laborer | |
| Greg Polutonovich | .... | sculptor | |
| Alfredo Ponce | .... | builder extraordinaire | |
| Edmund C. Quintero | .... | art laborer | |
| David E. Robinson | .... | lead scenic | |
| Russell McCarthy Smith | .... | production illustrator | |
| David Storm | .... | on-set dresser | |
| Samuel J. Tell | .... | assistant property master | |
| David D. Wheeler | .... | propmaker | |
| Deborah Winship | .... | lead person | |
| Doug Wuitschick | .... | painter | |
Special Effects by | |||
| Bart Barber | .... | special effects | |
| Philip Bartko | .... | special effects (as Philip D. Bartko) | |
| Gary D'Amico | .... | special effects coordinator (as Gary P. D'Amico) | |
| David A. Poole | .... | special effects (as David Poole) | |
| Michael Wilmot | .... | special effects (as Mike Wilmot) | |
Visual Effects by | |||
| Kurt Godel | .... | digital transfer engineer | |
Stunts | |||
| Bruce Paul Barbour | .... | stunts | |
| David Barrett | .... | stunts | |
| Joey Box | .... | stunts | |
| Jophery C. Brown | .... | stunts (as Jophery Brown) | |
| John T. Churchill | .... | stunts | |
| Eliza Coleman | .... | stunts (as Liza Coleman) | |
| Gilbert B. Combs | .... | stunts (as Gil Combs) | |
| Gene Hartline | .... | stunts | |
| Chris Howell | .... | stunt coordinator | |
| Chris Howell | .... | stunts | |
| Terry Jackson | .... | stunts | |
| Robert Jauregui | .... | stunts (as Bob Jauregui) | |
| Cole S. McKay | .... | stunts (as Cole McKay) | |
| Cole McLarty | .... | stunts | |
| Jim Palmer | .... | stunts | |
| Rick Seaman | .... | stunts | |
| Matt Sigloch | .... | stunts | |
| Mike Watson | .... | stunts | |
| Glen Yrigoyen | .... | stunts | |
Casting Department | |||
| Mary Jane Fendler | .... | casting assistant (as Mary Jane Lavacca) | |
Costume and Wardrobe Department | |||
| Marisa Aboitiz | .... | set costumer | |
| Maurizio Bizzarri | .... | costume supervisor (as Maurizio Bizzari) | |
Editorial Department | |||
| Eric Archer | .... | apprentice film editor | |
| Brian Johnson | .... | first assistant film editor | |
| Cassandra King | .... | post-production assistant | |
| Dan Muscarella | .... | color timer | |
| Hilary Schroeder | .... | second assistant film editor | |
Music Department | |||
| Barry Adamson | .... | composer: additional music | |
| Angelo Badalamenti | .... | conductor | |
| Angelo Badalamenti | .... | orchestrator | |
| Andrew Barrett | .... | orchestrator (as Andy Barrett) | |
| The City of Prague Philharmonic Orchestra | .... | orchestra | |
| Art Ford | .... | music consultant | |
| Jason George | .... | assistant music editor | |
| Stepán Konícek | .... | conductor (as Stepan Konicek) | |
| David Lynch | .... | composer: additional music | |
| Charles Samek | .... | orchestrator | |
| Tony Suraci | .... | assistant music editor | |
| Marc Vanocur | .... | music editor | |
| Trent Reznor | .... | soundtrack producer (uncredited) | |
Transportation Department | |||
| Richard G. Almo | .... | driver | |
| Thomas P. Cantrell | .... | driver | |
| John Feinblatt | .... | transportation captain | |
| Felician Ghitescu | .... | driver | |
| Larry Hardman | .... | driver: honeywagon | |
| Ron Hardman | .... | driver | |
| Gary Hellerstein | .... | driver | |
| Billie E. Manning | .... | driver | |
| Alan Meyers | .... | driver | |
| Josue Meza | .... | cook driver | |
| H. Lee Noblitt | .... | driver (as Lee Noblitt) | |
| Michael Ralph Price | .... | transportation co-captain | |
| Arturo Ruvalcaba | .... | cook driver | |
| Paul Stanbrough | .... | driver | |
| Patrick Sullivan | .... | driver | |
| Sandra Thomason | .... | driver | |
| David Trevino | .... | driver | |
| Tom Winchester | .... | driver | |
| Allan Yamauchi | .... | transportation coordinator | |
Other crew | |||
| Hilary Adahms | .... | stand-in: Patricia Arquette | |
| Jeremy Alter | .... | assistant location manager | |
| Margo Altman | .... | office assistant | |
| Robert D. Brugger | .... | medic | |
| Robert D. Brugger | .... | remote control car wrangler (as Robert Brugger) | |
| Caroline Burton | .... | assistant: Deepak Nayar | |
| Ted Chalmers | .... | office manager | |
| John T. Churchill | .... | production assistant: David Lynch | |
| Mark Conway | .... | production intern | |
| Kristin Dornig | .... | assistant: Deepak Nayar | |
| Julie Duvic | .... | location manager | |
| Missy Eustermann | .... | second assistant production accountant | |
| Ruth Fainberg | .... | assistant: Bill Pullman | |
| Cori Glazer | .... | script supervisor | |
| Gregg Goldin | .... | office production assistant (as Gregory Goldin) | |
| David Gould | .... | assistant: Patricia Arquette | |
| Teddy M. Haggarty | .... | stand-in: Bill Pullman | |
| William Jorgenson | .... | production assistant: Asymmetrical | |
| Joe Juneau | .... | foam runner | |
| Roland Kermarec | .... | production intern | |
| Cassandra King | .... | production intern | |
| Steven R. Kutcher | .... | bug wrangler (as Steve Kutcher) | |
| Kristi Lake | .... | post-production accountant | |
| Sarah Levy | .... | office production assistant | |
| Sheridan Liu | .... | assistant production accountant | |
| George Lowe | .... | assistant: Tom Sternberg | |
| John K. Meyer | .... | office production assistant | |
| Ed Morris | .... | execution consultant | |
| Tasha Oldham | .... | assistant production coordinator | |
| Anton Pardoe | .... | location assistant | |
| Sondra Peluce | .... | craft service | |
| Gilbert Perez | .... | security supervisor | |
| Gaye Pope | .... | additional publicist | |
| Gaye Pope | .... | assistant: David Lynch | |
| Albert G. Ruben | .... | insurance | |
| Karen R. Sachs | .... | production coordinator | |
| Vance Strickland | .... | stand-in | |
| Jennifer Syme | .... | receptionist: Asymmetrical | |
| Mic Tomasi | .... | stand-in (as Mick Thomason) | |
| Scott Westgard | .... | production intern | |
| Cynthia Wise | .... | production accountant | |
| Deborah Wuliger | .... | unit publicist | |
| Leslie Jean Porter | .... | assistant to producer (uncredited) | |
Thanks | |||
| Tony Ciulla | .... | special thanks | |
| Charlotte Fraisse | .... | special thanks | |
| Ron Fruchey | .... | special thanks | |
| Fred Goldring | .... | special thanks | |
| Guadalupe Hurst | .... | thanks: a real trooper | |
| John A. Malm Jr. | .... | special thanks | |
| Tom McGuire | .... | special thanks | |
| Fred V. Murphy | .... | special thanks | |
| María Méndez | .... | special thanks (as Maria Mendez) | |
| Dana Ross | .... | special thanks | |
| Debby Trutnik | .... | special thanks | |
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| La tarantola dal ventre nero | Emmanuelle | Lolita | Mulholland Dr. | Damage |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
Clearly, as with most of David Lynch's films, Lost Highway is not for everyone. It is, as Lynch intended it to be, a film realization of a dream. In this regard, it is comparable, in terms of artistry and raw intensity to Kurosawa's _Dreams_. Indeed, in terms of sensory experience - cinematography and sound, for example - Kurosawa and Lynch have few rivals. However, the comparison falls away rather quickly in consideration of the film's content. Lost Highway is really no dream, but a nightmare.
Let's face it, like it or not, everything Lynch does is intentional. This film has inspired polarized reviews here on IMDB. Those looking for a plot-heavy movie that they do not necessarily have to pay attention to tend to despise it. Those who are open to allowing this manipulative, intensely disturbing and thought-provoking film to carry them into its own parcel of hell love it. This is, in my opinion, what good art can do.
Like a dream, Lost Highway has as many plots as it does viewers with their own individual interpretations and perspectives. It forces itself upon you with a vengeance, but simultaneously encourages the kind of disengagement you experience when you are conscious that you are dreaming.
I recommend Lost Highway highly. See it with intelligent, open-minded friends who like to talk about film experiences. And expect that the conversation will keep you up way past your bed time.