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| Jacques Perrin | ... | Récitant / Narrator (French version) (voice) | |
| Kristin Scott Thomas | ... | Narrator (English version) (voice) |
Directed by | |||
| Claude Nuridsany | |||
| Marie Pérennou | |||
Writing credits(in alphabetical order) | ||
| Claude Nuridsany | writer | |
| Marie Pérennou | writer | |
Original Music by | |||
| Bruno Coulais | |||
Cinematography by | |||
| Thierry Machado | |||
| Claude Nuridsany | (interior scenes) | ||
| Marie Pérennou | (interior scenes) | ||
| Hugues Ryffel | (exterior scenes) | ||
Film Editing by | |||
| Florence Ricard | |||
| Marie-Josèphe Yoyotte | |||
Production Management | |||
| Christophe Adda | .... | unit production manager | |
| Didier André | .... | assistant production manager | |
| Xavier Grin | .... | unit production manager | |
| Patricia Lignières | .... | post-production supervisor | |
| Olivier Rechou | .... | unit production manager (as Olivier Réchou) | |
Second Unit Director or Assistant Director | |||
| Renaud Dengreville | .... | assistant director | |
Sound Department | |||
| Philippe Barbeau | .... | sound | |
| Bernard Leroux | .... | sound | |
| Jérôme Lévy | .... | foley artist | |
| Pascal Mazière | .... | foley assistant | |
| Laurent Quaglio | .... | sound designer | |
Special Effects by | |||
| Liliane Caille | .... | special effects assistant | |
| Jean-Pierre Maricourt | .... | special effects | |
| Christian Guillon | .... | special effects supervisor (uncredited) | |
Camera and Electrical Department | |||
| Jean-Francois Baudelet | .... | camera operator: aerial photography, remote control helicopter (as Jean-François Beaudelet) | |
| Alexandre Bon | .... | second assistant camera | |
| Claude Bouteillon | .... | developer: computerized remote control camera robot, Delta Images | |
| Martin Boutilié | .... | grip (as Martin Boutilie) | |
| Frédéric Costa | .... | technician: robotic camera operations | |
| George Costa | .... | technician: robotic camera operations | |
| Alain Devèz | .... | high speed camera operator | |
| Michel Gallois | .... | first assistant camera | |
| François Gentit | .... | Steadicam assistant (as François Gentil) | |
| Thierry Machado | .... | camera operator: aerial photography | |
| Valentin Monge | .... | Steadicam operator | |
| Alexandre Monnier | .... | first assistant camera | |
| Roland Ory | .... | helicopter pilot: aerial photography | |
| Romano Prada | .... | developer: computerized remote control camera robot, Delta Images | |
| Charlet Recors | .... | camera operator: aerial photography | |
| Jean Claude Rémy | .... | pilot: aerial photography, remote control helicopter | |
| Bernard Ricon | .... | developer: computerized remote control camera robot, Alten Industries | |
| Philippe Romano | .... | developer: computerized remote control camera robot, Alten Industries | |
| Eric Tesseydre | .... | still photographer | |
| Gilles Tordjman | .... | still photographer | |
| Louis Vercraene | .... | key grip (as Louis Varcraene) | |
| Bernard Weber | .... | first assistant camera | |
Editorial Department | |||
| Pauline Casalis | .... | apprentice editor (as Pauline Cassalis) | |
| Raymond Terrentin | .... | color timer | |
| Nabila Daniault | .... | color timer (uncredited) | |
Music Department | |||
| Hugo Coulais | .... | singer: children's voices | |
| Louis Coulais | .... | singer: children's voices | |
| Christophe Guiot | .... | conductor: orchestra | |
| Marie Kobayashi | .... | musician: mezzo-soprano | |
| Didier Lizé | .... | music engineer | |
| France Tarpinian | .... | music representative: Grand Large Music | |
Thanks | |||
| Dominique Ambiel | .... | special thanks | |
| Joseph Bourdon | .... | special thanks | |
| Claude Caussanel | .... | the producers wish to thank: scientific sponsorship | |
| Marc Censi | .... | special thanks | |
| Michel Flaesch | .... | special thanks | |
| Pascal Imbert | .... | special thanks | |
| Henri Landes | .... | special thanks | |
| Jean Puech | .... | special thanks | |
| Hubert Reeves | .... | the producers wish to thank: scientific sponsorship | |
| Francois Servel | .... | special thanks | |
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| Nature's Half Acre | Hotaru no haka | Genesis | A Bug's Life | Atlantis |
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| News articles | IMDb Documentary section | IMDb France section |
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I saw the Winged Migration before this one and I though that was the most beautiful and amazing films ever made. I never though I would be proved wrong soon. Microcosmos has everything Winged Migration has, such as amazing cinematography, beautiful music and the best studio ever, our planet, it also has something more - the whole new world to show that most people don't realise exists. "Look at your feet, this funny world." starts the beautiful song while the opening credits roll and we are treated to a beautiful flight through the clouds. The camera pans down, to the forest and then lower still. Thus starts the most amazing journey you ever saw on film and for the next hour you can't take your eyes of the screen.
Palm trees, anakondas, space aliens... Grass and insects actully, but shown in the way you never thought possible. Who would have known that the sight of two snails making tender love is so cute and lovely, that spiders are so scary, dung-beetles are so funny and waterdrops so heavy? Watch how grass grows, flowers open in the morning, insects eat plants, plants eat insects, insects make love to other insects, plants and vice versa, chrysalis change into butterfly, etc., etc. And did I mention tender snail lovemaking? :)
There is whole new world under our feet. Everything so small and so amazingly beautiful at the same time. Don't let it stay unnoticed. Go and watch this film immediately (and see Winged Migration as well).