Amazon.com reviews for
Ponette (1996) More at IMDbPro »

Ponette (dvd):

Amazon.com video review: Live-action films about the very young are rare, and even more rare are such films that work as well as Ponette does, without cloying or pandering. The film stars 4-year old actress Victoire Thivisol as Ponette, who's lost her mother in a car accident. The rest of the film has her dealing with this loss, helped by relatives, but mostly by the other children she knows, and the help is sometimes heartening and sometimes hindering. The core events in the film are nearly all enacted by children, peers of Ponette. Sequenced as they are, they form what can only be termed the mythologies of childhood, using the contrast of childhood and death and the children's take on it to drive Ponette's changing attitudes. The result is seen passing across the face of Victoire Thivisol, one of the most luminous faces since Maria Falconetti in The Passion of Joan of Arc. Filmed cannily in close-ups, we're always privy to the artless emotions of the young girl. She's not old enough yet to have learned to dissemble. Her direct, unaffected performance (if that's what it is) draws us close in as few films have been able to do. If you're unaffected by this film, you might want to reconsider what kind of organism you'd like to be other than a human being. Victoire Thivisol was named Best Actress at the Venice Film Festival 1996. --Jim Gay

Ponette (Sub) (vhs):

Amazon.com video review: Fresh, attentive, and emotionally shattering, the French film Ponette is an attempt to enter the world of a 4-year-old girl whose mother has just been killed in a car accident on one of the winding roads in the mountainous countryside near Lyon. Played by pudgy, sad-eyed Victoire Thivisol (winner of a controversial but perfectly understandable Best Actress award at the 1996 Venice Film Festival), Ponette turns her grief into something else, something more childish and yet more mature. Convinced that her mother has been visiting her in her dreams, and that some day she will return in flesh and blood, Ponette invents a religion for herself with the specter of her mother at its center.

By keeping his camera eye level with his young actors (who include Matiaz Bureau Caton and Delphine Schiltz as Ponette's know-it-all cousins) and miking the children so closely that their voices have the presence and authority of grown-up speech, director Jacques Doillon taps directly into the private world of childhood. The rolling landscape that extends for Elysian miles behind the characters gradually shifts from green to brown over the course of Ponette, suggesting the presence of death in life, and also the eternal cycle of the seasons that will allow life and love to return. --Dave Kehr