| Photos (see all 41 | slideshow) | Videos (see all 3) |
| Carlo Cecchi | ... | Carlo Lisca | |
| Sinéad Cusack | ... | Diana (as Sinead Cusack) | |
| Joseph Fiennes | ... | Christopher | |
| Jason Flemyng | ... | Gregory | |
| Anna-Maria Gherardi | ... | Chiarella Donati (as Anna Maria Gherardi) | |
| Jeremy Irons | ... | Alex | |
| Jean Marais | ... | M. Guillaume | |
| Donal McCann | ... | Ian | |
| D.W. Moffett | ... | Richard | |
| Ignazio Oliva | ... | Osvaldo Donati | |
| Stefania Sandrelli | ... | Noemi | |
| Francesco Siciliano | ... | Michele Lisca | |
| Mary Jo Sorgani | ... | Maria | |
| Leonardo Treviglio | ... | Lieutenant | |
| Liv Tyler | ... | Lucy Harmon | |
| Rebecca Valpy | ... | Daisy | |
| Alessandra Vanzi | ... | Marta | |
| Rachel Weisz | ... | Miranda | |
| Roberto Zibetti | ... | Niccoló Donati |
Directed by | |||
| Bernardo Bertolucci | |||
Writing credits(in alphabetical order) | ||
| Bernardo Bertolucci | story | |
| Susan Minot | writer | |
Produced by | |||
| Yves Attal | .... | executive producer: UGC Images | |
| Chris Auty | .... | associate producer | |
| Jeremy Thomas | .... | producer | |
Original Music by | |||
| Richard Hartley | |||
Cinematography by | |||
| Darius Khondji | |||
Film Editing by | |||
| Pietro Scalia | |||
Casting by | |||
| Howard Feuer | |||
| Celestia Fox | |||
Production Design by | |||
| Gianni Silvestri | |||
Art Direction by | |||
| Domenico Sica | |||
Set Decoration by | |||
| Cynthia Sleiter | (as Cinzia Sleiter) | ||
Costume Design by | |||
| Louise Stjernsward | |||
Makeup Department | |||
| Italo Di Pinto | .... | assistant hair stylist | |
| Mirella Ginnoto | .... | hair stylist | |
| Enrico Jacoponi | .... | assistant makeup artist (as Enrico Iacoponi) | |
| Nilo Jacoponi | .... | makeup artist (as Nilo Iacoponi) | |
Production Management | |||
| Mario Cotone | .... | production supervisor | |
| Pietro Sassaroli | .... | unit manager (as Piero Sassaroli) | |
| Michael Saxton | .... | post-production supervisor | |
| Attilio Viti | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Serena Canevari | .... | first assistant director (as Serena Merlini Canevari) | |
| Pasquale Plastino | .... | second assistant director | |
| Silvia Ranfagni | .... | third assistant director | |
Art Department | |||
| Antonio Beccarisi | .... | construction manager | |
| Rodolfo Calascibetta | .... | set dresser | |
| Vito Consoli | .... | painter | |
| Galliano Donati | .... | plasterer | |
| Goffredo Franceschini | .... | carpenter | |
| Diego Maria Giorgetti | .... | assistant dresser (as Diego Giorgetti) | |
| Luciano Magagnini | .... | set dresser | |
| Roberto Magagnini | .... | prop master | |
| Rodolfo Mignacca | .... | draper | |
| Franco Pizzonia | .... | carpenter (as Francesco Pizzonia) | |
| Cesare Rossiello | .... | greensman | |
| Marco Rossiello | .... | greensman | |
| Salvatore Saito | .... | assistant set decorator | |
| Bruno Schiavi | .... | draper | |
| Bernardo Siciliano | .... | mural artist | |
| Matthew Spender | .... | sculptor | |
Sound Department | |||
| Nick Alexander | .... | adr supervisor | |
| Benni Atria | .... | dialogue editor | |
| Don Banks | .... | boom operator | |
| Michael Billingsley | .... | dialogue editor | |
| Alessio Doglione | .... | adr editor | |
| Tom Johnson | .... | sound re-recording mixer | |
| Angelo Raguseo | .... | sound re-recording mixer | |
| Federico Savina | .... | stereo sound consultant: Dolby | |
| Ivan Sharrock | .... | sound mixer | |
| Andrea Lancia | .... | sound editor (uncredited) | |
Camera and Electrical Department | |||
| Fabrizio Amendola | .... | electrician | |
| Alessia Bulgari | .... | still photographer | |
| Daniele Cafolla | .... | electrician | |
| Aldo Colanzi | .... | key grip | |
| Vittorio Contino | .... | generator operator | |
| Marc Koninckx | .... | Steadicam operator | |
| Marc Koninckx | .... | camera operator: second unit | |
| Philippe Le Sourd | .... | focus puller | |
| Stefano Marino | .... | gaffer | |
| Antonio Marra | .... | grip | |
| Patrizio Marra | .... | grip | |
| Giuseppe Meloni | .... | best boy | |
| Peter Mountain | .... | still photographer | |
| Angelo Novi | .... | still photographer | |
| Nicola Pecorini | .... | Steadicam operator | |
| Nicola Pecorini | .... | camera operator: second unit | |
| Sebastiano Pino | .... | electrician | |
| Piero Quaglietti | .... | best boy | |
| Salvatore Ruberto | .... | electrician | |
| Marco Santarelli | .... | grip | |
| Luciano Teolis | .... | clapper loader: second unit | |
| Angelo Tiberti | .... | camera grip | |
| Severino Tramontani | .... | electrician | |
| Enrico Umetelli | .... | camera operator | |
| Riccardo Umetelli | .... | second focus puller | |
| Vincenzo Vedovato | .... | video operator | |
| Claudio Zamarion | .... | clapper loader | |
Casting Department | |||
| Meredith Tucker | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Giorgio Armani | .... | wardrobe | |
| Claudio Manzi | .... | costume assistant | |
| Maria Antonietta Salvatori | .... | wardrobe mistress | |
Editorial Department | |||
| Benni Atria | .... | assistant editor: avid | |
| Alessandro Corradi | .... | apprentice editor | |
| Carlo La Bella | .... | color consultant (as Carlo Labella) | |
| Yvan Lucas | .... | color timer (as Ivan Lucas) | |
| Emanuela Lucidi | .... | assistant editor | |
| Erika Manoni | .... | apprentice editor | |
| Daniele Sordoni | .... | assistant editor | |
Music Department | |||
| Peter Afterman | .... | music supervisor | |
| Howard Ball | .... | orchestral contractor | |
| Chris Dibble | .... | music score mixer | |
| Richard Hartley | .... | conductor | |
| Jupiter Sen | .... | music editor | |
| Elizabeth Wendel | .... | associate music supervisor | |
Transportation Department | |||
| Sebastiano Argentino | .... | production driver | |
| Nicolas Beaugonin | .... | production driver | |
| Attilio Belfiore | .... | production driver | |
| Raffaele Bello | .... | production driver | |
| Mario Campagna | .... | production driver | |
| Sergio Forcina | .... | transportation captain | |
| Antonio Lionetti | .... | production driver | |
| Pietro Marrocco | .... | production driver | |
| Remo Santoro | .... | production driver | |
| Giuseppe Serra | .... | production driver (as Piergiuseppe Serra) | |
Thanks | |||
| Clare Peploe | .... | special thanks | |
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| À ma soeur! | Malèna | Metroland | Short Cuts | Lolita |
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When this filmed first came on the scene, there was a lot of critics that downed the intensity of this film... of course their favorite words were pseudoartistic crap. America is not ready for this film. Look at what we embrace in our films: blood, sex, nudity, shock value. America is not ready for a film that sees the attraction towards a 19 year-old as a natural thing. American normalcy sees this as wrong, deceitful, and impure. Bertolucci did not make a film, he reflected humanity through a camera. This film dives into our own psyche seeking the desires to be pure and innocent. Only America would see this as a piece of psycho sexual fantasy into our own pedophiliac desires. Watch it people, there's a substance that you're not used to seeing in everyday flicks.