| Photos (see all 8 | slideshow) | Videos (see all 2 NEW) |
| Vincent D'Onofrio | ... | Robert E. 'Bob' Howard | |
| Renée Zellweger | ... | Novalyne Price | |
| Ann Wedgeworth | ... | Mrs. Howard | |
| Harve Presnell | ... | Dr. Howard | |
| Benjamin Mouton | ... | Clyde Smith | |
| Michael Corbett | ... | Mayor Booth Adams | |
| Helen Cates | ... | Enid | |
| Marion Eaton | ... | Woman on Bus | |
| Chris Shearer | ... | Truett Vinson | |
| Leslie Berger | ... | Ethel | |
| Libby Villari | ... | Etna Reed Price | |
| Sandy Walper | ... | Mammy | |
| Dell Aldrich | ... | Mrs. Hemphill (as Dell F. Aldrich) | |
| Elizabeth D'Onofrio | ... | Mrs. Smith | |
| Antonia Bogdanovich | ... | Teacher | |
| Stephen Marshall | ... | Director |
Directed by | |||
| Dan Ireland | |||
Writing credits | ||
| Novalyne Price Ellis | (memoir One Who Walked Alone) | |
| Michael Scott Myers | (screenplay) | |
Produced by | |||
| Gregory Cascante | .... | executive producer | |
| Luis Colina | .... | associate producer | |
| Carl Colpaert | .... | producer (as Carl-Jan Colpaert) | |
| Vincent D'Onofrio | .... | producer | |
| Dan Ireland | .... | producer | |
| Donald Kushner | .... | executive producer | |
| Peter Locke | .... | executive producer | |
| Lawrence Mortorff | .... | co-executive producer | |
| Benjamin Mouton | .... | co-producer | |
| Michael Scott Myers | .... | co-producer | |
| Kevin Reidy | .... | producer | |
| Jill Silverthorne | .... | line producer | |
| Robert Strauss | .... | co-executive producer | |
Original Music by | |||
| Harry Gregson-Williams | |||
Cinematography by | |||
| Claudio Rocha | |||
Film Editing by | |||
| Luis Colina | |||
Casting by | |||
| Laurel Smith | |||
Production Design by | |||
| John Frick | |||
Set Decoration by | |||
| Terri Wright | (as Terri L. Wright) | ||
Costume Design by | |||
| Gail McMullen | |||
Makeup Department | |||
| Tammy Lema | .... | key makeup artist | |
| Kelly Nelson | .... | hair stylist | |
Production Management | |||
| Vicki Ellis | .... | unit production manager | |
| Linda Pallin | .... | post-production supervisor | |
Art Department | |||
| Amy Cadenhead | .... | buyer | |
| John Carrel | .... | swing gang | |
| Chuy Carrera | .... | constructor (as Jesus 'Chuy' Carrera) | |
| John Coven | .... | storyboard artist | |
| Stanford Gilbert | .... | property master (as Stan Gilbert) | |
| Patricia Gura | .... | lead scenic artist (as Trish Gura) | |
| Mark Hanks | .... | swing gang | |
| Tara Lane | .... | second assistant props | |
| Darren Patnode | .... | first assistant props (as Darren Patrode) | |
| Amy Scofield | .... | swing gang | |
| Jim Simard | .... | lead man | |
| Gabriella Villarreal | .... | draper (as Gabriella Villareal) | |
| Mark Wallace | .... | first assistant props | |
| Valerie Yandell | .... | swing gang | |
| Michael Bayer | .... | co-lead man (uncredited) | |
| Richard M. Moore | .... | carpenter (uncredited) | |
Camera and Electrical Department | |||
| Allen Barnwell | .... | best boy electric | |
| Casey Campbell | .... | electrician | |
| Jason Goodowens | .... | best boy grip (as Jason K. Goodowens) | |
| Randy 'Mongo' Halpern | .... | dolly grip | |
| Randy 'Mongo' Halpern | .... | key grip | |
| Rick Johnson | .... | gaffer | |
| Jack McHaney | .... | electrician | |
| Rob McKim | .... | electrician | |
| Mark Miks | .... | camera loader | |
| Barry Norwood | .... | second assistant camera | |
| Garth Parr | .... | electric intern | |
| Garth Parr | .... | grip | |
| Melissa Phillips | .... | grip | |
| Kosta Rigopoulos | .... | company grip (as Kosta Rigopolous) | |
| Mario Ruiz | .... | grip | |
| Bud Scott | .... | company grip | |
| Ademir Silva | .... | first assistant camera | |
| Roger Smith | .... | director of photography: second unit | |
| Roger Smith | .... | gaffer | |
| Teri Thomson Randall | .... | second assistant camera: second unit (as Teri Randall) | |
| Ralph Watson | .... | Steadicam operator (as Ralph Watsoni) | |
| Dan Zaitz | .... | still photographer | |
Casting Department | |||
| Delfino Hernandez | .... | casting assistant: Texas | |
| Carla James | .... | casting: Texas | |
| Curtis Winter | .... | casting assistant: Los Angeles | |
Costume and Wardrobe Department | |||
| Carlos Brown | .... | wardrobe supervisor | |
| Lee Hunsaker | .... | costumer (as Lee Hunsacker) | |
| Janice Janacek | .... | wardrobe assistant (as Janice Janecek) | |
| Danielle Valenciano | .... | set costumer | |
Editorial Department | |||
| Greg D'Auria | .... | second assistant editor (as Gregory D'Auria) | |
| Nathan Easterling | .... | second assistant editor | |
| Teresa Garber | .... | post-production coordinator (as Teresa Cintron) | |
| Debra Goldfield | .... | first assistant editor | |
| Lisa Jacobs | .... | post-production assistant | |
Music Department | |||
| Slamm Andrews | .... | music mixer | |
| Slamm Andrews | .... | music recordist | |
| Edrian Colina | .... | music editor | |
| Bob Daspit | .... | musician: guitar | |
| Steve Durnin | .... | musician: French horn | |
| Jim Ercole | .... | musician: clarinet | |
| Harry Gregson-Williams | .... | musician: piano | |
| Brian Grossman | .... | source music supervisor | |
| Miss Monroe | .... | musician: featured voice | |
| Jud Pratt | .... | assistant music editor | |
| Spencer Proffer | .... | executive music consultant | |
| Amy Wilkins | .... | musician: harp | |
| Boris Zelkin | .... | music copyist | |
| Woofgang Zellweger | .... | musician: featured voice | |
Transportation Department | |||
| Konrad N. Besch | .... | driver | |
| Raul Carrera | .... | driver | |
| Ronnie D. Chambers | .... | transportation coordinator (as Ron Chambers) | |
| Joe Dye | .... | driver: honeywagon | |
| Matt Koellner | .... | driver | |
| Steve Kuhn | .... | picture car coordinator | |
| Clide Nichols | .... | driver: picture car | |
| Michael Paschall | .... | driver | |
| Ronald L. Paschall | .... | transportation captain (as Ron Paschall) | |
| Mike Poth | .... | driver | |
| Robert Rowland | .... | driver | |
| Kenneth West | .... | picture car mechanic | |
| Jay Wylie | .... | transportation co-captain | |
Other crew | |||
| Alan Abrams | .... | legal services | |
| Eleonore Adlon | .... | generous support and guidance (as Elenore Adlon) | |
| Felix O. Adlon | .... | generous support and guidance (as Felix Adlon) | |
| Percy Adlon | .... | generous support and guidance | |
| Alma Alaniz | .... | stand-in | |
| Christopher Ball | .... | production financing: Newmarket Capital Group (as Chris Ball) | |
| Gregg Bell | .... | key set production assistant | |
| Cheryl Bergman | .... | travel services | |
| Mervin Burnett | .... | stand-in | |
| Michael R. Casey | .... | location manager (as Michael Casey) | |
| Vivian Chisolm | .... | wolf owner | |
| Joe Colvin | .... | assistant: Kevin Reidy | |
| J. Antonio De La Ossa Jr. | .... | generous support and guidance | |
| Kathleen Dempsey | .... | production office secretary: Los Angeles (as Kathy Dempsey) | |
| Nathan Easterling | .... | production office assistant | |
| Sims E. Ellison | .... | generous support and guidance | |
| Vicki Ellis | .... | production accountant | |
| William Ellis | .... | generous support and guidance | |
| Sandy Flowers | .... | craft service | |
| Billie Greenbaum Shane | .... | title designer (as Billie Greenbaum) | |
| Daniel Hastings | .... | production office assistant | |
| Wendy Hurst | .... | wolf owner | |
| Amy Janota | .... | production office assistant | |
| Robert O. Kaplan | .... | legal services | |
| Sylvia Marroquin | .... | assistant accountant | |
| Sheryl Denise McCormick | .... | caterer | |
| Nansee Park | .... | assistant: Vincent D'Onofrio | |
| Todd Redilla | .... | set production assistant | |
| Renee Rosenfeld | .... | script supervisor | |
| Natalie Samanon | .... | production executive: Cineville | |
| C.R. Smith | .... | supervisor: American Humane Association | |
| Patricia Solano | .... | assistant: Dan Ireland | |
| Anke Thommen | .... | production coordinator | |
| Raigen Thornton | .... | medic | |
| William Tyrer | .... | production financing: Newmarket Capital Group | |
| Martha Waters | .... | set production assistant | |
| Orian Williams | .... | production office assistant | |
| April Wood | .... | assistant production coordinator | |
| Hans Zimmer | .... | generous support and guidance | |
| Leticia Alaniz | .... | stand-in: Renee Zellweger (uncredited) | |
| Gina Carollo | .... | accountant (uncredited) | |
Thanks | |||
| John K. Adams | .... | special thanks (as John Adams) | |
| Moody Anderson | .... | special thanks: Texas Traders | |
| Michael Apostolina | .... | special thanks | |
| Lynn Asma | .... | special thanks | |
| Carl Bressler | .... | special thanks | |
| Emma Burnham | .... | special thanks | |
| Stephen Cain | .... | special thanks | |
| John Carrabino | .... | special thanks | |
| Cori Cascante | .... | special thanks | |
| Kenneth C. Christmas Jr. | .... | special thanks | |
| Ethan Coen | .... | special thanks | |
| Joel Coen | .... | special thanks | |
| Doug Collins | .... | special thanks | |
| Mickey Cottrell | .... | special thanks | |
| Olivia d'Abo | .... | special thanks | |
| Craig Davis | .... | special thanks | |
| Tom DeCerchio | .... | special thanks (as Tom de Cerchio) | |
| Raymond De Felitta | .... | special thanks (as Raymond de Fellita) | |
| Martin Donovan | .... | special thanks | |
| Marvin Ellis | .... | special thanks | |
| Novalyne Price Ellis | .... | dedicatee | |
| Carol A. Ellison | .... | special thanks | |
| Gwen Field | .... | special thanks | |
| Geoffrey Gilmore | .... | special thanks | |
| Nicole Given | .... | special thanks | |
| Anais M. Hayes | .... | special thanks | |
| Vanessa Hayes | .... | special thanks | |
| William Hochberg | .... | special thanks | |
| Tracey Jacobs | .... | special thanks | |
| Greg Kachel | .... | special thanks | |
| Daphna Kastner | .... | special thanks | |
| Sal Ladestro | .... | special thanks | |
| Barbara Levy | .... | special thanks | |
| Tami Lopez | .... | special thanks | |
| Glenn Lourd | .... | special thanks | |
| Billie Ruth Loving | .... | special thanks | |
| Darryl Macdonald | .... | special thanks | |
| Joanne Moore | .... | special thanks | |
| Adam Moos | .... | special thanks | |
| Ms. Alla Ray Morris | .... | in loving memory of | |
| James Mouton | .... | special thanks | |
| Terri Mouton | .... | special thanks | |
| Verla Mouton | .... | special thanks | |
| Dorian Muncey | .... | special thanks | |
| Annette Myers | .... | special thanks | |
| Scott Myers | .... | special thanks | |
| Patricia Nava | .... | special thanks | |
| Paul Nipper | .... | special thanks | |
| Ruben Oliva | .... | special thanks | |
| Lisa Onodera | .... | special thanks | |
| Bennie Peltola | .... | special thanks | |
| Scott Peltola | .... | special thanks | |
| Leonard Pollack | .... | special thanks | |
| Lucy Pond | .... | special thanks | |
| Alexandra Rose | .... | special thanks | |
| Bernard Rose | .... | special thanks | |
| Theresa Russell | .... | special thanks | |
| Gabriela Sabet | .... | special thanks | |
| Sam Schwartz | .... | special thanks | |
| Reid Shane | .... | special thanks | |
| Michael Shaw | .... | special thanks | |
| Adam Milo Smalley | .... | special thanks (as Adam Smalley) | |
| Lance Smith | .... | special thanks | |
| Karen Tangorra | .... | special thanks | |
| Walter Teller | .... | special thanks | |
| Stacy Title | .... | special thanks | |
| Robert Troy | .... | special thanks | |
| Ronaldo Vasconcellos | .... | special thanks | |
| Louis Venosta | .... | special thanks | |
| Lisa Viola | .... | special thanks | |
| Suzanne Zimmer | .... | special thanks | |
| Claire Zlozower | .... | special thanks | |
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This is an easy vote. A real, well acted old time story of star crossed loves. Cutting edge acting by Vincent D'Onofrio as Robert and his girl Rene Z. An emotional, tender, and heartbreaking story. Both actors pull out your emotions and put them through the wringer. Beautifully filmed and the music fits the mood. Vincent was perfect. His intense face, which he uses as an emotional barometer, captures and relays the tortures Robert E Howard experienced. It is how films used to be - memorable. This was Rene Z's first serious work, and I will say she has never come close again in touch the emotional triggers although she is big box office. Her thanks to Vincent on receiving her first Academy awards speaks volumes " Thank you Vincent for teaching me how to work." They were a lovely team together with a special bond both actors created together. I did not want to leave the characters and return to reality. In closing, this "little movie" budget wise and distribution wise, is actually a far greater achievement then it's modest budget could foresee. This film should have been dubbed as one of the greats instead of shelved and forgotten.