| Videos (see all 2 NEW) |
| Fri. Nov. 20 | 9:00 PM | TVLAND |
| Courtney B. Vance | ... | Foreman | |
| Ossie Davis | ... | Juror #2 | |
| George C. Scott | ... | Juror #3 | |
| Armin Mueller-Stahl | ... | Juror #4 | |
| Dorian Harewood | ... | Juror #5 | |
| James Gandolfini | ... | Juror #6 | |
| Tony Danza | ... | Juror #7 | |
| Jack Lemmon | ... | Juror #8 | |
| Hume Cronyn | ... | Juror #9 | |
| Mykelti Williamson | ... | Juror #10 | |
| Edward James Olmos | ... | Juror #11 | |
| William Petersen | ... | Juror #12 | |
| Mary McDonnell | ... | Judge | |
| Tyrees Allen | ... | Guard | |
| Douglas Spain | ... | The Accused |
Directed by | |||
| William Friedkin | |||
Writing credits(WGA) | ||
| Reginald Rose | (teleplay) | |
Produced by | |||
| Terence A. Donnelly | .... | producer | |
Cinematography by | |||
| Fred Schuler | (director of photography) | ||
Film Editing by | |||
| Augie Hess | |||
Casting by | |||
| Mary Jo Slater | |||
Production Design by | |||
| Bill Malley | |||
Set Decoration by | |||
| Donald Elmblad | |||
Costume Design by | |||
| Dan Moore | |||
Makeup Department | |||
| Gail Rowell-Ryan | .... | hair stylist (as Gail Ryan) | |
| Rick Sharp | .... | makeup artist | |
Production Management | |||
| Terence A. Donnelly | .... | unit production manager | |
| Mel Swope | .... | executive in charge of production (uncredited) | |
Art Department | |||
| Barry Bedig | .... | property master | |
| Jason Bedig | .... | assistant property master | |
| Chris Marneus | .... | construction coordinator | |
| Tony Medena | .... | construction foreman | |
| Todd Spencer | .... | set dresser | |
| Freddy Waff | .... | on-set dresser | |
| Marc Christie | .... | labor foreman (uncredited) | |
| Nathan Haas | .... | lead man (uncredited) | |
Sound Department | |||
| Benjamin Beardwood | .... | dialogue editor | |
| Joe Earle | .... | sound effects editor (as Joseph H. Earle Jr.) | |
| David E. Fluhr | .... | sound re-recording mixer | |
| Adam Jenkins | .... | sound re-recording mixer | |
| Aaron Levy | .... | sound recordist | |
| Alyson Dee Moore | .... | foley artist | |
| Ralph Osborn | .... | dialogue editor | |
| Nancy Parker | .... | foley artist (as Nancy May Parker) | |
| Michael A. Patillo | .... | boom operator (as Michael Patillo) | |
| Matt Sawelson | .... | supervising sound editor (as Matthew Sawelson) | |
| Bruce Tanis | .... | sound effects editor | |
| Winfred Tennison | .... | boom operator | |
| Russell Williams II | .... | sound mixer | |
| David Schatanoff Jr. | .... | post-audio coordinator (uncredited) | |
Special Effects by | |||
| Paul Staples | .... | special effects coordinator | |
| Martin Simon | .... | special effects (uncredited) | |
Camera and Electrical Department | |||
| Jonathon Bradley | .... | camera loader | |
| Alexander Buono | .... | assistant camera (as Alex Buono) | |
| Don Duffield | .... | key grip | |
| Jeffrey Laszlo | .... | camera operator (as Jeff Laszlo) | |
| Calvin Maehl | .... | chief lighting technician | |
| Richard Mosier | .... | assistant camera | |
| Ken Roy | .... | video assist operator | |
| Penny Sprague | .... | first assistant camera: "b" camera | |
| Mark Van Loon | .... | camera operator | |
Casting Department | |||
| Margo Day | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Marian Ceo | .... | costume supervisor (as Mari-An Ceo) | |
| Tony Lipin | .... | set costumer (uncredited) | |
Editorial Department | |||
| Bryan McMahan | .... | colorist | |
| Darrin Navarro | .... | assistant editor | |
Music Department | |||
| Alan Broadbent | .... | musician: piano | |
| Charlie Haden | .... | composer: additional music | |
| Charlie Haden | .... | musician: bass | |
| Kenyon Hopkins | .... | composer: original music theme | |
| Richard S. Kaufman | .... | music supervisor | |
| Larance Marable | .... | musician: drums | |
| Ernie Watts | .... | musician: saxophone | |
Transportation Department | |||
| Geno Hart | .... | transportation coordinator | |
| Joseph Aroesti | .... | transportation captain (uncredited) | |
| Tony Barattini | .... | driver: cast (uncredited) | |
| William R. Peck | .... | driver (uncredited) | |
| John Pellegrino | .... | driver (uncredited) | |
| Adam Pinkstaff | .... | driver (uncredited) | |
Other crew | |||
| David Crowley | .... | assistant coordinator | |
| Jeff Gaffin | .... | production accountant | |
| Linda Gordon | .... | assistant: Mr. Friedkin | |
| Stuart Lippman | .... | script supervisor | |
| Haley Sweet | .... | production coordinator | |
| Shari Sweet | .... | production assistant | |
| Allan Bragg | .... | stand-in: Jack Lemmon (uncredited) | |
| Will Bryant | .... | story editor (uncredited) | |
| Fernando Cubillas | .... | assistant: Edward James Olmos (uncredited) | |
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| 12 Angry Men | Cattle Raiders | To Kill a Mockingbird | Call Northside 777 | Suspect |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
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Like the original 1957 film, this remake is a taut drama. Unlike most remakes, this one is as good as the first. The script still stands up as a gritty revelation of human psychology. The cast is solid, and the characters are more diverse than in the original. Look at both versions and see a study not only in the workings of human nature but also in the workings of script adaptation at its best.