Chun gwong cha sit (1997)

Director:

Kar Wai Wong

Writer:

Kar Wai Wong (writer)

Release Date:

29 April 1997 (Italy)

Genre:

Drama | Romance

Plot:

Yiu-Fai and Po-Wing arrive in Argentina from Hong Kong and take to the road for a holiday. Something is wrong and their relationship goes adrift...

Plot Keywords:

Tango | Argentina | Cigarette | Gay Asian | Waterfall

Awards:

6 wins & 12 nominations

Cast

Leslie Cheung	...	Ho Po-wing
Tony Leung Chiu Wai	...	Lai Yiu-fai
Chen Chang	...	Chang
rest of cast listed alphabetically:
Gregory Dayton	...	Lover
Shirley Kwan	...	(scenes cut)

Also Known As:

Happy Together (Hong Kong: English title) (USA)
Buenos Aires Affair (International: English title)
Chun guang zha xie (Hong Kong: Mandarin title)
Happy
Felizes Juntos (Brazil) (Portugal) [pt]
Édes2kettes (Hungary) [hu]
Buenos Aires (Japan: English title) [en]
Eftyhismenoi mazi (Greece) [el]
Glücklich vereint (Germany) (TV title) [de]
Happy Together (Poland) [pl]
Happy Together (France) [fr]
Happy Together (Germany) [de]
Happy Together (Sweden) [sv]
Happy Together (Spain) [es]
Happy together - Viimeinen tango Buenos Airesissa (Finland) [fi]
Mutlu beraberlik (Turkey: Turkish title) [tr]

Runtime:

96 min

Country:

Hong Kong

Language:

Mandarin | Cantonese | Spanish

Color:

Black and White | Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby

Certification:

Canada:14 (Nova Scotia) | Canada:AA (Ontario) | Canada:G (Quebec) | Canada:PA (Manitoba) | Netherlands:12 | Iceland:12 | Italy:VM18 | New Zealand:R18 | France:U | Philippines:R-18 | Argentina:16 | Australia:M | Chile:18 | Finland:K-16 | Germany:12 | Hong Kong:III | Norway:15 | Portugal:M/16 | Singapore:(Banned) (original rating) | Singapore:R(A) (re-rating on appeal) | South Korea:(Banned) (original rating) | South Korea:18 (re-rating) (cut) | Spain:18 | UK:15

Filming Locations:

Buenos Aires, Federal District, Argentina

Company:

Block 2 Pictures

Trivia:

The names of the two main characters are the names of the film's assistant cinematographers.

Goofs:

Continuity: Before Fai push starts the old car, the engine has already started while it is standing still.

Quotes:

Ho Po-wing: Lai Yiu-fai... we could start over.

Movie Connections:

Referenced in Fa yeung nin wa (2000)

Soundtrack:

Cucurrucucu Paloma

A study of a traumatic relationship

"Happy Together " is essentially a study of a couple falling in and out of love. Their sex - they are a gay couple from Hong Kong - hardly matters: the film could just as well have been about a straight or lesbian couple. The fact that very near the beginning there is as explicit a scene of male anal intercourse as one is likely to encounter in mainstream commercial cinema is far from gratuitously sensational. As the film is meant to start on a passionate high, this is the most convincing way of doing it - so be it. The director has the integrity not to repeat this for the reason that the couple never quite feel the same about each other again - indeed there is a great deal of alienation. Both have arrived in Argentina in search of work. Although the jobs undertaken by one of the pair, Lai, are fairly menial, fist as a doorman at a Tango club and then a kitchen worker, he seems more stable than his companion, Ho, who does little but hustle, gets beaten up fairly early on and spends much of his time in an incapacitated state. In the room they share there is a lampshade depicting the Izuazi Falls. The cascade almost becomes a symbol for the relationship they would ideally like to achieve. Early on they hire a car to look for it but lose their way. After their relationship has finally broken Lai finds it, but as he is alone, the landmark seems sadly lacking in excitement. There is a third main character, a straight guy from Taiwan, who works in the kitchen with Lai. With his amiable self-sufficiency he seems to have been introduced to provide a balance to the angst of the main pair, a device that works well as it reinforces our sympathy for them. "Happy Together" looks rough and crude. A hand held camera is used with frenetic nervousness. Sequences of monochrome alternate with scenes that are almost perversely over-coloured. I know it is fashionable to give some films a nightmarish look. Here I found it a distinct stumbling block to be got over for the sake of a work that says so much about loneliness, homesickness and the struggle of people simply to be "happy together".