| Photos (see all 54 | slideshow) | Videos |
| Sat. July 11 | 2:00 PM | Telemundo |
| Mel Gibson | ... | Jerry Fletcher | |
| Julia Roberts | ... | Alice Sutton | |
| Patrick Stewart | ... | Dr. Jonas | |
| Cylk Cozart | ... | Agent Lowry | |
| Steve Kahan | ... | Mr. Wilson (as Stephen Kahan) | |
| Terry Alexander | ... | Flip | |
| Alex McArthur | ... | Cynic | |
| Rod McLachlan | ... | Justice Guard | |
| Michael Potts | ... | Justice Guard | |
| Jim Sterling | ... | Justice Guard | |
| Rich Hebert | ... | Public Works Man | |
| Brian J. Williams | ... | Clarke | |
| G.A. Aguilar | ... | Piper | |
| Cece Neber Labao | ... | Henry Finch's Secretary | |
| Saxon Trainor | ... | Alice's Secretary | |
| Claudia Stedelin | ... | Claudia | |
| Leonard Jackson | ... | Old Man in Barnes & Noble Bookstore | |
| Donal Gibson | ... | Doctor in Roosevelt Hospital | |
| Joanna Sanchez | ... | Nurse in Roosevelt Hospital | |
| Michael Shamus Wiles | ... | Cop in Roosevelt Hospital | |
| Mik Scriba | ... | Cop in Roosevelt Hospital | |
| Patrick Wild | ... | Intern in Jerry's Room | |
| Mushond Lee | ... | Intern (Carl) | |
| Kevin Kindlin | ... | Intern | |
| Troy Garity | ... | Intern | |
| J. Mills Goodloe | ... | Jonas' Aide | |
| Michael Kurtz | ... | Well Dressed Man | |
| Peter Koch | ... | Fire Captain | |
| Kevin Jackson | ... | CIA Agent | |
| Nicholas Kusenko | ... | CIA Agent (as Nick Kusenko) | |
| Karl Makinen | ... | CIA Agent | |
| Darren Peel | ... | Geronimo Cleet | |
| Marian Collier | ... | Geronimo Cook | |
| John Harms | ... | Agent Murphy | |
| Christine Toy Johnson | ... | Barnes & Noble Bookstore Clerk | |
| David Koch | ... | Tech | |
| Danny Smith | ... | Tech | |
| Juan A. Riojas | ... | Tech (as Juan Riojas) | |
| Paul Tuerpe | ... | Cleet | |
| Dean Winters | ... | Cleet | |
| José Ramón Rosario | ... | Angry Vendor | |
| Louis Cantarini | ... | Angry Vendor | |
| Sean Patrick Thomas | ... | Surveillance Operator | |
| Peter Jacobson | ... | Surveillance Operator | |
| Edita Brychta | ... | Henry Finch's Receptionist | |
| Sage Allen | ... | Grouchy Nurse | |
| Thomas McCarthy | ... | Helicopter Spotter | |
| K.T. Vogt | ... | Woman in Mental Hospital | |
| Joshua Fardon | ... | Hospital Guard | |
| Joan Lunden | ... | TV Announcer | |
| Charles McDaniel | ... | Bureaucrat | |
| Matte Osian | ... | Operative | |
| Dave Simonds | ... | Operative (as David Hamilton Simonds) | |
| Rick Hoffman | ... | Night Security | |
| Edward J. Rosen | ... | Old Man in Diner | |
| Bert Remsen | ... | Judge Sutton | |
| Lincoln Simonds | ... | Cop | |
| Bill Henderson | ... | Hospital Security | |
| Jay Della | ... | Patient (as Jay Fiondella) | |
| James Oliver | ... | Man in Justice Department (as James Louis Oliver) | |
| Kerry McCullen Palmisano | ... | Nurses' Aide (as Kerry Palmisano) | |
| Victory Palmisano | ... | Nurses' Aide (as Victory Grace Palmisano) | |
| Kate Bayley | ... | Nurses' Aide | |
| Irene Hilleary | ... | Justice Department Receptionist | |
| Stephen Liska | ... | Hospital Orderly | |
| Don Stanley | ... | Justice Department Guard | |
| Lorna R. Millen | ... | Charge Nurse | |
| Brad Rea | ... | Spotter | |
| Jim Van Wyck | ... | Spotter | |
| Jayson Merrill | ... | Spotter | |
| Dan Cracchiolo | ... | Spotter | |
| John Schwartzman | ... | Sniper | |
| Raymond King | ... | Bucket Drummer | |
| Jared Crawford | ... | Bucket Drummer | |
| Jeremy A. Graham | ... | Rapper | |
| Chad Santiago | ... | Rapper | |
| Christo Morse | ... | Taxi Patron | |
| H. Clay Dear | ... | Traffic Cop | |
| Daniel Nugent | ... | Traffic Cop | |
| Andrew Lauren | ... | Lawyer | |
| Tom Schanley | ... | Lawyer | |
| Kenneth Tigar | ... | Lawyer | |
| Maureen Lauder | ... | Lady with Dog | |
| Judith Woodbury | ... | Woman Lawyer (as Judy Woodbury) | |
| James W. Gavin | ... | Helicopter Pilot | |
| Al Cerullo | ... | Helicopter Pilot | |
| Charles W. Robinson | ... | Helicopter Pilot | |
| Robert Chaves | ... | Helicopter Pilot | |
| Cliff Fleming | ... | Helicopter Pilot | |
| rest of cast listed alphabetically: | |||
| Richard Donner | ... | Cab Passenger (uncredited) | |
| Steve Lee | ... | Radio Talk Show Voice (uncredited) | |
| Beau Lotterman | ... | Policeman (uncredited) | |
| Erik L. Nelson | ... | Loading Dock Man (uncredited) | |
| Judy Prianti | ... | Nun (uncredited) | |
| George Simpson | ... | Radio Talk Show Voice (uncredited) | |
Directed by | |||
| Richard Donner | |||
Writing credits(WGA) | ||
| Brian Helgeland | (written by) | |
Produced by | |||
| Dan Cracchiolo | .... | co-producer | |
| Richard Donner | .... | producer | |
| Julie Durk | .... | associate producer | |
| J. Mills Goodloe | .... | co-producer | |
| Ilyse A. Reutlinger | .... | associate producer (as Ilyse Reutlinger) | |
| Joel Silver | .... | producer | |
| Richard Solomon | .... | co-producer (as Rick Solomon) | |
| Jim Van Wyck | .... | executive producer | |
Original Music by | |||
| Carter Burwell | |||
Cinematography by | |||
| John Schwartzman | (director of photography) | ||
Film Editing by | |||
| Kevin Stitt | |||
| Frank J. Urioste | |||
Casting by | |||
| Marion Dougherty | |||
Production Design by | |||
| Paul Sylbert | |||
Art Direction by | |||
| Gregory Bolton | (as Gregory Wm. Bolton) | ||
Set Decoration by | |||
| Casey Hallenbeck | |||
Costume Design by | |||
| Ha Nguyen | |||
Makeup Department | |||
| Thomas Floutz | .... | special makeup effects artist | |
| Lee Harman | .... | makeup artist | |
| Stephen Robinette | .... | hair stylist | |
| Shaun Smith | .... | special makeup effects supervisor: KYP Inc. | |
| Kevin Yagher | .... | special makeup effects artist | |
Production Management | |||
| Nan L. Bernstein | .... | unit production manager (as Nan Bernstein Freed) | |
| Helen Pollak | .... | unit production manager | |
| Ilyse A. Reutlinger | .... | post-production supervisor (as Ilyse Reutlinger) | |
| Lucille Smith | .... | production supervisor: title sequence: New York | |
Special Effects by | |||
| Wilfred Caban | .... | special effects: New York | |
| Robert S. Henderson | .... | special effects foreman (as Robert Henderson) | |
| Greg C. Jensen | .... | on set special effects | |
| Steven Kirshoff | .... | special effects: New York | |
| Michael Meinardus | .... | special effects coordinator (as Mike Meinardus) | |
| Ron Petruccione | .... | special effects | |
| Parry Willard | .... | special effects technician | |
| Kevin Yagher | .... | makeup special effects | |
Visual Effects by | |||
| Lindsay Burnett | .... | visual effects coordinator: Warner Digital | |
| Theresa Ellis | .... | visual effects supervisor | |
| Kelly Granite | .... | visual effects compositor | |
| Dave Gregory | .... | visual effects, color imaging supervisor: Warner Digital | |
| John Kilkenny | .... | visual effects producer: Digital Domain | |
| Bill Maher | .... | visual effects wrangler: Warner Bros. Digital | |
| Jason Piccioni | .... | digital artist | |
| Kosta Saric | .... | visual effects editor: CFX | |
| Christopher Savides | .... | imaging color lead | |
| Jesse Silver | .... | art department supervisor: Warner Digital Studios | |
| David Taritero | .... | visual effects producer | |
| James D. Tittle | .... | digital effects coordinator: CFX | |
| Aristomenis Tsirbas | .... | digital artist | |
| Kieran Woo | .... | production controller: Digital Domain | |
| Glen Gustafson | .... | film recorder operator: Warner Digital (uncredited) | |
| Heather J. Morrison | .... | visual effects editor: Warner Digital (uncredited) | |
| Craig A. Mumma | .... | digital effects producer: CFX (uncredited) | |
| Kevin Andrew Smith | .... | digital compositor (uncredited) | |
| Terry Whiteside | .... | visual effects producer: Warner Digital Studios (uncredited) | |
| Eric Withee | .... | data manager: CFX (uncredited) | |
Casting Department | |||
| Douglas Wright | .... | casting associate | |
Costume and Wardrobe Department | |||
| Cathie Filian | .... | costumer (as Catherine Bush Cain) | |
| Kimberly Guenther | .... | costume supervisor | |
| Christopher J. Kristoff | .... | assistant costume designer | |
Editorial Department | |||
| Kris Cole | .... | first assistant editor: New York | |
| Mark Eggenweiler | .... | assistant editor | |
| Mo Henry | .... | negative cutter | |
| Edward Malone | .... | assistant editor | |
| Peter McNulty | .... | assistant editor | |
| David Orr | .... | color timer | |
| Marianne Urioste | .... | assistant editor | |
| Bill Daly | .... | post-production executive (uncredited) | |
Music Department | |||
| Emily Bernstein | .... | musician: clarinet | |
| Carter Burwell | .... | conductor | |
| Marc Caruso | .... | assistant music editor | |
| Sonny Kompanek | .... | orchestrator | |
| Ken Kugler | .... | musician: trombone | |
| Maria Newman | .... | musician: viola | |
| Brad Segal | .... | additional music editor | |
| Adam Milo Smalley | .... | music editor (as Adam Smalley) | |
| Zigmund Gron | .... | music editor (uncredited) | |
| Brad Segal | .... | music editor (uncredited) | |
Transportation Department | |||
| Timothy Paustian | .... | driver | |
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Conspiracy Theory
Jerry Fletcher (Mel Gibson) is a lonely New York City taxi driver who lives a very organised, but paranoid, existence. He spends his spare time pouring over newspapers in his high security apartment, looking for suspicious coincidences between the pages, and forming wild conspiracy theories based on them (which he recounts to his unwilling passengers the next day). He is also infatuated with Alice Sutton (Julia Roberts), a woman who works for the government, whose father has recently been killed under mysterious circumstances, and whom Jerry once saved the life of. One day, Jerry is kidnapped and interrogated by a mysterious man (a good Patrick Stewart). Jerry escapes, but soon realises that one of his conspiracy theories may have come true. But he has trouble convincing Alice of this, who has listened to Jerry's musings far too many times to believe any of them.
While his creative output over the years hasn't been specifically worth mentioning, Richard Donner is hardly a filmmaker deserving of much criticism; his movies supply solid, if forgettable, entertainment that is worth the price of admission. And yet, at the same time, it's fairly disappointing to watch him try, and fail, to replicate the artistic success of his 1978 hit 'Superman'. 'Conspiracy Theory' tries to coax Donner away from his traditional formula of flying bullets and jokes (seen badly, minus the jokes, in the 1995 dud 'Assassins'), and is ultimately a more highbrow outing for the director than you might expect. But intricate plotting aside, 'Theory' just doesn't know what to do with itself, and it only half accomplishes what it does know how to do.
Despite this all, the film does starts off on the right foot, with a first act that determinedly invites the audience into Jerry's specific, unreal world. At this time, one may think perhaps Donner teaming up again with 'Assassins' scribe Brian Helgeland wasn't a bad idea, as 'Theory' offers truly entertaining moments when it lets the audience see how Jerry's eccentric lifestyle brushes against the people of the city, and inhibits his own daily activities. It's not classic Donner, but it's pleasurable in an unchallenging way.
Easily identifiable as the moment where 'Theory' stops holding water is when the film tumbles into a cat-and-mouse thriller, which sees our misunderstood protagonist finding it increasingly hard to stay ahead of his pursuers, or keep an easy grip on his sanity. Jerry's journey into his past alone could have been enough to maintain audience interest, but Helgeland can't decide whether his film is more of a romance or a mystery, and he ends up writing in too much of both, including a slightly too happy denouement, and plot twists and turns that, rather than emerging smoothly as the film progresses, seem to be thrown in interstitially and without proper notice. Surprisingly (or not?), Donner is partly to blame as well, as the film sags badly in the mid-section, all too soon falling back on Helgeland's ineffective comic moments, moments that the film really did not need.
Thankfully, Richard Donner has star Mel Gibson (in their sixth collaboration) to fall back on. A veteran of Donner's overrated 'Lethal Weapon' franchise, Gibson doesn't fully succeed in keeping the oddities of the character from overwhelming his performance, but he manages to display Jerry's instability with little trouble. Gibson delivers solid work here, as does Julia Roberts, in perhaps her most intelligent role to date. I had a hard time swallowing the actress's lazy "smile"-acting in the annoying 'My Best Friend's Wedding' last June, but 'Theory' reveals once again her under-appreciated dramatic skills. Together, the two leads muster up an adequately engaging screen spark, and help make the film rousing where Donner and Helgeland couldn't have allowed it to. 'Theory' is another near miss for Donner, but it's worth cracking even so, all thanks to Gibson and Roberts.
~ 6/10 ~